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Found 15 results

  1. We're working with one of the best independent UK Dance labels and currently looking for a vocalist for an exciting new release. We need a singer with a vocal tone very similar to Marvin Gaye to record a topline on a dance track. You must either be able to travel to London to record or have access to recording equipment to record the vocals.Once accepted through to the workspace we'll request you to record a short vocal demo which we will submit to our client for them to make the final decision. If you are then chosen for this project, we'll provide you with the full brief for you to be able to record the topline. The budget is £250/£300 for recording the vocal topline. See http://www.themodernvocalistworld.com/forum/15-seeking-vocalist-vocalist-available/
  2. The Mystery behind Key Change

    For the pipe organ an open valve will trigger the sound of the pipe. The key of a song tells us which valves we can open safely to stay in harmony. Singers have a comfort zone All singers have a comfort zone, a range of notes that sound best and can be performed effortless. Despite of the ability to expand the vocal range through training, every singer has an individual physical quality which is responsible for the position of the comfort zone within the vocal spectrum. We may not consciously observe this, but the habit of speaking is already giving us a clue about this range. In classic musical education we classify this range by defining voice types, though this method is mostly a helpful convergence to reality. For the singer it is therefore essential to spend some effort on song choice, especially to ensure that a song lies within his or her vocal abilities. Of course that is not the only consideration during song choice, and if you are interested we invite you to read our article "Improve Your Song Choice" to find out more. Another possibility is to simply change the range of notes to be performed by changing the key of the song. The original key Every song was written in an original key. The key we know for any of these songs could be the one it was written in, or it could be the key used when the recording we know was produced. We still refer to it as original key. Original keys are usually relatively easy to access. They may be documented in sheet music, or available in databases, per example for DJ's that research harmonic mixing, among other sources. It also can be determined by examining the chords and notes of the song. It is to mention that a key can and oftentimes does change within a song. The key a song is regarded to be in is most often starting in the key and at one point returning to the same key before the end. Find out what exactly a key is, and how keys are transitioned in our article "Musical Keys and the Key Change". Here is an example. A song written or performed in a G Major key is based on the tonic note of G, and includes a system of notes defined by the major scale that is also based on the tonic note. The chord progressions used in the song will to a great extent lie within the scale, with the tonic chord being the foundation of those progressions. What happens between the use of G Major may be harmonic movement and/or modulation. Lead Vocals and original keys Here at Lead Vocals we consider our practice section as a tool to quickly review and learn the melody, timing, phrasing, and mood of a performance. In addition we think that the tool enables vocalists to study other artists by paying close attention to ingredients like dialect and pronunciation in language, the choice of placing words or phrases within rhythm and beats, any habits, and style and musical influences. Unlike other existing tools like per example some karaoke platforms we do not offer access to the same performance in multiple keys. But just recently we have introduced additional helpful information about many of the songs available here within the tagging system. At present we offer selection by tonic pitch, musical key, and scale information which can be helpful to explore new music. We think that from an educational point of view the choice of the tonic pitch is most interesting, because many melodies in songs may start or end with the tonic note. If a vocalist can deliver that note in a rich, strong, and compelling tonal quality that makes the audience want to hear more, then the song choice by tonic pitch may lead to the discovery of suitable songs for the singer. You may give this a try by selecting a song to practice by tonic pitch. Continue solving the mystery Find out why vocalists change the key of a song and how they approach the key change. In an attempt to solve the mystery behind the musical key we define what a key is, and explain the background of harmonic movement, chord progressions, and modulation. We also include the consideration of emotional characteristics for all keys based on the major and minor scale, that may play an additional role in the selection process for the vocalist. Further we're taking a brief look at common practice in recording sessions. Continue reading about this topic in our article "Musical Keys and the Key Change" at http://www.leadvocals.ca/background/musical-keys-and-the-key-change