Jump to content

musicavenger27

TMV World Legacy Member
  • Posts

    33
  • Joined

  • Last visited

musicavenger27's Achievements

  1. I'm taking the course. Since they already processed the class registration and deducted fee charges from my gargantuan financial aid package, if I got out of it and then tried to re-register for that section I would be charged for tuition. The thing is there were 2 identical sections, one was at 11 and the other at 12 (MoWeFr), and the one at 11 would have been taught by a man so if I had gotten him then it probably would have been more pleasant simply due to the fact that there would have been more to relate to there. I'm still excited about the class, don't get me wrong. I just know I'll struggle trying to keep up with her chesty C5s. I'm not going to be a *music major* as I mostly just want to get prerequisites out of the way to go to pharmacy school. But I opted to take the music major sections because I know a lot about music theory (got a 98 in AP theory last year when the class average was like a 79). And yeah, feel free to drive to Denton and spew your pro - Aggie jokes. At least up in NorTex we don't stay hot and humid all year round like in College Station.
  2. Do you think it will help me? I graduated valedictorian in HS last year (out of almost 600) and am currently going into college as a freshman. Thus, I get free tuition for the first 2 semesters of any public university in Texas, no matter how many hours I take those first 2 semesters. I chose UNT. So along with my 15 hours of academic coursework (includes Honors Music in Human Imagination for Music Majors) I enrolled in a voice class for music majors. It's 3 hours per week but only 1 hour credit, do you think it will help my singing or not? I found out recently that the teacher is a soprano chick. Bummer, but still ...
  3. Actually, in my experience that's not nearly as hard as singing in the passaggio if you have good training and are fully warmed up and all sweaty like that
  4. I can only get B5 today... Christ.. Well there is a little bit "magical" about the C6, I would argue... if the fact that it's the fabled "soprano high C" is not enough, then how about the fact that from B5 to C6 bridges the 1000 Hertz mark?
  5. Yep, sounds like exactly an octave lower, maintaining tonality in the key of F-major.
  6. I live in Texas and I know all about that haha. Texas is effing bipolar! And yes, Hotel California is a VERY tough song, similar to Numb by Linkin Park. The entire song is centered on F#4 and there are many A4 places. These switches are much harder than something like a say, B4 to C#5 centric song for tenors because they lie in the heart of the passaggio.
  7. So I'm a tenor, and whenever I have enough adrenaline I can sort-of sing a C6...It's my absolute highest note... but only for a second or less. It's a note I just can't hold for too long. Is there any way of better developing consistent range past Bb5?
  8. Now i'd like to hear a note like that from a real, fertile, woman. :P
  9. Ab4, A4, Bb4... holding 'em effortlessly... AND he smokes on top of that... how is he still able to do it?
  10. come back when you can hold a belty Bb2 or something...yeah.
  11. I hear a legit Db3 in there from her in the "da-da-da" bridge part, but yeah, definitely postmenopausal.
  12. Never heard a true woman hitting a B2, but yeah Steven Tyler's Ab5's in Dream On are something else.
×
×
  • Create New...