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Found 149 results

  1. WickedHairstyle

    Rihanna - Stay (vocal + piano cover)

    Hey I've been postponing it for a while now. I feel vulnerable posting myself singing, especially with my face visible, however the days go by and I feel like this is the next step. You'll find the mic dump below to pick up all the details, however it's way worse than I'd like it to be. Any feedback that will help me grow would be much appreciated! Vocal part from the mic:
  2. Help pls I need to know for an audition later There's no background audio for most of it and I apologize, I pulled this together in a rush and I wasn't able to add too much of my personal touch. Thanks! Also I can't pay I'm broke :C
  3. Hey I just started to sing and would love to get some feedback on how my voice sounds. Here's a snippet of a cover I did to Without You by Spooky Black (Corbin). Thanks!
  4. Please go and visited my channel and view some videos www.paytonsellsmusic.com
  5. European company JZ Microphones is amongst many manufacturers that offer a modern take on vintage sound. Their Vintage 11 (V11) is said to produce very smooth sounding top end, and in theory, should be very good for voice-over work. But the concept of “modern vintage” still sounds a bit vague and lacking explanation to some. Needless to say, we got our hands on one of these mics to see what it does. When it comes to striking visual design characteristic of JZ Microphones, the V11 is no exception. This thing looks like it belongs in the interior of an expensive luxury car, perhaps as an ashtray or a compartment for your diamond encrusted smartphone. A modern take on a vintage sound The V11 is a high-performance cardioid condenser microphone with a one-inch gold sputtered capsule (JZ Microphones patented GDC capsule making technology). JZ Microphones claims that while the microphone is quite versatile it works best on acoustic guitar, vocals, and wind instruments. The frequency graph of V11 shows a noticeable bump in the lower end and suggests it is designed to deliver smooth, rich, and warm sounds. The V11 has a large diaphragm 27 mm (1,06") capsule, extra low self-noise level (6,5 dB (A)) maximum sound pressure level (SPL) of 134,5 dB, class-A discrete electronics, and gold-plated output contacts. It comes with an external specially designed shock-mount and, just like all other mics that JZ Microphones produces, is handcrafted. Noticeably above the similarly priced competition Opinions about microphones are subjective, but it has to be mentioned that V11 has caught the attention of award-winning producer Rafa Sardina (Lady Gaga, Beyoncé, Stevie Wonder). Sardina has repeatedly stated that he loves many JZ Microphones products and judging from the interviews, the V11 is one of his favorites. We tested it on both male and female singers, trying out a number of singing styles and settings.6 Other “Vintage” series mics (V47, V67) are supposedly made to bring back the sound of all time classics but with the V11 (11 stands for 2011 – the year in which the mic was launched) the company’s founder and designer Juris Zarins hoped to create a microphone that would give you a vintage vibe, but with quite a bit of modern mic-making tradition present in design and during production. The sound, however, shows why JZ Microphones is confident enough to call it the “next classic” on more than one occasion. It proved to be a true gem when it came to spoken word performances. This microphone doesn’t look the part, but it is indeed an excellent tool for radio and performs exceptionally well as a voiceover microphone. Minimal to no EQ intervention is needed, in my opinion. When it comes to singing, it is quite warm yet does not lose clarity. Also, if the bass lift is not welcome at all, you can deal with it easily. The built-in shock-mount is very simple, easy to use, and actually works. The V11’s price tag makes it fair to compare it to all other work-horses that are used for spoken word and broadcasting, and the V11 stands out with a more refined, classy sound. You can just feel that it wasn’t designed as a budget microphone meant to overwhelm the market. They’ve obviously put serious thought into it. I can’t find any problems with construction or sound. I’m going to guess that the reason for this is that the company mainly produces expensive “premium” class microphones and hasn’t really optimized the V11’s production to fit the mid-range price tag. I am pretty sure that most if not all of the high-grade components they use for their most expensive mics are in the V11 as well. After all, are there many other mid-priced microphones that have impressed the likes of Rafa Sardina? In conclusion All in all, what strikes me is the big picture. From what’s written in brochures, the big claims and peculiar marketing strategy might make some buyers confused. I’m still not sure why the whole “modern yet vintage” concept was chosen. In reality, it is simply a very good, very well built, warm-sounding studio microphone with an attractive price tag (and from what I can see, they have generous discounts very often). Someone who is operating on a budget looking for that hi-end studio sound should consider the V11. Accomplished pros have no reason to shy away from it, too. Granted, it is not made to compete with and function like more expensive studio classics, but it is so much more (I can’t stress this enough) than the price tag suggests. Find out more about JZ Microphones products.
