BlueDream

Interesting & dope rendition of high C. I'm working on the same thing for the Bach-Gounod Ave Maria. Pros: Powerful onset, powerful sustain, nice release. Interesting vibrato ... Sound like throat vibrato because it's powerful Suggestions: - approach the high C from above & below, in a verse - record soft onset and use crescendo to increase volume & add diaphragm vibrato - use Gee-ya in a scale approaching high C. "G" guarantees vocal compression, and 'ya' guarantee release (like a yawn) What's the application of this high C? Opera? Rock?

Sure thing... thanks

Sorry about word timing... Still not sure how to swing the beats on this old song ... to make it more lively ... need to sing it for a wedding! Any suggestions for improvement would be so great, i.e. mixed voice, head voice, & chest voice form a coherent one voice? Love & peace

Hello, I have been learning the various voice registers & applying to this song. Any suggestions on where to improve would be greatly appreciated, i.e. Do it sounds like one voice? or not yet? Love & peace