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Found 127 results

  1. Hey guys I'm new to the forum and would like to ask you all a question. I've always wanted to sing since as long as I can remember, I was fine with it when I was younger, I even sung on stage a few times, but now that I'm older singing terrifies me, I can't even sing when I'm alone in my room and when I try I'm really quiet as if I physically can't do it, like I'm just insanely worried that I sound bad. I've looked up on how to improve, a lot of people have suggested that I practice scales, but I worry that I sound like a idiot doing scales and vocal warm-ups, I've also looked into vocal coaches, but they're really expensive (like some were £30 for 40 minutes and that was one of the fairly cheap ones) and I'm a student so I can't afford that.... Any tips or ideas on how to get over my fear of singing? Thanks for any help
  2. Hi all, New singer/songwriter, just recently formed an indie/shoegaze band from all of my home recordings. No vocal training or anything, but then again I don't care too much if I sound trained as a "singer" would sound on the radio, and instead i'm focusing on whether or not I sound pleasing to the ears, basically want to make sure I don't sound like complete crap because I have a very weird voice. Most shoegaze bands typically don't focus much on the vocals and layer it with tons of reverb (youtube DIIV - Sometime for an example of my genre and my favorite band) but i'd like to do something different in my genre that no one is really doing in the scene. Here's a vocal cover I did of Marilyn Manson - Coma Black (I know, definitely NOT my genre and I'm not a Manson fan, but a friend said I sort of sounded like Manson in some of my original songs so I gave it a shot the other day. Hardly any reverb which is new for me, no effects and one vocal take for the various vocal tracks, no copy/pasting. The only thing I've ever done without lots of reverb. You can compare at 2:46 to hear my voice without multitracking, or skip to 0:55)
  3. Hi Everyone! When recording a powerful voice on LogicPro and/or GarageBand, what sort of compressors or settings in the compressor should we tweak so that the output of the voice is limited and will not explode into the red volume zone, without losing the volume on the softer singing parts?I understand logically that singing further away from the mic when singing loudly often does the job, but I've seen producers slap on a compressor of some sort that prevents the voice from "exploding" (and sounding distorted) without the singer having to pull themselves away from the mic - anyone know how to do this? Please share
  4. Hi everyone, new member here. I am a female singer who has been diagnosed with a severe underbite and TMJ with neck stiffness. This diagnosis has been pretty devastating to my confidence, given that I am not a trained singer and have only been doing this for about 3 years (I'm 20). I have recorded quite a bit of music, mostly originals in the style of punk rock, and I can't help but think that my severe underbite coupled with the loud style of singing that I have grown accustomed to is to blame for my TMJ. At the moment, I am seeking treatment to correct my bite via jaw surgery, but it will not be completely fixed for another year to 2 years. Until then, I need some tips on how to overcome this problem so that I can start gigging live and avoid the pain/burning sensation that I get when I sing. Has anyone had a similar experience?
  5. We're working with one of the best independent UK Dance labels and currently looking for a vocalist for an exciting new release. We need a singer with a vocal tone very similar to Marvin Gaye to record a topline on a dance track. You must either be able to travel to London to record or have access to recording equipment to record the vocals.Once accepted through to the workspace we'll request you to record a short vocal demo which we will submit to our client for them to make the final decision. If you are then chosen for this project, we'll provide you with the full brief for you to be able to record the topline. The budget is £250/£300 for recording the vocal topline. See http://www.themodernvocalistworld.com/forum/15-seeking-vocalist-vocalist-available/
  6. Been working hard on getting my mixes better. This one took about a week. Good learning experience. Not perfect but im somewhat proud of it Approximately 80 tracks involved Its going to be a fairly low quality upload because its an MP3 to start with and then uploaded to an MP3 site On The Inside, scratch full mix #1 EDIT: Rebalanced mix, much better On the Inside, rebalanced mix#1 Enjoy, JJ
  7. For the pipe organ an open valve will trigger the sound of the pipe. The key of a song tells us which valves we can open safely to stay in harmony. Singers have a comfort zone All singers have a comfort zone, a range of notes that sound best and can be performed effortless. Despite of the ability to expand the vocal range through training, every singer has an individual physical quality which is responsible for the position of the comfort zone within the vocal spectrum. We may not consciously observe this, but the habit of speaking is already giving us a clue about this range. In classic musical education we classify this range by defining voice types, though this method is mostly a helpful convergence to reality. For the singer it is therefore essential to spend some effort on song choice, especially to ensure that a song lies within his or her vocal abilities. Of course that