  6. For about ten years, a European company called JZ Microphones has made its flagship Black Hole 2 (BH2) studio microphone, supposedly a versatile, visually stunning, and beautifully sounding mic that “easily finds its place among celebrated all-time classics”. It seems that up until now critics have showered this piece of technology with one favorable review after another (to the point where it almost gets a bit ridiculous), so we thought we’d give it a try and see if it really deserves such generosity. The looks JZ Microphones present their BH2 as a “premium”, “high-end” studio microphone, but I’m sure most of you will agree that it does not really look the part. First of all, there’s a hole in the middle. The microphone seems to be rather small and thin, and it doesn’t look like it will fit in a standard spider shock-mount. It leaves you with quite a few questions when you unpack it for the first time, but let’s take a look at some important facts in the brochure. The tech BH2 is a fixed cardioid, large diaphragm 1,06" (27mm) condenser microphone with one large, true electrostatic capsule inside the compact head. Qualities that make it stand out amongst the rest of the herd are JZ Microphones’ patented capsule making technology, Golden Drop Capsule (GDC). Once this technology is implemented, it gives the microphone extra low self-noise level of 7,5 dB (A), discrete class-A electronics, maximum Sound Pressure Level (SPL) of 134,5 dB, and a unique reverberation-canceling shape. It also comes with a specially designed shock-mount and is made by hand. The sound When we decided to test the BH2 we came up with quite an obstacle course: we would use it in all sorts of vocal applications with numerous singers and different types of voices. Upon playing back the very first takes, it became clear how unfair it was to judge this microphone by its looks. The recorded voice sang to us with almost no coloration yet the sound was very flattering (especially for male vocals, as it later became clear) and seemed polished. BH2 presented itself to us in a very primal way. It was like being approached by a large wild animal: you feel its presence instantly. There was no need to analyze the sound or compare it to something else. It was clear right then and there that this mic should not be disregarded. It produces very crisp, detailed voice recordings and would probably do an amazing job with rap vocals. It performs very well both close up and from a considerable distance and captures clear recordings of multiple singers at once. Sure, it gave off U87 and C414 vibes (as often mentioned in reviews), but the amazing part that there’s a very large, dominating chunk of its own personality in there. It delivers the actual sound of whatever it is you’re recording with no apparent noise and features ridiculously low, yet beautiful coloration. This microphone is made for professionals and should be used in high-class studios. To a seasoned recording engineer, it will deliver the pristine sound that is expected of such a specialist. To a singer, it will bring out the very best characteristics of your voice. To someone who is not yet ready, it will tell it to you straight and emphasize your shortcomings. There is no disputing that putting “premium”, “high-end” (or any other fancy English words that the BH2’s European engineers can think of) on to the box of this microphone is completely justified. Although the unusual shape and origins of this microphone can leave you perplexed at first, it soon becomes clear that back in 2007 when JZ Microphones created the BH2, they came up with a whole new design for technology that recently celebrated its 100th birthday. Find out more about JZ Microphones products.
  7. Hello all, I used to use a crappy USB Art M-one condenser mic but after doing much research have upgraded to a Scarlett 2i2 combined with an MXL V67G. Problem I recorded myself and to be honest, while the recording is clean and clear (at least compared to my crappy USB condenser mic), it sounds so different from when I sing in person. This recording lacks power, and it just has this really dampened feeling, and sounds so boring compared to myself singing in person (friends who I show this to agree also). I'm wondering if this can be fixed just through software like EQ-ing and compressing, reverb etc, or do I need a better mic? If I do, I would preferably like to spend below $100. Recording Info The recording I have below is just noise reduction and normalize, no compression, reverb, equalizer nothing. I have tried some basic compression & reverb on another recording and while it improves the output (have not uploaded this MP3 yet), still doesn't sound the same as in person. Am I just a newb at EQ-ing? Or is this a microphone limitation? Recording below EDIT: If this is the wrong forum, mods please move to correct one
  8. I thought I would do something special for Valentine's Day. Happy Valentine's Day everyone! I have sang this style in years, so doing it in one take was definitely a challenge. I had fun going back to my Gospel roots, especially playing with sob vocal mode and distortion in that Gospel placement.
  9. TMV World Team

