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DevilSauron

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  1. I experience similar thing, but in somewhat different situation. I have really bad falsetto range that nearly completely overlaps with my "non-falsetto" higher range and most often ends on C5. Sometimes, when I try to sing higher in my falsetto, let's say a D5, it "breaks down" and sounds like really weak falsetto D5 and stronger non-falsetto D4.
  2. And that's the reason why I am so unsure about vocal teachers in general. There are many "know-it-alls with keyboard and computers" who say they are teachers (either on their websites or on youtube, often on both) and still they say things like this one. For example, I found one (on YT) who said that this register is accessible only to those vocalist that have exceptionally flexible vocal cords or something like that... and this video has 120 000 views.
  3. That's interesting. To be honest, when I started to find informations about singing, techniques etc., I found out that the internet is one big minefield consisting of statements that contradict each other . For example, the wikipedia and major questions sites mainly state that the whistle register is totally inaccessible for majority of males.
  4. I wonder, is it true that most males do not have (and cannot have) access to this register?
  5. I have similar experience. I usually sing to G-A4, but there are times when I can sing without any problem up to C5 and my falsetto is higher too. I don't know how I do it and I can't reproduce it EDIT: I forgot to say that it has nothing to do with cold/other ilnesses in my own experience.
  6. Hi guys, sorry for my long silence without any provided recording, but I had many work to do to school and other things. I am back though and I think I will be able to post some recording by the weekend. As for the teacher... I am still in the process of consulting it with the choir "leader", she is/was a vocal teacher or a consulatnt or something like that and I hope she will give me some tips and recommend someone. I've identified some problems I have (I'm not sure whether I already said that), for example I can access only chest voice (and falsetto) and I can't access head voice or mix at all, that's probably why my voice usually feels somewhat pushed at A4 and higher notes (and sometimes even at G4).
  7. Well I meant more the signs that are warnings and when I should say to myself "Ok, this really wasn't good for the voice."
  8. Just a question - how can I find out whether my voice is being damaged/was "damaged"? I don't want to damage my voice before finding a teacher and I just like to sing and experiment
  9. Ill in a way that prevents proper speaking and pronunciation, not sure about singing in general (basically a cold or a flu) .
  10. Also, I suppose that when @Xamedhi provided his voice records, I should do that too if you want and if it's useful...
  11. Yeah I know about that tenor part octave shift, but I don't know why is it used. And by the way, my dream range would be up to G5 I think, because that's the highest tone in JC Superstar (Gethsemane, but I am not sure whether they use falsetto there, I think that original actor didn't) and thus probably the highest note I've heard in men's singing :-D
  12. And I nearly forgot the falsetto voice... so I suppose vocal teacher will help me extend it in similar way to extending normal voice, right? Because my falsetto is nearly useless for me now...
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