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Found 84 results

  1. Draven's Invite CLICK HERE TO REGISTER >>>
  2. The Copperphone by Placid Audio

    The Copperphone by Placid Audio is a vintage character effect microphone. Unlike full range high fidelity microphones, it operates within a limited bandwidth of frequencies which imparts a compelling nostalgic quality on the signal. Some might compare the sound to an AM radio or an old telephone... The sound is achieved through a combination of the microphone’s element and a mechanical filtering device. The element is rear ported into a hollow resonant chamber and as sound passes through the diaphragm into the chamber, upper midrange frequencies are accentuated while low and high frequencies are reduced. The Copperphone can be used as a stand-alone mic on vocals or any other instrument to create an all-out, attention-grabbing sonic effect. Or it can be used in conjunction with a more traditional mic and the resulting signals can be blended together for subtle character and midrange enhancement. Sound samples of the Copperphone on vocals and various instruments can be heard here: https://www.placidaudio.com/products/copperphone/ The critically acclaimed Copperphone is the worlds most popular vintage effect microphone and used by hundreds of professionals and vocalists around the world. Here are just a few notable users: Norah Jones (Norah Jones) Sam Smith (Sam Smith, 2014 Grammy Winner) Annie Clark (St. Vincent, 2015 Grammy Winner) Sean Lennon (Ghost of a Saber Tooth Tiger, Cibo Matto) Beck (Beck) Jack White (Raconteurs, The White Stripes) Dan Auerbach (The Black Keys) Tom Petty (Tom Petty and the Heartbreakers) Geddy Lee (Rush)
  3. The Copperphone by Placid Audio

    The Copperphone by Placid Audio is a vintage character effect microphone. Unlike full range high fidelity microphones, it operates within a limited bandwidth of frequencies which imparts a compelling nostalgic quality on the signal. Some might compare the sound to an AM radio or an old telephone... The sound is achieved through a combination of the microphone’s element and a mechanical filtering device. The element is rear ported into a hollow resonant chamber and as sound passes through the diaphragm into the chamber, upper midrange frequencies are accentuated while low and high frequencies are reduced. The Copperphone can be used as a stand-alone mic on vocals or any other instrument to create an all-out, attention-grabbing sonic effect. Or it can be used in conjunction with a more traditional mic and the resulting signals can be blended together for subtle character and midrange enhancement. Sound samples of the Copperphone on vocals and various instruments can be heard here: https://www.placidaudio.com/products/copperphone/ The critically acclaimed Copperphone is the worlds most popular vintage effect microphone and used by hundreds of professionals and vocalists around the world. Here are just a few notable users: Norah Jones (Norah Jones) Sam Smith (Sam Smith, 2014 Grammy Winner) Annie Clark (St. Vincent, 2015 Grammy Winner) Sean Lennon (Ghost of a Saber Tooth Tiger, Cibo Matto) Beck (Beck) Jack White (Raconteurs, The White Stripes) Dan Auerbach (The Black Keys) Tom Petty (Tom Petty and the Heartbreakers) Geddy Lee (Rush)
  4. So here is my cover of Steelheart's I'll Never Let You Go. Let me know what you think of it. I do accept all sorts of criticism regardless of whether it's positive and negative. Any suggestions or tips on how to improve I would greatly appreciate it!
  5. Voice Teacher Training - Priscila da Costa