Additional Information Our Practice Section at Lead Vocals http://www.leadvocals.ca/practice Try to Sing Along at Lead Vocals http://www.leadvocals.ca/lyrics/songs What is Lead Vocals? Lead Vocals is a free of charge online resource for aspiring vocalists, who are learning the craft of singing and who practice their art by singing along to playback recordings and to other selected musical performances on video. All recordings are hand selected and the lyrics are spot on matching to the performance of the lead vocalist. The tool allows for quick access to practice specific parts within a song. We especially took care in avoiding clutter and disruptive advertising. Follow us on Social Media https://facebook.com/leadvocals.ca https://plus.google.com/+LeadvocalsCa https://www.linkedin.com/company/leadvocals https://www.twitter.com/leadvocalsca https://www.youtube.com/LeadvocalsCa
  3. An example for the use of music is its distribution to people through a sound system. If a singer, instrumentalist or a band wants to record, use, or perform music that is owned or controlled by somebody else, it is very likely that a license has to be obtained to do this on legal ground. Find out what kind of licenses control the use and recreation of music compositions, audio recordings, the use of music in public, the reproduction of sheet music, and the performance of theatrical productions. At Lead Vocals we also offer links and services to help you obtaining licenses for cover songs. The purpose of licensing The purpose of music licensing is to make sure that the people and companies involved in the creation process of music, like per example the composer, the record label, the performing artist, and the publisher will get paid for the work and effort they have put into a piece of music. Allowing somebody to use a piece of music either as a composition, or as a recording, can be understood like a trade between the creator and the licensee. Per example, if an artist is recording a cover song of another artist and is then distributing and selling that song on his or her own album release, he or she must ensure that the original composer of that song gets a share in form of a royalty. A royalty is a sum of money paid to the rights holder for each copy of a work sold, or for each public performance of a work. In common practice such royalties are most often calculated and collected in advance during the phase of producing the copies. Types of music licenses It is to mention that we in general distinguish between different kinds of uses for music, its recordings, and its production. Here is an overview with examples for the most common types of music licenses: In general a license is necessary when the task is done by someone, who did not create the work. The overview shows a common example, but is in no way a complete reference. If you are interested in reading deeper into the topic please continue reading our article at - http://www.leadvocals.ca/background/music-licensing Additional Information License a Cover Song http://www.leadvocals.ca/resources/license-a-cover-song Our Practice Section at Lead Vocals http://www.leadvocals.ca/practice Try to Sing Along at Lead Vocals http://www.leadvocals.ca/lyrics/songs What is Lead Vocals? Lead Vocals is a free of charge online resource for aspiring vocalists, who are learning the craft of singing and who practice their art by singing along to playback recordings and to other selected musical performances on video. All recordings are hand selected and the lyrics are spot on matching to the performance of the lead vocalist. The tool allows for quick access to practice specific parts within a song. We especially took care in avoiding clutter and disruptive advertising. Follow us on Social Media https://facebook.com/leadvocals.ca https://plus.google.com/+LeadvocalsCa https://www.linkedin.com/company/leadvocals https://www.twitter.com/leadvocalsca https://www.youtube.com/LeadvocalsCa
  4. This is the full song. I am currently putting this song out on iTunes, Spotify, google play, and every place you can think of. Expect a forum post within the next week or so saying "check me out on the tonight show" ha ha. http://vocaroo.com/i/s1ObRDbNrJpo
  5. I want to record a high-quality song in the studio. I don't want it to sound pretty good or just nice. I want a professional radio-ready, tv ready sound. What do I need to do and how do I do it? Do I just buy recording time and they will do the rest or do I have to buy mixers and masters and all of the fancy people I don't know the names for? What are the steps and how do I start to make a pro recording of a song? I am not worried about how much the recording costs. I am only worried about the quality and the quality alone. Important information I have never done any work in a professional studio as far as I know, I do not know anyone personaly who has made a radio ready recording in a studio I do not have a drum set nor do I know how to play one if I did. Although I have had some experience with drum samples and thought they sounded pretty good at times Bass, Guitar, Vocals, and piano are all instruments That can be played professionally either by my self or others I know.
