Search the Community

Showing results for tags 'head voice'.

More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


    • Welcome New Members!
    • General Discussions
    • Microphones
    • Recording For Singers
    • Vocal Effects / Processing
    • Seeking Vocalist / Vocalist Available
    • Vocal Gear Reviews
    • Singing Articles
    • Expert Interviews


There are no results to display.

There are no results to display.


  • Singing Reviews, Programs & Lessons
  • Microphones (Live & Recording)
  • Vocal Pedals (Effects)
  • Home Recording Gear
  • Services For Singers
  • Singing Applications
  • Vocal Health Products
  • TMV World Exclusive Interviews


  • Product Reviews
  • Articles
  • Interviews

Product Groups


Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...


  • Start



Web Site URL


How did you hear about TMV World?

Found 303 results

  1. Whenever i listen to a (*auto edit*) baritone i just want to fall asleep. Baritone singing sounds so boring. It's the biggest curse ever. God gave you a great deep voice yet you can't (*auto edit*) use it for singing. I would sacrifice my whole family for a tenor singing voice and i'm not exaggerating. Tenor voices sound (*auto edit*) amazing. Super interesting. My baritone voice sounds like shit. Singing a D4 is hard for me. I can't believe. Can reach G5 in falsetto but it means nothing. I want to be able to (*auto edit*) reach it in chest voice. Might kill myself i'm serious.
  2. Was he not able to hit high notes above G4 or was it just a lack of training? Could he have been able to get higher due to the right trainning? I'm really interested.
  3. I know you all don't want to hear this negativity. I'm sorry. I've been singing for over 3 years now. Yet i'm so unsatisfied with everything. I feel i could be better and better and that there is some magic secret that i haven't discoverd yet. I always feel that i'm overrating myself. I can sing decent low notes and my falsetto is getting better although it needs improvment. Overall i'm happy with my voice. My main problem are the high notes. I've always neglected them in the past because i was a beginner and sang low. Now i try but it gets really hard. I always feel like i could have sung it better and better. Also when i found out that i was a baritone it was a bitter pill to swallow. Now i'm not sure. I'm 20. Should i stop singing or can i still improve my singing?
  4. Hey guys, As I practise singing in the high range I notice support values escalate a lot towards C5. Then at C#5 I feel like I let go of something and there is a slight shift in timbre and a dip in support value, kind of like a second passaggio. But it still sounds good. Do you guys experience this?
  5. Hi guys! I've always had this 'issue' with my voice, but even through training for a few years it hasn't improved. I've always been comfortable singing in head voice even before any sort of training, and have a pretty connected range up to G5. Often when I sing in my chest voice (more towards e4/f4, up to C5) I find myself switching to a more heady lighter voice. Obviously I know this is normal to an extent, but I can already be in a 'meatier' chest in this range, but I can feel my voice really trying to lighten up... The thing is when I'm singing in chest it isn't uncomfortable at all, with my larynx neutral or slightly lowered the whole time. Also, I need to make it clear my voice does not seem to break or flip into head voice at this point. It's kinda hard to explain. I just feel much more comfortable in my head voice or a heady mix than 'pure' chest voice. Is this just an indication I have a naturally lighter voice, or is there anything I can do to try and improve this part of my range in terms of power?
  6. Lucky for me, I healed in two days! Yes, this is a personal story, a cautionary tale of the vocal danger of over confidence, which can fuel lack of training, and lead to injury! It's a slice of humble pie for me to tell about this, especially with the influential voice of TVS & this TMVW community always echoing in my mind. So here's what shut off the echo (my excuse). A friend of mine gave me a call to invite me to jam with an old cover band he is considering reforming. I had not had the chance to jam with local musicians since I was last living where I am now some 8 years ago. Back then, my friend (the drummer), had me sing as a temporary fill in for his band since I couldn't commit to long term at the time. I was amped about singing live hard rock with some talented players! On the way to the jam, in the car, I made a feeble attempt at "tracking" (nasals) with the radio. Failed to get a proper sound check and sound level. I walked in to the rehearsal room (garage studio) and within a few minutes, the PA was flipped on, the guys were warmed up and I chose this song off the set list on the wall, an old favorite to start off the night: Song went great, these kats are tight! I was having a good time yet, as soon as we were done with that song I knew instantly I had very little passaggio left! I could feel it when I would just softly sing a scale. I told the guys the bad news, THEN had us get my mic level right, and was expecting the jam to be ruined however, I was surprised to discover that the songs we then played, I was able to gimp through them relying only on M1 and the upper end of M2. The guys said, "dude you sound fine, there's nothing wrong with your voice!" That gave me a chuckle and I proceeded to tell them a brief explanation of passaggio. Then, the last song we played for the night helped them see exactly what I was talking about. The guitarist (who could sing quite well) had to take over. Much of this song is in the passaggio for me. I was quite bummed as I'm a big Adams fan, love singing any of his tunes! So, In my defense, I was sort of swept off my feet in the excitement of getting to jam after years of missing it! I forgot the most basic elements of protecting the voice from damage. Singing too loud (due to no sound check, lead vocal mic too low), with distortion, WITHOUT proper appaggio (mainly diaphragmatic support) I've got no real excuse in forgetting to support, complete failure as a vocal athlete. At least I can say, it won't happen again! So there's that, don't do what I did! Sing every day! Always sound check! Train, Train, Train! peace, k