    Congratulations to Priscila da Costa. Our new TVS Certified Instructor in Luxembourg. Priscila da Costa trains 40 hours for TVS Certification in Seattle, WA with Robert Lunte. She is now an expert in the TVS Method and is prepared to help singers around the world. https://thevocaliststudio.com/tvs-certified-instructor-program/ I am very impressed with what I saw and heard during your teacher training. You will be GREAT! Super proud and your students are fortunate to have you. Be sure to listen to the last chorus, it is amazing. Priscila da Costa is a TVS Certified Instructor from Luxembourg. This is her original song, "Twisted Mind" that we worked on together in preparation for her EP release and this video.
  6. Congratulations to Priscila da Costa. Our new TVS Certified Instructor in Luxembourg. Priscila da Costa trains 40 hours for TVS Certification in Seattle, WA with Robert Lunte. She is now an expert in the TVS Method and is prepared to help singers around the world. https://thevocaliststudio.com/tvs-certified-instructor-program/ I am very impressed with what I saw and heard during your teacher training. You will be GREAT! Super proud and your students are fortunate to have you. Be sure to listen to the last chorus, it is amazing. Priscila da Costa is a TVS Certified Instructor from Luxembourg. This is her original song, "Twisted Mind" that we worked on together in preparation for her EP release and this video. View full articles
  7. Congratulations to Priscila da Costa. Our new TVS Certified Instructor in Luxembourg. Priscila da Costa trains 40 hours for TVS Certification in Seattle, WA with Robert Lunte. She is now an expert in the TVS Method and is prepared to help singers around the world. https://thevocaliststudio.com/tvs-certified-instructor-program/ I am very impressed with what I saw and heard during your teacher training. You will be GREAT! Super proud and your students are fortunate to have you. Be sure to listen to the last chorus, it is amazing. Priscila da Costa is a TVS Certified Instructor from Luxembourg. This is her original song, "Twisted Mind" that we worked on together in preparation for her EP release and this video.
  8. Don't wait to train your singing, get started now. Stop procrastinating. Too often students want to wait until they have completed the course, read the book and feel the understand everything before actually starting with the physical training. DON'T DO THIS! It can quickly become a subconscious excuse for procrastinating. As you take the course and read the book, you also need to learn via kinesthetics, or learn by doing it, feeling it, hearing it and more.
  9. Don't wait to train your singing, get started now. Stop procrastinating. Too often students want to wait until they have completed the course, read the book and feel they understand everything before actually starting with the physical training. DON'T DO THIS! It can quickly become a subconscious excuse for procrastinating. As you take the course and read the book, you also need to learn via kinesthetics, or learn by doing it, feeling it, hearing it and more. View full articles
  10. David Bowie - How To Sing Like "ZIGGY"!

    This is a lesson that gives two simple tips on how to capture a David Bowie vocal color. There is a lot more involved than these two ideas, but this should be helpful. Be sure to view the two performances of "Space Oddity" & "Life On Mars". Learn More: http://www.TheVocalistStudio.com.
  11. This is a lesson that gives two simple tips on how to capture a David Bowie vocal color. There is a lot more involved than these two ideas, but this should be helpful. Be sure to view the two performances of "Space Oddity" & "Life On Mars". Learn More: http://www.TheVocalistStudio.com. View full articles
  12. An excerpt from the 2nd webinar with Robert Lunte & Draven Grey. In this excerpt, Robert Lunte explains his unique perspective on support for singing. There are two sources of support when singing. When we understand that, doors will open to reveal the need to train the musculature for singing. View full articles
  13. An excerpt from the 2nd webinar with Robert Lunte & Draven Grey. In this excerpt, Robert Lunte explains his unique perspective on support for singing. There are two sources of support when singing. When we understand that, doors will open to reveal the need to train the musculature for singing.
  14. Hi, I posted this a few days ago, but for technical reasons the post was lost. Robert Lunte already kindly reviewed it, but if anyone else feels like giving me (constructive) feedback on singing, songwriting or recording, that would be great. It's a prog rock piece just over 8 minutes long, hopefully you'll stick through to the end (which was the hardest part to sing due to the challenging harmonies). George
  15. Robert Lunte from The Vocalist Studio provides an overview of the significance of the Bernoulli effect in singing and how understanding this principle, can help you to train more efficiently and gain more progress as a singer. This excerpt is from the 2nd webinar with Draven Grey.
  16. Robert Lunte from The Vocalist Studio provides an overview of the significance of the Bernoulli effect in singing and how understanding this principle, can help you to train more efficiently and gain more progress as a singer. This excerpt is from the 2nd webinar with Draven Grey. View full articles
  17. Please review my singing!

    Hey people! I've been singing since a while now. . So I'd like any advices that'll help me improve.
  18. This is my first post here! Appreciate advices!
  19. ROBERT LUNTE & DRAVEN GREY Q&A WEBINAR!

    Robert's Invite Draven's Invite
  20. The Four Pillars of Singing now available as a one-time purchase for lifetime access. https://thevocaliststudio.com/the-four-pillars-of-singing/
  21. CLICK THE MENU ON THE TOP LEFT CORNER TO REVEAL ALL THE VIDEOS.
  22. No Pain, No Gain With Singing!