  6. RODE NT - USB Microphone Review

    In my quest for the perfect recording setup, I was pleased to discover an audio recording solution that minimizes the amount of gear I require to produce my YouTube content. I create educational videos on an almost daily basis and having a simple and effective audio recording setup is essential to my workflow. That's why I'm pleased to have discovered the RODE NT-USB microphone. The NT-USB is a Condenser Microphone which means that it's capable of recording the human voice with far clearer quality compared to something like a lavalier or headset mic which contain a Dynamic Microphone.) There's nothing worse than listening to poor quality voice narration, so I'm a big fan of using a condenser for all of my videos. This microphone can be purchased at The Vocal Gear Store. To connect a condenser microphone to a computer requires a USB or Firewire audio interface or a soundcard that can receive an XLR microphone cable. Typically, the interface will also need to support Phantom Power for a condenser microphone to work properly. In my previous recording setup, I was using an M-Audio Firewire Audio Interface connected to an AudioTechnica AT2020 Condenser Mic. While this setup certainly does the trick, it has a lot of cables and individual parts. This Summer, I found myself doing a lot of recording outside my studio. In an attempt to keep my gear to a minimum, I tried recording ambient audio with my camera microphones. To my disappointment, all I got was a lot of noise from wind and not much ambient audio. My goal for my outdoor videos is to paint a landscape, but also to capture nature sounds like birds and leaves rustling. It was apparent that if I wanted to get a good audio recording outdoors, I would need to start bringing a condenser mic with me on my recording sessions. On each trip, I would have to carry my drawing tablet, easel, tripods, cameras, supplies and sometimes a camping chair. I didn't want the burden of transporting, assembling and disassembling a Firewire interface, so I was relieved to discover the RODE NT-USB which doesn't require an audio interface. It simply plugs in and is powered through USB. As far as the specs, it's a studio-quality microphone which means that you can use it not only for voice narration and podcasts, but also for recording vocals and instruments. As with most condenser mics, the polar pattern is Cardioid. The NT-USB's frequency range is 20Hz ~ 20kHz so it going to do a marvelous job of capturing a natural sounding human voice with clarity. It's dynamic range is 96dB and its Max SPL is 110dB. As I mentioned before, it's powered by USB 5V DC and its weight is 520g, which is a little on the heavy side, but not uncommon for a condenser microphone. The NT-USB is very well built using high quality electronic components. Its metal case feels rugged, but as with all condenser mics, their internal parts are delicate, so I recommend taking caution with this type of mic. You certainly can't toss it around like you would a handheld Dynamic mic. The kind you typically see performers singing into. Aside from a computer and recording software like Garageband, the NT-USB comes with everything you need to setup and record. It even works with the iPad as long as you have the USB Camera Connection Kit. Included in the box are a tabletop tripod microphone stand, a 20” long USB cable and a Pop Shield. I appreciate the inclusion of these accessories because having a stand eliminates the need fo r a mic stand which takes up a lot of space. The long USB cable reaches pretty far as USB cables go. And the Pop Shield is especially useful for protecting your recordings from being ruined by plosives which are the loud pop sounds you get when you accidentally breathe too hard on the microphone. Condenser mics are particularly sensitive to plosives, so a Pop Shield is essential. I must admit, everything is so nice and compact once you get it assembled. It's super portable and it takes a lot of the hassle out o f setting up to record audio. Now let's talk about some of the pros and cons of the NT-USB. I don't have much that's negative to say about the NT-USB so I'll start there. While RODE states that the NT-USB is pre-set to an optimal recording gain, I have to disagree. Not all recording setups are the same and in my studio, there is some fan noise from my computer which means I need to set my gain lower to get a good recording. The NT-USB does not have a volume gain knob, so I have to set the recording gain by opening the recording