    Microphones from NAMM 2018!

    Microphones from NAMM 2018! Click "22 New Photos" Below
  10. Deleteduser

    November Rain

    hi there,its my second home recording,hope you like it
  11. Deleteduser

    3 weeks of practicing

    hi guys how you doing ? i hope you are doing grate it been nearly 1 month im practicing and this is my first home recording, i dont have headphone yet the old one is broken so the recording and my voice ain't sat well,i would like your opinions as im a beginner singer i would like to hear you, i want to improve if anything is missing, thanks https://soundcloud.com/mr-raulie/singing-aerosmith-dream-on
  12. Ray Rojas

    Review my Voice

    Hi Everyone Im a newbie here. I started singing 2 years ago. Please listen to my song cover and review my vocal techniques. and please comment here on the forum if I have problems on my techniques, if im off key, or something. I really want to improve my singing skill. Having your review will really be a big help I have 2 song cover. Here's the link https://m.youtube.com/#/channel/UCZgOZxjqw649pPNWLBJCWZw
  13. The Carbonphone by Placid Audio is a very unique microphone for anyone who is interested in experimenting with sound. Its military grade carbon granule element captures sound and creates a "lofi" sound that is naturally distorted. Creating sounds similar to scratchy vinyl or an old military radio, this microphone is perfect for anyone looking to recreate a more vintage tone or anyone looking to create something new altogether. Included with the microphone is the Tone Box which provides the current which is needed to power the microphone. While the microphone can be powered by any standard 9 volt power supply, the Tone Box can also shape the sound through a variable five position filter circuit. Each selection on the control knob offers a different frequency response, allowing the Carbonphone to be used on a broad range instruments and for various applications. Because the sound of Carbonphone has a character unlike many other traditional mics, it makes a great addition to any recording enthusiast’s arsenal of microphones. It can be used as an all out obvious ‘effect’ on it’s own or it can be paired with other traditional microphones for infinite blending possibilities. The Carbonphone is a perfect microphone for any person looking to update their studio with new sounds but it is also usable for live performances and with its high durability and great resistance to high pressure sound levels. FEATURES Military grade carbon granule capsule Fully balanced output Quality Hammond output transformer Rugged copper housing and components Powered 5 position variable filter Tone Box Tone Box doubles as a phantom power source Tone Box can be used with other microphones 9 volt power supply for Tone Box High quality Nuetrik 3 pin XLR connectors Handcrafted in the U.S.A Lifetime operational warranty Adjustable aircraft aluminum mounting bracket to fit North American style stands (will fit European style stands with common threaded adapter) SPECS Type: Carbon Polar Pattern: Cardioid Frequency Response: 100Hz ­- 10kHz Impedance: 600 ohms Output: 120 +/­ 2dB SPL @ 1 kHz Mic Dimensions: 1.75 x 5.5 inches Tone Box Dimensions: 5.25 x 4.25 x 2.25 inches Mic Weight: 1 lbs. Tone Box Weight 0.70 lbs. *The Modern Vocalist World is brought to you by The Vocalist Studio, course and training for singers.
  14. The Chantelle Microphone by Ear Trumpet Labs is created to be the best live vocal microphone, bringing the clarity and warmth of a large diaphragm capsule to a low-profile body. In addition to a smooth high end with no harsh tones and an upper-midrange emphasis, included is also a full foam pop filter for even greater sound control.With exceptional feedback rejection, the can be used on even the loudest of stages.The microphone comes specifically tuned to handle any stage and still provide excellent feedback rejection. Chosen by performers in diverse genres, from R&B (Andra Day) to indie folk (Rachel Sermanni) to roots (Dustbowl Revival), Chantelle has a beautiful copper body and distinctive aesthetic that will inspire singers to give their best performance. Chantelle is an end-address large-diaphragm condenser with a flexible pivoting body, excellent for vocals live, in studio, and in videos. This microphone is perfect for any vocalist wanting a diverse sound with a great amount of control over feedback and tone. With a great design and a very slick aesthetic, this microphone is sure to be a great addition for any singer's arsenal. FEATURES Hand-made microphone with unique appearance Side or end address, using pivoting bracket Capsule and electronics tuned for close vocal use on the loudest of stages with excellent feedback rejection Internal shock dampers for minimal handling noise Integral silk and mesh pop filter, for effective control of plosives without loss of clarity Transformerless FET fully balanced electronics Highest quality hand-wired electronic components - film caps, precision resistors, hand tested and matched transistors, with component values tuned for the individual circuit. TECHNICAL SPECS: Transducer Type: Condenser, large (26 mm) diaphragm Polar Pattern: Cardioid Frequency Response: 20 - 15K hz (-3dB) Sensitivity: -49dB (4 mV/Pa) Output Impedance: <50 Ohm Noise Level(A-weighted): <17 dBA Power Requirement: +48V phantom power Weight: 1 lb (4 lbs cased) Dimensions: 8” x 2” x 2”; head is 2” in diameter Sku: ETL-CHANTELLE Hear The Chantelle *The Modern Vocalist World is brought to you by The Vocalist Studio, course and training for singers.
  15. Bjorn Moller

