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Jens

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Everything posted by Jens

  1. Robert I also saw that dio breakdown using cvt modes. And i get Felipes point as none of the CVT modes as demonstrated sounds nowhere close to the sounds like DIO or Pavarotti uses. Yet they claim these singers use these sounds or modes. I know ive personaly been big on supporting CVT modes in the past. But im honestly starting to doubt them, sure when we can apply DIO or Pavarotti as examples for a program it's gonna sound awesome. But the truth is neither of them used CVT and ive yet to hear a CVT singer come anywhere close. In regards to CVT we have been spolied on this forum as we had Martin. His examples was and probably still is 10 times as strong as the stuff out on the CVT libraries
  2. Cmon man classical singers and musicalsingers are the same... Its not a natural sound by any means. If it was natural it wouldnt take 10-15 years of singing and singingtechnique to become a great classical/musical singer. Sounds are sounds, there are natural sounds the sound babies make. They are in manyways closer to deathmetal vocals then what you hear in pop/rock/musical/classical.
  3. Well it really proves his point. Adele goes up to E5 and thats her signum and why people listwn to her for, her power and control over her range up to E5. Shes not famous for her falsetto/headnotes up to C/D6. same with Bon Jovi or most rockers above E5 ish it's mostly screams and effectnotes. what bon jovi is famous for is his great tone and powerfull singing up to E5ish like living on a prayer
  4. It's a challenge then! The big Kamelot vocalcover challenge! There are tons of instrumentals out on the tube so take your pick
  5. But thats true for every pro out there, i hear that thing for every good singer and recording. Ofc the mix will be good, ear training or not, regardless if you are given prolevel mixes people like you and me wont sound like Khan. Then if you truly know how to nail these sounds mix or no mix please show me as im certainly intrested in this. Khan is one of My favourite singers and getting close to what he has would be great.
  6. Cmon draven... Guys a firstclass singer... Regardless of mix, his timbre and emotion is crazy strong. Also be glad you ducked out on the gig, the guys shoes are crazy hard to fill. Very unique style he sings with. They got the best replacement they could with tommy karevik, wich is very similar both in appearence and style. Though he's not as emotional singer as Roy even though his technique is stronger
  7. I totaly disagree. Copy something that already supergood like journey or acdc is much much easyer then comming up with something of your own and be original. Specially if we talk about stuff in the class of journey and acdc. Everyone keeps say its easy to just be yourself and that there is only you and your unique. bah sure on a biological level, but aside from that it's just fairytails. Its very similar to extremesports, some tricks are impossible. Then all off a sudden someone does it, and then everyone starts doing them
  8. It's a vocal register in the voice the whistleregister or vocalmechanism m3. Everyone has it but it's hard to train
  9. there are many males aswell, but the point still stands. Notes higher then C5 is usually "effect" notes or stuff to wow people. Its usually not the hardest stuff to do either, just look at Dio, his songs rarely go above C5 and are (*auto edit*) crazy hard to sing well. Because of how well and dynamic/powerfull he sings
  10. He's only counting the notes that sound great thehe
  11. Well the thing is, hand on heart a big range like that most of it's gonna be noise. Range in a sense is just wanking, what truly matters is usualy A2-D5 and your ability to use dynamics and emotion in that range. Give or take a few notes depending on genre or gender. Getting a good singing timbre and an intresting voice that people notice is much harder then getting a huge range. There are tons of guys and girls with crazy ranges despite being good sound like karaoke machines. Ive got that issue myself and it's something im working on, and thats so much harder then burping out highnotes or rangewank. You are not gonna listen to my stuff because i can hit x note. But because my skill and musicality as a singer
  12. Well since Draven said everything the Ta is engaged in is fullvoice that makes my range G1-G7 fullvoice edit: Yes im trolling abit, cause i hate the term fullvoice
  13. Nah, the issue is you want compressed air or the correct ammount of airpressure for the sound you are intending to make. it's not about the ammount of air...
  14. It's a shame this entire thing is extremly vowelmodified then hehe, Cmon All the Ah vowels are Uhhh shaded. I dont think i heard any pure vowel only Ah with diffrent shades of Uh. Great singer however probably great coach aswell
  15. Well its kindo simple really, if two things does not sound the same it's not the same. you might or might not feel a similar feeling when singing rock or classical but the outcome is totaly diffrent wich is why we are having this discussion in the firstplace. makes sense?
  16. nah the covering im talking about is not the same in classical and pop/rock. I also belive many rocksingers specialy heavyrock dudes use more mass then classical. Atleast the singers ive heard, just because your singing with a darkersoundcolor (lower larynx, lifted palate) doesnt mean your useing more or less vocalfoldmass
  17. Haha it's kindo funny you say so, ive just trained abit with a classical coach who trained with several masters he says the other way around lol. He said singing highnotes with a cover is much easyer and less demanding then the more rocktype of singing. Perhaps it's individual?
  18. So basicly you have a teacher that cant hear pitch... Thats a good sign... Not ><
  19. Pretty good article, but I think your out abit on the deep with what the voice can or cant do. Our voices are very big and some are capable of belting or singing chest very high. However a good blend is something all good singers should be capable of. Btw anychance we could hear you do all these things mentioned? We have had many chases of coaches claiming Pavarotti is doing X like My method. And then When they show it's not anywhere close Cheers
  20. Not to be a bitch but pavarotti adam lambert are not similar at all -.-
  21. This thread kindo reminds me of the mantra Felipe usually talks about on skype " There's nothing more powerfull in the world then a mothers touch" - Felipe Carvalho 2016
  22. Haha why do you always counter my trollattempts with that monkey?! You know i cant find a better one, well played master
  23. Mics are great just set the gain on full and sing fullout!= more DB
  24. Aww comeon guys power is about having as much db as possible everyone knows that! There is only one dynamic and that is fullout! BOOM Baby
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