properties on my computer and setting the levels there. While that does work, it's kind of a hassle compared to just turning a knob. Why this knob was left out, I don't know, but I sure do wish it were there. As far as the pros, there are several. First, there is a handy on-board headphone monitoring feature which allows you to adjust the balance between your voice and the background audio while recording. What this means is that while singing or narrating, you can make the background music louder or quieter to make it easier to hear your own voice in the mix. As I mentioned earlier, the NT-USB is USB powered, so it only requires a USB cable to connect to your computer and record audio. No preamp, audio input box, phantom power or XLR cable required. Less gear means less time setting up to record and I like that. So if you're a YouTuber, Vlogger, Podcaster or Vocal Artist who is in the market for a great all-in-one recording device that's ultra compact and portable, but doesn't compromise on voice quality, the RODE NT-USB is a great option for you. If you'd like to learn more about the RODE NT-USB please visit RODE's website at www.rodemic.com. - - - - - - - - - - - - - If you want to be part of the world's largest online community for singing where great professionalists will review your singing, don't miss the chance and use the 50% Discount Code for "Review my singing" Forum: TMVWorld50
  7. In my quest for the perfect recording setup, I was pleased to discover an audio recording solution that minimizes the amount of gear I require to produce my YouTube content. I create educational videos on an almost daily basis and having a simple and effective audio recording setup is essential to my workflow. That's why I'm pleased to have discovered the RODE NT-USB microphone. The NT-USB is a Condenser Microphone which means that it's capable of recording the human voice with far clearer quality compared to something like a lavalier or headset mic which contain a Dynamic Microphone.) There's nothing worse than listening to poor quality voice narration, so I'm a big fan of using a condenser for all of my videos. This microphone can be purchased at The Vocal Gear Store. To connect a condenser microphone to a computer requires a USB or Firewire audio interface or a soundcard that can receive an XLR microphone cable. Typically, the interface will also need to support Phantom Power for a condenser microphone to work properly. In my previous recording setup, I was using an M-Audio Firewire Audio Interface connected to an AudioTechnica AT2020 Condenser Mic. While this setup certainly does the trick, it has a lot of cables and individual parts. This Summer, I found myself doing a lot of recording outside my studio. In an attempt to keep my gear to a minimum, I tried recording ambient audio with my camera microphones. To my disappointment, all I got was a lot of noise from wind and not much ambient audio. My goal for my outdoor videos is to paint a landscape, but also to capture nature sounds like birds and leaves rustling. It was apparent that if I wanted to get a good audio recording outdoors, I would need to start bringing a condenser mic with me on my recording sessions. On each trip, I would have to carry my drawing tablet, easel, tripods, cameras, supplies and sometimes a camping chair. I didn't want the burden of transporting, assembling and disassembling a Firewire interface, so I was relieved to discover the RODE NT-USB which doesn't require an audio interface. It simply plugs in and is powered through USB. As far as the specs, it's a studio-quality microphone which means that you can use it not only for voice narration and podcasts, but also for recording vocals and instruments. As with most condenser mics, the polar pattern is Cardioid. The NT-USB's frequency range is 20Hz ~ 20kHz so it going to do a marvelous job of capturing a natural sounding human voice with clarity. It's dynamic range is 96dB and its Max SPL is 110dB. As I mentioned before, it's powered by USB 5V DC and its weight is 520g, which is a little on the heavy side, but not uncommon for a condenser microphone. The NT-USB is very well built using high quality electronic components. Its metal case feels rugged, but as with all condenser mics, their internal parts are delicate, so I recommend taking caution with this type of mic. You certainly can't toss it around like you would a handheld Dynamic mic. The kind you typically see performers singing into. Aside from a computer and recording software like Garageband, the NT-USB