    I'd like an honest opinion

    https://www.smule.com/recording/johnny-cash-hurt/545374368_1795532504 https://www.smule.com/recording/coldplay-fix-you-acoustic-version-coldplay/545374368_1820804523 i have provided two links to my smule account hope you like it
  16. r00dris

    New Cover

    I was chosing another song to work on and I stumbled upon this one. It has "high" notes (for my standard) and low notes. Definitely difficult for me. Insights appreciated. Cheers!
  17. Vision of Love Cover : Mariah Carey https://www.smule.com/p/673583845_1700121606 Love Yourself Cover : Justin Bieber https://www.smule.com/p/498920152_1668525932 I really need help trying to figure out what I’m doing wrong vocally or is it just my tone? I need honesty. Thank u!
  18. SwedishSinger

    Judas Priest - Desert Plains

    Hello This is a song i will be singing with my band soon. What do you think? https://vocaroo.com/i/s1lG0BbFRYqY
  19. stormchaser100

    Phoenix Ren - Begin By Letting Go

    Hi all Not been on here for a good couple of years but decided to bite the bullet again with singing and learning how to home record using Logic Pro X following training for several months and finding my own voice and not trying to copy others. My artist name is Phoenix Ren and she's only just come out to play this last summer! I'm pleased so far and know I have to more to give in terms of the voice. I also need some lessons to learn with editing the vocal to avoid 'essing' and 'popping' still being too close to the mic, but I'm keen for feedback on the overall track, balancing etc. I used 2 mixes together for the vocal - one wet with some reverb, and one dry with only compression. I use an SE220a mic and Focusrite Solo preamp/interface...and a load of mattresses!
  20. thematrixiam

    Youtube Copyright... fair use

    Anyone knowledgeable on uploading videos with audio from an artists song? Like legal stuff and the route of dealing with youtube? My John Legend video just had a copyright claim on it by Som Livre, Varios...I think it's some company in Brazil. I don't even think they are tied to John Legend. It said I could post it but not make money off of it. I'm not trying to. But, I figured I would "dispute" it for two reasons. One, fair use laws in Canada are pretty good, from what I know of. And two, I don't think they even own the copyright.
  21. I have been learning to sing for two weeks so far. I need a little help figuring out how to make my voice sound better. The song I am singing is panic at the disco Time to Dance.