    You can NOT become a better singer by only experiencing the pleasure of training and singing. Nothing in all the world is more dangerous than sincere ignorance and conscientious stupidity. Martin Luther King, Jr. To belittle knowledge and the way things work, is a popular tactic that is occasionally seen by some people in the singing industry. It is interesting to note that people who make the "less knowledge and understanding is not very important to learning how to sing", argument all suspiciously have one thing in common. They don't have a product to sell and/or if they do, the offering lacks depth. They don't choose to explain how and why the singing voice does what it does. You will never see CVI, EVTS, TVS or programs that offer some scientific insights publish a video or forum post that makes the claim, "... you don't have to know all that complex stuff, just let your inner feelings carry you through. That's all you need. It should never be hard, it should always be easy. You can just will it to happen. Don't bother learning any of the science of singing"... The world's best training programs will never say that. There are two things that motivate people. Pain and pleasure. Some people like to be given permission to avoid all the pain from voice training and learning how to sing. Promise them that they can learn to sing better without any "pain", ( practice, commitment, doing the same thing over and over again, reading a book, paying attention to a lesson, understanding a methodology, understanding how vowels work, etc... ), and they happily get on board. They don't want any "pain" associated with training or learning how to sing better. They only want instant gratification and pleasure. By no means is everyone like this. However, for those that do respond to that message, there will always be someone there to "sell" it to them.
  23. No Pain, No Gain With Singing!

    You can NOT become a better singer by only experiencing the pleasure of training and singing. Nothing in all the world is more dangerous than sincere ignorance and conscientious stupidity. Martin Luther King, Jr. To belittle knowledge and the way things work, is a popular tactic that is occasionally seen by some people in the singing industry. It is interesting to note that people who make the "less knowledge and understanding is not very important to learning how to sing", argument all suspiciously have one thing in common. They don't have a product to sell and/or if they do, the offering lacks depth. They don't choose to explain how and why the singing voice does what it does. You will never see CVI, EVTS, TVS or programs that offer some scientific insights publish a video or forum post that makes the claim, "... you don't have to know all that complex stuff, just let your inner feelings carry you through. That's all you need. It should never be hard, it should always be easy. You can just will it to happen. Don't bother learning any of the science of singing"... The world's best training programs will never say that. There are two things that motivate people. Pain and pleasure. Some people like to be given permission to avoid all the pain from voice training and learning how to sing. Promise them that they can learn to sing better without any "pain", ( practice, commitment, doing the same thing over and over again, reading a book, paying attention to a lesson, understanding a methodology, understanding how vowels work, etc... ), and they happily get on board. They don't want any "pain" associated with training or learning how to sing better. They only want instant gratification and pleasure. By no means is everyone like this. However, for those that do respond to that message, there will always be someone there to "sell" it to them. View full articles
  24. ROBERT LUNTE & JAMES LUGO Q&A WEBINAR!

    THE MODERN VOCALIST WORLD PRESENTS ROBERT LUNTE & JAMES LUGO Q&A WEBINAR FREE Q&A on singing and voice training! That's the agenda! April 6th, 1:00 PST / 4:00 EST ... Attend & Have a Chance to Win a FREE EV PL-80 Microphone! Click magic button below to register
  25. First of all, just thought it would be nice to point out that i sent this question to Rob by email. And he sent me here, so that he could answer it in public and everyone could benefit. What a nice guy Rob is. Been learning a lot from his program, still studying and working on all the stuff, registered not long ago. It's quite a lot of content to fully diggest and grasp!. And most of all, actually apply!. Which is awesome of course, haven't had a course as detailed/comprehensive as this one. Not even close. Before i bought it i was actually wondering why many people called it "comprehensive", now it makes total sense. And the time i spent wondering on if i should get it, could have been spent further studying and applying the techniques. So i encourage others to start ASAP. On to the question, might be a rather simple question, that i probably know the answer too but just am not concious enough to apply it, it can be easy to forget. So of course asking will save me the doubts. And hopefully others as well. This quote from the program/book "Engaging the respiratory system sufficiently to optimize your phonations as a singer is not intuitive for the body. Even after 30 years of singing, training and teaching around the world, i still, to this day, have to be very conscientious of engaging my respiratory support when i train and sing. If i do not, just like everyone else, i start sounding like a duck (and get tired from all the squeezing)." So basically what i took from this was, concious support is mandatory, both in training and singing. Basically you should ALWAYS engage some sort of support. Both in training and singing?. Now i didn't include this part in the email but i want too add a question, how "key" is this?. I think a lot of students these days need a lot of "value guidance" in order to fully recognize what they should be working on. It seems self explanatory, but on a scale of 1/5 - i'd like to know where this stands specifically in your program. Just for perspective. Which btw reminds me of a feature i really liked in the program, in which Rob basically does what i just said. He outlines the most "key" lessons to work on of every section/module. And of course each one also has long detailed descriptions/ illustrations / examples / and my favorite - benefits and troubleshooting. He clearly put A LOT of effort into this. Very thoughtful effort, might i add. Since a lot of programs out there don't go into such detail. Anyways, That's the question. (With some extra rambling included). Heck in a sense that's a mini review. Although i could say a lot more. Rob deserves the praise. Also thanks Rob for encouraging me to get registered, there is clearly a lot of value in this forum i was missing on.