comes with everything you need to setup and record. It even works with the iPad as long as you have the USB Camera Connection Kit. Included in the box are a tabletop tripod microphone stand, a 20” long USB cable and a Pop Shield. I appreciate the inclusion of these accessories because having a stand eliminates the need fo r a mic stand which takes up a lot of space. The long USB cable reaches pretty far as USB cables go. And the Pop Shield is especially useful for protecting your recordings from being ruined by plosives which are the loud pop sounds you get when you accidentally breathe too hard on the microphone. Condenser mics are particularly sensitive to plosives, so a Pop Shield is essential. I must admit, everything is so nice and compact once you get it assembled. It's super portable and it takes a lot of the hassle out o f setting up to record audio. Now let's talk about some of the pros and cons of the NT-USB. I don't have much that's negative to say about the NT-USB so I'll start there. While RODE states that the NT-USB is pre-set to an optimal recording gain, I have to disagree. Not all recording setups are the same and in my studio, there is some fan noise from my computer which means I need to set my gain lower to get a good recording. The NT-USB does not have a volume gain knob, so I have to set the recording gain by opening the recording properties on my computer and setting the levels there. While that does work, it's kind of a hassle compared to just turning a knob. Why this knob was left out, I don't know, but I sure do wish it were there. As far as the pros, there are several. First, there is a handy on-board headphone monitoring feature which allows you to adjust the balance between your voice and the background audio while recording. What this means is that while singing or narrating, you can make the background music louder or quieter to make it easier to hear your own voice in the mix. As I mentioned earlier, the NT-USB is USB powered, so it only requires a USB cable to connect to your computer and record audio. No preamp, audio input box, phantom power or XLR cable required. Less gear means less time setting up to record and I like that. So if you're a YouTuber, Vlogger, Podcaster or Vocal Artist who is in the market for a great all-in-one recording device that's ultra compact and portable, but doesn't compromise on voice quality, the RODE NT-USB is a great option for you. If you'd like to learn more about the RODE NT-USB please visit RODE's website at www.rodemic.com. - - - - - - - - - - - - - If you want to be part of the world's largest online community for singing where great professionalists will review your singing, don't miss the chance and use the 50% Discount Code for "Review my singing" Forum: TMVWorld50 View full articles
  8. Recording plugins are some of the most essential and fun additions for any home recording. The quality and variety of recording plugins available today is simply miraculous. With the right choice of plugins, and a little bit of skill at home recording, an experienced home recording engineer can produce recordings that sound very professional! Plugins are not just for vocal effects. They are also available to simulate vintage preamps, compressors and even recording consoles like the famed SSL console system. In the world of plugins for digital audio work stations, (DAWs), there is no company that does a better job then waves. Visit www.waves.com and learn more about how you can make your home recordings sound professional! TOP RECOMMENDED WAVES PLUGINS FOR RECORDING VOCALS! CLICK HERE TO VISIT WAVES RECOMMENDED VOCAL PLUGINS AT WAVES: CLA VOCALS * JJP VOCALS * EDDIE KRAMER VOCAL CHANNEL MASARATI VX1 * BUTCH VIG VOCALS * VOCAL RIDER * HR REVERB HR ECHO REAL ADT APHEX VINTAGE AURAL EXCITER WAVES TUNE WAVES TUNE LT DOUBLER * DEBREATH DeEsser VITAMIN * RENAISSANCE VOX THE KING'S MICROPHONES AND A LOT MORE...! * Honorable Mentions... essential! Other Vocal Gear Required for a Complete Home Recording Include The Following Recommendations: A digital Audio Workstation - DAWs: LogicProX, Reaper, ProTools. A digital audio interface: We recommend the Scarlett digital audio interfaces from focusrite. A recording, condenser microphone: RODE Microphones: NT1, K2 Pearlman Microphones See The Vocal Gear Store for more suggestions. Headphones: Extreme Isolation x-29s. See The Vocal Gear Store for more suggestions. A Reflextion Fliter: SE Electronics Reflexion Filter Pro Ambience. A Pop Filter: See The Vocal Gear Store for more suggestions.
