Jump to content

tenor19

TMV World Legacy Member
  • Posts

    4
  • Joined

  • Last visited

Everything posted by tenor19

  1. Hello! Ronron, the only privy to the results is me; you can use a handle if you want. I am trying to create statistics, so go with the best fit for voice type and maybe you can explain how not identifying with one voice type or another changes your perceptions of placement? Are those two things connected in some way possibly? JonPall, if you are interested in the analyzed findings I am happy to provide them! Please help me reach my goal of 500 survey takers! I'm at 277 right now...I need the help! Forward the link to your singing friends if you have an extra moment and are feeling kind! Thanks, JMoss www.surveymonkey.com/s/voiceplacement
  2. Hello, I am currently beginning my thesis on voice placement and sensations experienced during singing. If you would be so kind to take this survey, it should take about 10-15. Please spread the link around, I'm looking for as many responses as possible, and I certainly will share the findings here! http://www.surveymonkey.com/s/voiceplacement Thank you so much! JMoss
  3. I love your designation between method and technique in regards to SLS and EVTS; I think that's really apt and useful for me. Regarding why only SLS and EVTS is simple: those are two contemporary techniques that approach singing in a very particle way but and can be supplemented with more classical methods when needed. I'm sure there are other methods out there, but I am not as familiar with them at this point (I am nowhere close to my thesis so I've got time). I don't think SLS or EVTS spend enough time on the importance of breath. I do agree that the body will adjust to the need for breath if you allow it to simply respond to the vocal demands, however I think a smart singer needs to understand the mechanism to be able to problem-solve if necessary. What is this 'distortion' sound you're mentioning?
  4. Hello... I'm new here--joined yesterday--and so far I've browsed a lot and am really glad I found this resource. I'm just beginning my masters degree in vocal pedagogy and I know one day I'll have a terrific contribution to the world of singing, but for now I'm acquiring my knowledge and cultivating my craft as a teacher and pedagogue. Currently I'm working on a paper on EVTS/Estill's methodology. It isn't a very specific focus yet. There's so little in print and I haven't had the benefit of attending a workshop (yet) so I look to you, my colleagues to help with any advice or opinions on the method. There's such a vast difference of opinion on EVTS between the UK and the US which I find interesting. Ultimately I hope this paper contributes to my thesis which I predict will be an attempt at reconciling EVTS, SLS, and more classical methods for musical theatre. If you have any experience with EVTS, think it's brilliant or bogus, or have had success using elements of the technique or just have some pearls of wisdom, please share! Always, Jeremy Ryan Mossman
×
×
  • Create New...