Many, if not most, of us would like to make money in the music business. There is a very important factor that must be determined: Your artistic definition. In other words, who are you, and why would I want to listen to the music you make?
Factors that go into your artistic definition:
* Uniqueness
How do you become unique? By becoming in touch with, and being able to express, your authenticity. You are the only one who has your physical instrument (larynx, resonation surfaces, physical stamina, etc) AND who has your life history and emotional experiences. And here's an important fact: There is no competition with uniqueness. Talent shows won't tell you the truth- they can't. Imagine a competition show for an orange, an orangutan and a bedpost. Each has its place, its audience and its detractors. How do you judge such a contest?
* Sound
Your sound has to do with things like your choices or instrumentation, mics, studios and mixes and your vocal technique habits and quirky embellishments. You can change your sound... and that change should have to do with things like accessing your full resonance, making sure vocal lics are appropriate and choosing a sound that communicates most authentically your message.
* Message
What have you got to say to the world? How do you give your original slant to those thoughts? What do you want the over-arching take-away to be from your audience to your show?
These 8 examples are only a very quick list I put together- I'm sure you can think of many more. All artists have multiple messages... but there is almost always a central theme running through the successful artist's songlist:
1. Fun: uptempo (pop Lady Gaga, country Billy Currington
2. Fall in love: (pop/Usher, classic pop Frank Sinatra
3. Freak out and party (pop Pink, country Big and Rich)
4. let's get real/ hiphop (pop Eminem, Christian contemporary Plumb
5. Social message (rock Bruce Springsteen, Bono U2,Christian artist Natalie Grant
6. Angst of love (alt pop Kings Of Leon, alt pop Sara Bareilles
7. Young love and angst (country Taylor Swift, Rihanna )
8. Good love (pop Mat Kearney, R&B Barry White )
* Style
Your vocal style has to do with your sound, message, way of articulating AND your phrasing. It generally dictates the genre of music the industry puts you in, though the lines are more blurred now than ever. For instance, the Sugarland record "Stuck Like Glue" includes an unexpected short 'rap' by Jennifer Nettles. James Taylor and Sting have been known to use a steel guitar.
Your style also would include your 'look'....the type of stage clothes you wear, and other identifying factors (think Bono's sunglasses, Keith Urban's ordinary shirts open at top, Lady Gaga's costumes). An
Are you willing to do the work? It takes time, experimentation and luck to find a financially viable artistic definition in the music business.
Time:
Artists like Tina Turner, Bonny Raitt and KT Oslin had to wait for the right decade, and in the first two cases the time to re-define themselves, to emerge as legendary hit makers. What if they had just given up a year too soon?
Experimentation:
Jim Croce could not get the attention of his producer and friend Tommy West until finally one year he began to bring in songs like "Time In A Bottle", "Bad Bad Leroy Brown", etc. Tommy West recognized the hit potential of the new material, agreed to take Croce into the studio... the rest is history. It had just taken enough experience and experimentation for Croce to establish his artistic definition.
Luck:
Keith Urban could not get the audience attention until the audience tastes caught up with him. I did background vocals on his first Bluebird Cafe show; we only got polite applause but nothing like the massive response he gets now. And he is playing guitar and singing a lot like he started out. This took luck and his persistent belief that the market would decide to make him 'lucky' someday.
And almost everyone knows a story of a home run song the artist didn't want to do but finally caved in and won big time. The truth is, no one can predict with a great deal of accuracy who the next musical phenom will be.
While you can't control what people like, it's important also to know what you can control:
* Your reactions
* Your finances
* Your mental health
* Your choices to practice, experiment and get better.
Here's what doesn't work in developing your artistic definition:
* Following the trends.
* Operating from a fear standpoint. Afraid too be too out of the box or too traditional. Safe, middle-of-the-road music is usually... boring.
* Listening to too many people, or not enough, when determining who you are as an artist.
* Giving up too soon. Disheartened, Alan Jackson was about to board a plane at the Nashville airport back to where he came from. I forget who stopped him; I think it was Glen Campbell. But he decided to give it another try, and finally his very clear artistic definition payed off. Ani Difranco decided to do it her way completely... and started Righteous Babe Record label to get not only her music out but also to sign and give exposure to other music mavericks.
An artist, by the truest definition, is unique. Whether you're an artist, producer or record label, defining that uniqueness is a task that should not be left undone if you are to find the ideal audience for that artist.
Judy Rodman's Blog....
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