  9. Recording plugins are some of the most essential and fun additions for any home recording. The quality and variety of recording plugins available today is simply miraculous. With the right choice of plugins, and a little bit of skill at home recording, an experienced home recording engineer can produce recordings that sound very professional! Plugins are not just for vocal effects. They are also available to simulate vintage preamps, compressors and even recording consoles like the famed SSL console system. In the world of plugins for digital audio work stations, (DAWs), there is no company that does a better job then waves. Visit www.waves.com and learn more about how you can make your home recordings sound professional! Recording plugins are some of the most essential and fun additions for any home recording. The quality and variety of recording plugins available today is simply miraculous. With the right choice of plugins, and a little bit of skill at home recording, an experienced home recording engineer can produce recordings that sound very professional! Plugins are not just for vocal effects. They are also available to simulate vintage preamps, compressors and even recording consoles like the famed SSL console system. In the world of plugins for digital audio work stations, (DAWs), there is no company that does a better job then waves. Visit www.waves.com and learn more about how you can make your home recordings sound professional! TOP RECOMMENDED WAVES PLUGINS FOR RECORDING VOCALS! CLICK HERE TO VISIT WAVES RECOMMENDED VOCAL PLUGINS AT WAVES: CLA VOCALS * JJP VOCALS * EDDIE KRAMER VOCAL CHANNEL MASARATI VX1 * BUTCH VIG VOCALS * VOCAL RIDER * HR REVERB HR ECHO REAL ADT APHEX VINTAGE AURAL EXCITER WAVES TUNE WAVES TUNE LT DOUBLER * DEBREATH DeEsser VITAMIN * RENAISSANCE VOX THE KING'S MICROPHONES AND A LOT MORE...! * Honorable Mentions... essential! Other Vocal Gear Required for a Complete Home Recording Include The Following Recommendations: A digital Audio Workstation - DAWs: LogicProX, Reaper, ProTools. A digital audio interface: We recommend the Scarlett digital audio interfaces from focusrite. A recording, condenser microphone: RODE Microphones: NT1, K2 Pearlman Microphones See The Vocal Gear Store for more suggestions. Headphones: Extreme Isolation x-29s. See The Vocal Gear Store for more suggestions. A Reflextion Fliter: SE Electronics Reflexion Filter Pro Ambience. A Pop Filter: See The Vocal Gear Store for more suggestions. View full articles
  10. *OPEN VOCALIST AUDITIONS*Impact Event is in search of a pop-rock vocalist. Female preferred, but open to all. Those interested please email impacteventrock@gmail.com"2114" can be listened to here:https://www.reverbnation.com/impactevent/song/23267096-2114 You can find out most information about the band on our website here:http://www.impacteventofficial.com/about.html
  11. Singing is one of the most important means of communication that we are blessed to experience. It is the means by which we express our innermost thoughts and feelings in a language shared by the whole world. We sing songs as worship...as symbols of patriotism...as words to inspire change...to amuse...to romance....to uplift. Often, it is forgotten how integral singing is to our existence. When at play, children seem to almost instinctively sing as part of their games. These same young voices are instruments capable of producing a wide array of tones and timbres. In order to access this wide range of sounds, though, the sounds produced at play are not enough. Proper training in healthy vocal production is needed. Recently, I have been asked quite a bit about the appropriate age to begin voice lessons for children. Parents realize that their kids have either an overwhelming enthusiasm for singing or some substantial native talent that they want to properly nurture. They just wonder if formal lessons are safe for the youngster to undertake and worth the financial investment. First of all, I stress that the most important issue with kids is their attention span and not the perceived talent level. I've had some clearly gifted 7 year olds come in but they did not have the focus and maturity that is needed. Once that is explained, I relay that I believe lessons can successfully begin at age 8. I have trained a couple of 7 year olds, though, because they had the requisite focus, attention span, and teachability in addition to natural musical instincts. As long as the training is based in healthy technical habits and applied correctly to songs, there are no inherent dangers. Many people wonder what young singers can actually learn in private voice lessons. Some have believed that their physically immature instruments cannot acquire any real technical skills until their voices fully develop at puberty. But I am one of many who work with kids on a regular basis who believe that these voices can develop quite a lot of facility if guided correctly. We must remember that singing is an intricate psychomotor skill, not so different from the learning of piano, dance, or athletic moves. It's all about the systematic training of correct muscle memory which builds healthy technique that will strengthen and protect the voice. And if the goal of vocal study is establishment of good vocal habits that will carry over into adulthood, vocal technique has to be of primary importance! Of course, this must be balanced with singing good songs, but it will be difficult to expand repertoire if the instrument is limited in the sounds it can produce. The very same technical issues that need to be taught to adult singers need to be taught to kids. The building of tone production practices is essential. Child singers need to develop the ability to produce tones without undue tension and restriction. They must be taught proper breathing techniques and good body posture and alignment. Range extension is still important for kids, even though it must be applied relative to their still-growing voices. Many of the exercises that I use with my adult clients are used in the sessions with my youngsters, though sometimes with modifications. I also make sure that I introduce them to correct terminology concerning how the voice is put together and how it works. They learn about head and chest voice, the larynx, vocal folds, diaphragm, and resonance. They need to start learning a singer's vocabulary from the start of their study. We are seeing some fine examples of superstar singers who have become elite vocal athletes because of some fantastic vocal training starting at a young age- Beyonce Knowles, Kelly Rowland, Adam Lambert among others. It is a worthwhile investment to begin lessons with a child who has the love for singing coupled with a sense of focus and discipline. The teacher must have a great knowledge of vocal pedagogy and a personality that can provide a safe, nurturing environment for the young singer to embark on this great journey of singing study.
