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Found 20 results

  1. Do you have music on Spotify, iTunes, etc? If you do not, we offer services to post your single, albums, or EPs on up to 14 major music platforms cheap! If you have music on Spotify, we can jumpstart you with tremendous amounts of plays for very cheap prices. If you earn royalties on your music, you can actually make money off of these 100% organic plays. Lemme know what you think! 1,000 Plays - $10 ($4) 5,000 Plays- $40 ($20) 10,000 Plays- $75 ($40) 50,000 Plays- $350 ($200) 100,000 Plays- $500 ($400) 200,000 Plays- $750 ($800) 500,000 Plays- $1500 ($2000) 1,000,000 Plays- $2500 ($4000) 2,000,000 Plays- $4750($ 8000) those are our prices, the prices in the parentheses is how much you would make off of the plays if you made .004 cents per play. (.004 cents per day is the lowest amount of royalties given by spotify.
  2. Randomly got the idea to try to do the first cover I posted on here again. I posted it about one year ago, exactly. Wanted to see if anybody could see any improvements here and anything that needs work. I did "Ooh Baby Baby" by Smokey Robinson and The Miracles. Here's the original: http://picosong.com/Edtv/ Here's me giving it another shot. Differences between the first one I posted and this one is that I held a mic closer to my mouth, as opposed to singing into my phone's mic, which was sitting a few feet away, on the counter. Also, I sang the entire thing here. http://picosong.com/EdDj/
  3. Did this a little while ago. Sang it with a lady friend. Did the whole thing in falsetto, or, as Rob might say, "falsetto mode"
  4. I'm looking for an RnB voice that can sing a song I've written (It's pop RnB and I'll post a rough demo once I slap it together). Please post a demo of your voice on soundcloud (or any site) and link it here so that I can hear it and judge your vocal ability. Have a good day.
  5. Hello everyone, my name is George Ruiz. I'm the creator and CEO of an all new worldwide, online singing contest named SuperXtar. I want to get the word out to as many people as possible. Anyone from around the world is welcome to check it out, whether submitting a video yourself or as one of the countless voters. Singers AND random Voters can win THOUSANDS OF DOLLARS IN BITCOINS! (Promo video https://youtu.be/1yHtArTyCPI) Just look at these amazing prizes that our sponsor VrTuoTV has for SINGERS like you: Every Week $1,000 in Bitcoins for the Weekly Winner. $5,000 in Bitcoins to each Monthly Winner The twelve Monthly Winners, each with two companions will be flown from anywhere around the world to the Grand Finale site in Nashville, Tennessee, USA. Hotel and meal packages for 10 days, plus tour and transportation around Nashville. Monthly Winners will participate in the VrTuo TV reality show: ‘Who Wrote That?’ Grand finale prizes: $25,000 for third place and $50,000 for second place. The winner will receive $100,000 plus a recording contract and a restored Harley Davidson Motorcycle. All Winners will receive free promotion in all of our social media channels. We have more than 114K followers in Twitter, 44K fans in Facebook and over 13K Linkedin connections. Our followers are from all parts of the world and your video would be enjoyed worldwide. Plus, some very important people in the entertainment world follow us and may notice your talent! Also, every Week our sponsor will give $4,000 in Bitcoins to random Voters as well. Yes, your fans will be delighted to know that they can win money voting for you! You can find answers to any of your questions in FAQ in our website New contest starts on November 04, 2015. To participate, submit your video to SuperXtar.com today. Thank you very much!
  6. Chryssanthemis - Listen (Live)

    "Listen" is οne of four new songs written for the feature version of Dreamgirls (originally a 1981 Broadway musical). Ιt's lyrics make reference to tenacity, love, the refusal to defer dreams and finally rise towards fame.In the film version of Dreamgirls, Knowles portrays the character of Deena Jones, a pop singer loosely based on Motown star Diana Ross. The story explores the life of The Dreamettes (based on The Supremes), a fictional 1960s group of three female singers,whose manager Curtis Taylor (based on Berry Gordy and played by Jamie Foxx) manipulates their personal and professional relationships.I Hope you Enjoy it!Official Facebook Page: https://www.facebook.com/ChryssanthemisModern Music Arts Facebook Page: :https://www.facebook.com/modernmusicartsModern Music Studios Facebook Page:https://www.facebook.com/modernmusica...Video Editing: Modern Music StudiosElectric Guitar: Steve SovolosPianoAikaterini DeliyiannidouBass Guitar: Dimitris VerginisKeyboards: Kleanthis KonstantinidisDrums: Fotis Yiannopoulos
  7. Hi! I'm Anthony, I'm new!! This is a clip from an audition I did in 2009: https://vid.me/n8jg This is a recording I did last year: http://picosong.com/9CTE/ I've never had any training or really performed in front of anyone, other than karaoke and that audition from six years ago. I have massive stage fright, so it makes things really difficult for me. I'm not even really sure what my voice type is, or what genre would suit me. I've been told I'd be good for Broadway or opera. I'd like to get some feedback and see what I can do, musically. Thanks!! - Anthony
  8. Hi everyone! For me music has been on and off, and I feel the urge to reignite that passion. I'm a guitar player and thought I'd try my hand at singing. I'm keen to hear some advice.
