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Nextorius

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  1. Difference between low tenor's and bass-baritone's passaggio is just 2,5 tones. So pitch limits ARE almost the same Hm... theoretically bass can belting tenor-C. It's in the same way, as baritone can fake alto (Countertenor). It will sounds like leggioro tenor, but problem is with faking tenor's passaggio and chest, i think. That's why there aren't basses singing tenor in opera. In, let's say, more standard way, bass can fake baritone (and tenor in popular music). Just proper vocal track setup. I do not support this, but it's possible.
  2. Benny, i'm talking about changing registers, not changing relations between CT and TA muscles. Two very different things and should not be combined It's changing of timbre and it's separated from activity of muscles. In other words, i can always hear changing of your timbre and it's always on the same pitch. No matter of "mass" use. I understand, that it's popular to use registers as CT/TA relation, but in my opinion it's very confusing, because singers with better technique often thinks, that they are higher voices, than they realy are This creates the cases like "I can sing up to c2, but why for the god sake, i still can't sing like my favourite tenor singers??". Maybe because Tenor will never try to sing on the edge of his head (h1/c2), and he uses these notes occasionally, not as element of their tessitura? Because it would be wearing to his voice?
  3. Oo... wow, great band. Thanks for sharing Ronws, of course I heard Both Axl and Tate, all albums of theirs bands Tate has low notes, no doubt about it, but the problem is with power of his lows. They are weak compared to standard baritone. Just listen Hetfield or Anselmo, both have more powerfull (and comfortable) lows, than Tate. Axel when was younger, he was dramatic baritone. Bridging into head on d#1, and into flageolet configuration on g#1. Nowadays he is bridging on d1 and g1, so i can say, that he is now bass-baritone (That's why he has so much problem with his older songs. Too much singing on edge of his head, he he). High Baritone. Listen to his tessitura, and power of low notes ;)
  4. First of all: 1. Geoff Tate (Queensryche) 2. Eddie Vedder (Pearl Jam) 4. Chris Cornell (Soundgarden) High Baritones 3. James Hetfield (Metallica) 5. David Bowie 7. Robert Lunte 1. Nick Cave (& the Bad Seeds) 3. Ian Curtis (Joy Division) Standard Baritones... but I'm not sure about Robert. 8. Axl Rose (Guns & Roses) 1. Ville Valo (HIM) Low Baritones. Rest of them, you can probably check on The Range Place. Secondly, There aren't many low voices in Rock music, but you can try: 1. Billy Gibbons (ZZ Top) 2. Peter Steele (Type O Negative) 3. Neil Fallon (The Clutch) 4. Alex Band (The Calling) 5. Warrel Dane (Nevermore) Thirdly, If you want a serious challenge, try to emulate good singers. I don't want to sound offensive, but low voices, generally don't sing very well. So... get some low tenor... Bon Jovi for example. Lower key of his song for about... you are bridging on d1, as I remeber? Bon Jovi is bridging on f#1. So, it will be 2 and half steps. After this just... start singing If you can emulate his setup, than you can claim victory. Of course, for Queensryche songs it will be one step, for Metallica half etc. Why do this? Passaggio for each voice is different, so it's better to sing at the same register, as vocalist that you are emulating. Good singers didn't sing above their limits, because it never sounds good (Except very good vocalists, who are singing maximum one step higher than theirs voices... two, if song is easy).
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