  12. Singing is one of the most important means of communication that we are blessed to experience. It is the means by which we express our innermost thoughts and feelings in a language shared by the whole world. We sing songs as worship...as symbols of patriotism...as words to inspire change...to amuse...to romance....to uplift. Often, it is forgotten how integral singing is to our existence. When at play, children seem to almost instinctively sing as part of their games. These same young voices are instruments capable of producing a wide array of tones and timbres. In order to access this wide range of sounds, though, the sounds produced at play are not enough. Proper training in healthy vocal production is needed. Recently, I have been asked quite a bit about the appropriate age to begin voice lessons for children. Parents realize that their kids have either an overwhelming enthusiasm for singing or some substantial native talent that they want to properly nurture. They just wonder if formal lessons are safe for the youngster to undertake and worth the financial investment. First of all, I stress that the most important issue with kids is their attention span and not the perceived talent level. I've had some clearly gifted 7 year olds come in but they did not have the focus and maturity that is needed. Once that is explained, I relay that I believe lessons can successfully begin at age 8. I have trained a couple of 7 year olds, though, because they had the requisite focus, attention span, and teachability in addition to natural musical instincts. As long as the training is based in healthy technical habits and applied correctly to songs, there are no inherent dangers. Many people wonder what young singers can actually learn in private voice lessons. Some have believed that their physically immature instruments cannot acquire any real technical skills until their voices fully develop at puberty. But I am one of many who work with kids on a regular basis who believe that these voices can develop quite a lot of facility if guided correctly. We must remember that singing is an intricate psychomotor skill, not so different from the learning of piano, dance, or athletic moves. It's all about the systematic training of correct muscle memory which builds healthy technique that will strengthen and protect the voice. And if the goal of vocal study is establishment of good vocal habits that will carry over into adulthood, vocal technique has to be of primary importance! Of course, this must be balanced with singing good songs, but it will be difficult to expand repertoire if the instrument is limited in the sounds it can produce. The very same technical issues that need to be taught to adult singers need to be taught to kids. The building of tone production practices is essential. Child singers need to develop the ability to produce tones without undue tension and restriction. They must be taught proper breathing techniques and good body posture and alignment. Range extension is still important for kids, even though it must be applied relative to their still-growing voices. Many of the exercises that I use with my adult clients are used in the sessions with my youngsters, though sometimes with modifications. I also make sure that I introduce them to correct terminology concerning how the voice is put together and how it works. They learn about head and chest voice, the larynx, vocal folds, diaphragm, and resonance. They need to start learning a singer's vocabulary from the start of their study. We are seeing some fine examples of superstar singers who have become elite vocal athletes because of some fantastic vocal training starting at a young age- Beyonce Knowles, Kelly Rowland, Adam Lambert among others. It is a worthwhile investment to begin lessons with a child who has the love for singing coupled with a sense of focus and discipline. The teacher must have a great knowledge of vocal pedagogy and a personality that can provide a safe, nurturing environment for the young singer to embark on this great journey of singing study. View full articles
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    Gary Osborne is the founder and inventor of Lampifier Microphones. Lampifier Microphones feature a unique, build in compression solution that uses light as its medium. Lampifier microphones are great microphones and offer an interesting and unique solution to compression for singers. Gary Osborne www.Lampifier.com

    Free

  14. Version

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    John Gresko is the founder of Direct Sound and inventor of Extreme Isolation Headphones. The best isolation headphones available to singers in the world. John Gresko www.ExtremeHeadphones.com

    Free