is not the only consideration during song choice, and if you are interested we invite you to read our article "Improve Your Song Choice" to find out more. Another possibility is to simply change the range of notes to be performed by changing the key of the song. The original key Every song was written in an original key. The key we know for any of these songs could be the one it was written in, or it could be the key used when the recording we know was produced. We still refer to it as original key. Original keys are usually relatively easy to access. They may be documented in sheet music, or available in databases, per example for DJ's that research harmonic mixing, among other sources. It also can be determined by examining the chords and notes of the song. It is to mention that a key can and oftentimes does change within a song. The key a song is regarded to be in is most often starting in the key and at one point returning to the same key before the end. Find out what exactly a key is, and how keys are transitioned in our article "Musical Keys and the Key Change". Here is an example. A song written or performed in a G Major key is based on the tonic note of G, and includes a system of notes defined by the major scale that is also based on the tonic note. The chord progressions used in the song will to a great extent lie within the scale, with the tonic chord being the foundation of those progressions. What happens between the use of G Major may be harmonic movement and/or modulation. Lead Vocals and original keys Here at Lead Vocals we consider our practice section as a tool to quickly review and learn the melody, timing, phrasing, and mood of a performance. In addition we think that the tool enables vocalists to study other artists by paying close attention to ingredients like dialect and pronunciation in language, the choice of placing words or phrases within rhythm and beats, any habits, and style and musical influences. Unlike other existing tools like per example some karaoke platforms we do not offer access to the same performance in multiple keys. But just recently we have introduced additional helpful information about many of the songs available here within the tagging system. At present we offer selection by tonic pitch, musical key, and scale information which can be helpful to explore new music. We think that from an educational point of view the choice of the tonic pitch is most interesting, because many melodies in songs may start or end with the tonic note. If a vocalist can deliver that note in a rich, strong, and compelling tonal quality that makes the audience want to hear more, then the song choice by tonic pitch may lead to the discovery of suitable songs for the singer. You may give this a try by selecting a song to practice by tonic pitch. Continue solving the mystery Find out why vocalists change the key of a song and how they approach the key change. In an attempt to solve the mystery behind the musical key we define what a key is, and explain the background of harmonic movement, chord progressions, and modulation. We also include the consideration of emotional characteristics for all keys based on the major and minor scale, that may play an additional role in the selection process for the vocalist. Further we're taking a brief look at common practice in recording sessions. Continue reading about this topic in our article "Musical Keys and the Key Change" at http://www.leadvocals.ca/background/musical-keys-and-the-key-change Additional Information Our Practice Section at Lead Vocals http://www.leadvocals.ca/practice Try to Sing Along at Lead Vocals http://www.leadvocals.ca/lyrics/songs What is Lead Vocals? Lead Vocals is a free of charge online resource for aspiring vocalists, who are learning the craft of singing and who practice their art by singing along to playback recordings and to other selected musical performances on video. All recordings are hand selected and the lyrics are spot on matching to the performance of the lead vocalist. The tool allows for quick access to practice specific parts within a song. We especially took care in avoiding clutter and disruptive advertising. Follow us on Social Media https://facebook.com/leadvocals.ca https://plus.google.com/+LeadvocalsCa https://www.linkedin.com/company/leadvocals https://www.twitter.com/leadvocalsca https://www.youtube.com/LeadvocalsCa
  8. I am going to be singing at local clubs. Most of the songs on my list are from 80s and before although I do have a few from Rob Thomas, 3 Doors Down, The people in my area are more into Country but I cannot handle hearing too much of that at one time, let alone singing it all night.................. Any suggestions for what you would not mind hearing while drinking a beer or hooking up with that someone special? Or just sitting by yourself trying to get up the courage to approach that someone special? Anything Acoustic flavored from 2000 on will work. Thanks..............
  9. Hi Folks, I am using a MXL V67 G condenser mic into a Scarlett 2i2 interface. Sometimes I also use a Shure Beta 58. However, the gain on the beta 58 is insufficient with the scarlett 2i2. I really want to have a setup that allows me to record using my dynamic mic and also add some warmth to my vocals. X by TurboMac Some of the forums I came across suggested a preamp. Has anyone here have any experience with preamps. Do they make a difference with a setup like mine. Also, what is your feedback on Studio Projects VTB1 for vocals. The other preamp that I have in mind is the presonus tube pre. Thank you..