  9. Please rate this, give me tips, tell me if I improved or not, etc.
  10. Hey guys, here's my cover of Earth Song by Michael Jackson! Please tell me of your opinions, what I'm doing right and wrong, the type of voice you think I am, whether you'd like to hear me singing something else etc I'm a 19 year old untrained amateur singer from Pakistan. English is my third language. Cheers!! https://soundcloud.com/junaid1754/earth-song-michael-jackson_cover
  11. Dear friends, If you need lead&background vocals, lyric or vocal melody writting for your future song, CD or demo project feel free to contact me. Mail: rockjovana@yahoo.com My website: http://singer-for-hire.com/how-it-works/ Demo reel :
  12. Hey Folks I just want to share a new song of mine...it's an R'n'B track with a rap verse by a friend... it's my first attempt to sing in my own language (Italian) since I always sing in English. So, even if Italian is my mother tongue, I had some difficulties in pronunciation, especially in the consonants and some vowels as "Ah"... I hope you enjoy it and feel free to comment if you want...here is "Niente è per sempre!" (Nothing is forever!) https://www.youtube.com/watch?v=7DGcfa7N5dI
  13. Lately - Stevie Wonder

    What do you think about it?   ​
  14. We've Got Tonight

    I've been Practicing this song for a few days Let me know what you think. Disregard the first few notes I was playing with rasp before and got carried away.
  15. Good singers are often described as having a unique personal style, a special way of expressing a song. But in the larger picture of singing, let's talk about vocal styles in general. First off, you want to be clear on which style you sing the most. Pop, rock, jazz, country, blues, R&B, classical, folk, gospel, Broadway belting or perhaps a combination of one or more of these styles? I frequently encounter singers who think they're singing in a pop style but are actually singing in a classical style because of prior training. It can sound quite strange and disorienting to the listener to hear someone sing in a wrong style. The conventions and techniques of classical singing are so different from popular, commercial styles that classical voice training can become a disability to the budding pop singer. Every vocal style is a recipe using only certain ingredients. Like a cook who knows the difference between braising and grilling, you should have an acquaintance with the recipe for your desired style. Let's start by comparing classical and non-classical styles: simply put, non-classical sounds like speaking or yelling and classical singing doesn't. If you've ever heard an opera singer speak then sing, you might be shocked to notice how different these two modes of vocal production are. Whether you sing classically or in a commercial vein, your choice of ingredients will determine if you're nailing your style or not. What are some of the ingredients of vocal style? Laryngeal Height - Your larynx (voice-box) can easily move up and down. Which vertical position you choose, regular, raised or lowered, will affect your sound. You might lower it for classical or soulful R&B and jazz, keep it regular for pop or legit Broadway singing, or raise it for rock and country. Airflow - How much air should you have in your sound? In country, there's typically not a lot of air coming through the vocal folds, but when singing sultry R&B or jazz, you may allow the folds to open more. Resonator Shape - What is the shape of your throat and mouth? For country, I recommend constricting the pharynx slightly under the jawline (never constrict the vocal folds themselves), while in classical or R&B I recommend widening that area to give me a more open sound. Shape decisions also include how open your mouth should be and if you're mostly smiling or pursing your lips. Nasality - Air which is routed through your nose creates the buzzy sound of nasality. Listen carefully to your favorite singers to see if you can discern how much nasality you hear. This important resonance is a must in rock and country, less so in pop and jazz, and not desirable in classical production. Dialect - Can you imagine hearing a country singer with a Russian accent? Or a blues singer with a French accent? Might sound strange. Consider a Southern accent for R&B and country, a standard American accent for pop and Broadway singing, perhaps even an English accent for classical. Stance - Ever notice how classical singers seem like they're leaning forward but some R&B singers may be leaning back on their heels? Subtle stance differences can make a difference in vocal production and are interesting to watch for. Volume - In sultry jazz singing, you may hear singers shift their volumes suddenly from loud to soft and back again, while in opera the vocal dynamics mostly range from loud to louder. Pop is often soft to medium loud, never getting very loud. When country, which is fairly soft to medium loud, gets louder, it then enters the world of country-rock. So volume can be a determining factor when combining styles. Stylisms - Each vocal style has particular stylisms which act as style hallmarks. For example, vocal fry can be heard in