Khassera

Video four you're flipping into falsetto before accessing headvoice.
Onset with vocal fry to fix this.

Video four you're flipping into falsetto before accessing headvoice.
Onset with vocal fry to fix this.

Thanks Khassera, I will fix that immediately. I was trying track and release as demonstrated in the Four Pillars 5ths sirens. I have just quietly sat and tried fry onsets quietly to myself at work. Hopefully they will work for me in a louder setting.
 
I feel like as soon as I can sing in head register I will have opened the door to hundreds of songs I previously couldn't sing! Expect a video tomorrow.

I totally agree! What could possibly be cocky about this video?  If that is "cocky" then Ill take some... because this video shows confidence and "balls" and integrity... 
Yes. Submit to the head voice... and build it from the inside as well as belting up to it... BOTH approaches.  

You don't appear cocky at all mate, just a bit cockney, mate ;D haha, just messin' witcha. I spent almost a year in Exeter, I love the place. But I bet you're from Australia or something and now I look like a dick.
Anyhoo, no. You don't need strain at any point to nail resonance and twang. No. Strain. Anywhere. No matter what Videohere will try to tell you. It's not a resistance training thing. It's a finesse thing. My recommendation in how to do T&T:
- Onset with a vocal fry to minimize tension
- gently press up into your digastrics below your chin, there should be no tension at any point. At all.
- upon occurrence of tension STOP IMMEDIATELY (not because it'll wreck your voice, your life, your car and your wife 'cause it won't, but because practice makes permanent), grab some water or something, rest for a couple of minutes and continue one octave below where you got to.
If you persist doing exactly this while focusing on maximizing the buzz in your face, teeth, lips etc, it'll take you maybe a week to nail the placement. And I mean in a way that you'll never have to worry about it again.
It'll feel really funky to let the headvoice take over. Worry about getting beefy after you nail bridging and connecting.

You're not hitting the note. You sound like you're getting stuck, or pulling a lot, and it shows in your body too.
Just hammer at resonant tracking. When it gets tight, pause and rest (this is very, very important), skip down an octave to start over and work your way back up. Do this a couple of times. Try doing it with an plug-earphone going to one ear. Feel the sensation of "NG" on the M and the N when you go higher, especially when you're past the passaggio.
Your voice doesn't sound resonant. It sounds like you're trying to keep a sort of dark timbre to it, which is fine, but for that song it sounds a bit off. Until your face, teeth and lips buzz throughout your low, mid and mid-high range I'd say don't move on to onsets, but I'm sure Rob can guide you better. It's kinda like moving in before the house is built imho. And the coordination isn't that hard to find with resonant tracking. Ave the patience to keep at it.
Keep working on it man. You've got potential, you have a nice tone.

Hey man i heard it, your close but your vowelmods are abit all over the place wich throws it abit pitchy. Try this, im hearing that your closing down abit to much on the closed vowels specialy the ih/ee vowels.

Aika päheetä.

Yeah, the "I love it, I need it" isn't near as ballsy as what I'd like to hear, and the verses are heavy enough that I know you could do better.