  10. An example for the use of music is its distribution to people through a sound system. If a singer, instrumentalist or a band wants to record, use, or perform music that is owned or controlled by somebody else, it is very likely that a license has to be obtained to do this on legal ground. Find out what kind of licenses control the use and recreation of music compositions, audio recordings, the use of music in public, the reproduction of sheet music, and the performance of theatrical productions. At Lead Vocals we also offer links and services to help you obtaining licenses for cover songs. The purpose of licensing The purpose of music licensing is to make sure that the people and companies involved in the creation process of music, like per example the composer, the record label, the performing artist, and the publisher will get paid for the work and effort they have put into a piece of music. Allowing somebody to use a piece of music either as a composition, or as a recording, can be understood like a trade between the creator and the licensee. Per example, if an artist is recording a cover song of another artist and is then distributing and selling that song on his or her own album release, he or she must ensure that the original composer of that song gets a share in form of a royalty. A royalty is a sum of money paid to the rights holder for each copy of a work sold, or for each public performance of a work. In common practice such royalties are most often calculated and collected in advance during the phase of producing the copies. Types of music licenses It is to mention that we in general distinguish between different kinds of uses for music, its recordings, and its production. Here is an overview with examples for the most common types of music licenses: In general a license is necessary when the task is done by someone, who did not create the work. The overview shows a common example, but is in no way a complete reference. If you are interested in reading deeper into the topic please continue reading our article at - http://www.leadvocals.ca/background/music-licensing Additional Information License a Cover Song http://www.leadvocals.ca/resources/license-a-cover-song Our Practice Section at Lead Vocals http://www.leadvocals.ca/practice Try to Sing Along at Lead Vocals http://www.leadvocals.ca/lyrics/songs What is Lead Vocals? Lead Vocals is a free of charge online resource for aspiring vocalists, who are learning the craft of singing and who practice their art by singing along to playback recordings and to other selected musical performances on video. All recordings are hand selected and the lyrics are spot on matching to the performance of the lead vocalist. The tool allows for quick access to practice specific parts within a song. We especially took care in avoiding clutter and disruptive advertising. Follow us on Social Media https://facebook.com/leadvocals.ca https://plus.google.com/+LeadvocalsCa https://www.linkedin.com/company/leadvocals https://www.twitter.com/leadvocalsca https://www.youtube.com/LeadvocalsCa
  11. Hi guys I became very much interested in the double tracking recording technique for vocals. I Was wondering how you guys do it. For instance, do you record the vocal tracks as many times you need or just copy and paste one or two tracks? When you record many times, do you mute the previously recorded track or let it play together? When you re-record vocals do you sing exactly in the same way? I appreciate it guys.
  12. Hi guys, today I had some spare time and recorded another Def Leppard song: Bringing on a Heartbreak. Please leave your comments, the good, the bad, an the worst. I hope you guys enjoy it. Cheers https://app.box.com/s/bc96apne2x4cifsdy8ey1uzszk3rb2ft
  13. Gorgeous Singing Here! Such a talent for dynamics and expression. Nice work Carmel. It is a blessing to have you back in our studio in Seattle. http://bit.ly/TheFourPillarsofSingingVocalTraining.
  14. Gorgeous Singing Here! Such a talent for dynamics and expression. Nice work Carmel who is a student at The Vocalist Studio performs the classic "Crazy" from Patsy Cline on the RODE K2.
  15. Gorgeous Singing Here! Such a talent for dynamics and expression. Nice work Carmel who is a student at The Vocalist Studio performs the classic "Crazy" from Patsy Cline on the RODE K2. View full articles
  16. Hi guys, as some of you may know I am the happy owner of a vocal effects unit by Digitech (Vocalist Live FX), which I rely on to get a great sound when I'm performing or during band practice. I am not disputing which brand is the best/worst, but as I just stumbled on this short list from 2016, I thought it would be cool to share it with fellow members. I hope you enjoy it. Keep on Rocking! https://www.gearank.com/guides/vocal-effects-pedal
  17. This is a big enough topic, on it's own, so it deserves it's own discussion thread. Some popular production programs on the forums, are listed at the top. Several of us have some of these programs. I, myself, have Logic Pro X. Though, you're encouraged to join this discussion, whether you're using something else, or you're trying to find a program to start using. Let's get serious about this stuff. One of the places you can find bed tracks is HERE.
  18. Hi guys, I haven't been on the forum in quite a while. I have been busy working and also super busy with my various bands and projects. This is from my band Tair. Normally in this group I play guitar and sing harmony and some lead vox not unlike Jerry Cantrell. We do mainly rock in the vein of Foo Fighters and Alice in Chains type material but this song I wrote just didn't really fit into our normal material so I just finished it on my own because I hate to leave ideas unfinished lol. Anyways, I have mainly recorded cover songs for review on the forum but I have never posted my original material so I thought I would see what you think?
  19. Hi guys, as I got some free time yesterday I decided to record this power ballad by Def Leppard. I would appreciate it if you could tell me what you think and also tips to improve it. Keep on Rocking.
  20. Hi guys, yesterday I had some free time, so I just recorded this one for practice. Please let me know what you all think and also give me some pointers to improve it. Cheers