pop, jazz, and rock, which cry is common in country. Yodel can be heard in country and alternative pop, while stops are only heard in Broadway belting. There are different slides and swoops used and using the wrong swoop can get you into big stylistic trouble. Ornamental riffs such as R&B runs are important to master as well as classical ornamental runs called melisma or coloratura. Emotions - No one style has a monopoly on the human experience. For dignified and regal, no style comes closer than classical. If you want to express sensuality or ecstasy, look no further than R&B. Pop is sincere. alternative pop is quirky, rock is anti-social and powerful. You get the idea. A fun way to hone your style discernment skills is to sit at the ole radio tuner and go from station to station. See how quickly you come to a conclusion on the vocal style(s) you hear. It's not easy sometimes. Are you hearing country, pop-country, rock-country or R&B-country? Can you identify WHY you came to your conclusion? Remember that like in cooking (Thai, French, etc), each vocal style has conventions; rules that have developed over time. These conventions arise out of the particular culture and history which are the roots of a style. Listen and watch your favorite singers. Everything you see or hear helps to determine style choices. Styles are not accidents- make sure your style choices are well thought-out. Your next step? Pick a style, listen to the greats, observe everything, imitate, THEN play around to creative your own unique expressive masterpiece. Stay true to your style before you venture forth into uncharted territory. Lisa Popeil - Voiceworks Method - www.popeil.com 818-906-7229 View full articles
  16. Ingredients of Vocal Styles

    Good singers are often described as having a unique personal style, a special way of expressing a song. But in the larger picture of singing, let's talk about vocal styles in general. First off, you want to be clear on which style you sing the most. Pop, rock, jazz, country, blues, R&B, classical, folk, gospel, Broadway belting or perhaps a combination of one or more of these styles? I frequently encounter singers who think they're singing in a pop style but are actually singing in a classical style because of prior training. It can sound quite strange and disorienting to the listener to hear someone sing in a wrong style. The conventions and techniques of classical singing are so different from popular, commercial styles that classical voice training can become a disability to the budding pop singer. Every vocal style is a recipe using only certain ingredients. Like a cook who knows the difference between braising and grilling, you should have an acquaintance with the recipe for your desired style. Let's start by comparing classical and non-classical styles: simply put, non-classical sounds like speaking or yelling and classical singing doesn't. If you've ever heard an opera singer speak then sing, you might be shocked to notice how different these two modes of vocal production are. Whether you sing classically or in a commercial vein, your choice of ingredients will determine if you're nailing your style or not. What are some of the ingredients of vocal style? Laryngeal Height - Your larynx (voice-box) can easily move up and down. Which vertical position you choose, regular, raised or lowered, will affect your sound. You might lower it for classical or soulful R&B and jazz, keep it regular for pop or legit Broadway singing, or raise it for rock and country. Airflow - How much air should you have in your sound? In country, there's typically not a lot of air coming through the vocal folds, but when singing sultry R&B or jazz, you may allow the folds to open more. Resonator Shape - What is the shape of your throat and mouth? For country, I recommend constricting the pharynx slightly under the jawline (never constrict the vocal folds themselves), while in classical or R&B I recommend widening that area to give me a more open sound. Shape decisions also include how open your mouth should be and if you're mostly smiling or pursing your lips. Nasality - Air which is routed through your nose creates the buzzy sound of nasality. Listen carefully to your favorite singers to see if you can discern how much nasality you hear. This important resonance is a must in rock and country, less so in pop and jazz, and not desirable in classical production. Dialect - Can you imagine hearing a country singer with a Russian accent? Or a blues singer with a French accent? Might sound strange. Consider a Southern accent for R&B and country, a standard American accent for pop and Broadway singing, perhaps even an English accent for classical. Stance - Ever notice how classical singers seem like they're leaning forward but some R&B singers may be leaning back on their heels? Subtle stance differences can make a difference in vocal production and are interesting to watch for. Volume - In sultry jazz singing, you may hear singers shift their volumes suddenly from loud to soft and back again, while in opera the vocal dynamics mostly range from loud to louder. Pop is often soft to medium loud, never getting very loud. When country, which is fairly soft to medium loud, gets louder, it then enters the world of country-rock. So volume can be a determining factor when combining styles. Stylisms - Each vocal style has particular stylisms which act as style hallmarks. For example, vocal fry can be heard in pop, jazz, and rock, which cry is common in country. Yodel can be heard in country and alternative pop, while stops are only heard in Broadway belting. There are different slides and swoops used and using the wrong swoop can get you into big stylistic trouble. Ornamental riffs such as R&B runs are important to master as well as classical ornamental runs called melisma or coloratura. Emotions - No one style has a monopoly on the human experience. For dignified and regal, no style comes closer than classical. If you want to express sensuality or ecstasy, look no further than R&B. Pop is sincere. alternative pop is quirky, rock is anti-social and powerful. You get the idea. A fun way to hone your style discernment skills is to sit at the ole radio tuner and go from station to station. See how quickly you come to a conclusion on the vocal style(s) you hear. It's not easy sometimes. Are you hearing country, pop-country, rock-country or R&B-country? Can you identify WHY you came to your conclusion? Remember that like in cooking (Thai, French, etc), each vocal style has conventions; rules that have developed over time. These conventions arise out of the particular culture and history which are the roots of a style. Listen and watch your favorite singers. Everything you see or hear helps to determine style choices. Styles are not accidents- make sure your style choices are well thought-out. Your next step? Pick a style, listen to the greats, observe everything, imitate, THEN play around to creative your own unique expressive masterpiece. Stay true to your style before you venture forth into uncharted territory. Lisa Popeil - Voiceworks Method - www.popeil.com 818-906-7229
  17. So, You Want To Be A Singer? by Diva Joan Cartwright CHAPTER 6 - REPERTOIRE Having a list handy of all the songs you sing in alphabetical order with a column for the key in which you sing each song can be invaluable when you meet musicians. If you are that organized, then you can probably fill the bill as a singer. Keep adding to the list as time goes by, until you've filled up two sides of the page. Try to include the composer of each song. Example: 1. A CHILD IS BORN C Thad Jones 2. A FOGGY DAY G Gershwin 3. A NEW WAY OF SINGING THE BLUES F J. Cartwright 4. AFRO BLUE Cm Coltrane 5. AIN'T MISBEHAVIN' Eb Fats Waller Versatility is a plus. It always helps to know songs in more than one genre. It may be necessary to have more than one list or categories, if you sing in two or more genres, for instance you may separate songs by: Jazz Blues Gospel Rock R&B Latin/Samba/Bossa Broadway Country Pop or Top 40 Hip Hop Reggae Contemporary Another way of categorizing songs is by composer or artist: Anita Baker Antonio Carlos Jobim Aretha Franklin Beatles Billy Joel Billie Holiday Cole Porter Duke Ellington Ella Fitzgerald Randy Crawford Stevie Wonder Whitney Houston Always have a list of your original songs, as well. That way people understand that you are a songwriter. Have a few copies of your songs in case other musicians want to play, sing or record them. In time, you will be respected as a songwriter and people will begin to request your songs, before they request songs of other artists. Buy this book at http://stores.lulu.com/divajc See all of Joan Cartwright's Books
  18. So, You Want To Be A Singer? by Diva Joan Cartwright CHAPTER 6 - REPERTOIRE Having a list handy of all the songs you sing in alphabetical order with a column for the key in which you sing each song can be invaluable when you meet musicians. If you are that organized, then you can probably fill the bill as a singer. Keep adding to the list as time goes by, until you've filled up two sides of the page. Try to include the composer of each song. Example: 1. A CHILD IS BORN C Thad Jones 2. A FOGGY DAY G Gershwin 3. A NEW WAY OF SINGING THE BLUES F J. Cartwright 4. AFRO BLUE Cm Coltrane 5. AIN'T MISBEHAVIN' Eb Fats Waller Versatility is a plus. It always helps to know songs in more than one genre. It may be necessary to have more than one list or categories, if you sing in two or more genres, for instance you may separate songs by: Jazz Blues Gospel Rock R&B Latin/Samba/Bossa Broadway Country Pop or Top 40 Hip Hop Reggae Contemporary Another way of categorizing songs is by composer or artist: Anita Baker Antonio Carlos Jobim Aretha Franklin Beatles Billy Joel Billie Holiday Cole Porter Duke Ellington Ella Fitzgerald Randy Crawford Stevie Wonder Whitney Houston Always have a list of your original songs, as well. That way people understand that you are a songwriter. Have a few copies of your songs in case other musicians want to play, sing or record them. In time, you will be respected as a songwriter and people will begin to request your songs, before they request songs of other artists. Buy this book at http://stores.lulu.com/divajc See all of Joan Cartwright's Books View full articles