  7. I’ve just started properly singing and I’m interested that what vocal type do I have. So my chest voice extends down to a F2, but I can’t project it that well and it’s really breathy. At around A2 it starts getting stronger and brighter. My chest voice goes up to a F4 and my mix goes to a E5. My head voice can go to a C6 easily and to D6 but it takes more effort. So any opinions about what vocal type I am? edit: Yes I’m completely aware that this really doesn’t matter and that it’s hard to know without recordings. I’m not that daft but thank you anyways for pointing that out...
  8. Nothing's funny. But it's literally affecting my practice. Is this a singing problem, or maybe it's not. I find that it's mainly when I hold long notes that I just want to laugh. IDK WHY. It's been happening for a while now, and it's been somewhat affecting my practice. Does anyone else do this?
  9. David Weaver is a personal training that has professional experience with physical training. This is why The Four Pillars of Singing vocal program made sense to David. He understands that voice training, is an athletic endeavor and requires physical strength building. This is why the TVS training program, The Four Pillars of Singing made sense to him. Congratulations to David Weaver for releasing his first full album. Great music David! It was a lot of fun to coach you on these songs, I can really connect with what your doing. Coach Robert.
  10. I am 15 years old i've been singing for 2 years now I have had 2 months with a vocal teacher My vocal range is A2 - F5 (Modal Register) Extended By Falsetto and Vocal Fry A1 - Bb5 My passagios are at D4 and G4 someone help?
  11. I am currently working with a student who is hesitant to widen her range. She's a 19 years old, has no formal vocal training, and identifies as an alto. During vocal exercises, whenever we reach above an B4, she becomes nervous and refuses to sing higher. Are there any good exercises or beneficial methods in which to help her widen her range?
  12. Hi! I'm new-ish to this forum, posting here for the very first time because I'm super excited to share my progress. I'm male, 23, started taking singing lessons only 2 months ago. Prior to that I was a rubbish singer. I'd read a lot about vocal technique in the past i.e. chest, head voice etc. but it was all rather abstract - especially when it came to the mysterious mixed voice (what the what?). Anyway, I couldn't sing for my life until recently when I bit the bullet and started seeing a voice teacher near where I live. Only 2 months later and I CANNOT believe the progress I have made! This recording was taken today - I usually record myself doing vocal exercises at home - and has me doing a vocal slider up to C5 while adding some cord closure and lots of support. Although I could only hold the note in full voice for a couple of seconds, I managed to get a tinge of vibrato in there and the release felt AMAZING! 2 months ago I was straining to even hit C5 in falsetto! Just goes to show that practice and patience works!
  13. Hi guys. If I go lightly on my pressure I can sing up to F#5. The issue is that my throat gets very tight. I can start tight on a C#5 and then relax and add air to get it louder without issue. Any tips on how to do this for F#5. The F#5 seems too tight to actually be able to send enough air into it to add volume. Is this more an issue with control? Or muscle? More practice vs working out more. Thanks, Rich.
  14. Hey guys. Any suggestions on how to clean up my chest and head? It feels and sounds like extra thick vibrations toned in with my notes. Almost like i have half my chords workibg and the rest kinda just adding flapping flavour. I can hit clean chest/head notes but usually just when hitting notes/chords. Not when singing songs. My falsetto is clean though and has none of this extra beef. Thanks. Rich.
  15. I use a digital recorder that records the effects in real time while recording. With this recorder I cannot add effects after the track is laid down other than a master effect which is applied to all tracks. I usually check for decent sounding preset for my microphone before recording and use headphones. My questions are.....How much does this effect the initial sound being produced by you the singer. And can it interfere with overall voice production? An example would be....Does too much Bass in the EQ lead to a higher larynx to compensate for the sound and vice versa, too much treble lead to other compensations. ect...
  16. Hey guys I haven't made video's in a while I have had some major back issues (20 years) that really has made it tough to gig the last few months and sing and work. But I had Emergency back surgery Friday and I'm looking forward to a very quick recovery. So my teaching is on hold for a couple weeks. So while I was hopped up on pain pills I decided to make a vid lol. Hope you like it.. see ya soon peace
  17. Hi there I was just wondering if there was a program out there that would run on windows O/S that would allow me to sing into it (or play music into it) and it would tell me what HKZ or piano note was being sang. and if possible to what decibel of sound too please? Thanks 2CIADB P.S please note that the tag I have used as "head voice" is incorrect. I could not find a Tag for pitch! so I used the first one from the drop down menu. Could the mods of this forum please advice. Thank you
  18. The vocal geek mind took over when I started watching this video of Joni back in '79 singing, "Goodbye Porkpie Hat." I've always been a fan of Joni and thinks she's a beautiful woman! I couldn't help but notice those big beautiful front teeth and I thought, "it's almost like she would never have to be reminded to keep a "wide" embochure (as most of us so easily forget to maintain when singing). Her consistent teeth bearing embouchure seems like the perfect "E.Q. balance" to her warm (larynx lowered) alto-ish tamber. Then, as I watched her sing (the camera angle is such as to give just the right view of her face), I'm noticing that she's singing all these cool lines with lots of vowel modifications as she sings lines that flow quickly up and down between M1 & M2. I thought it was a good example of someone masterfully applying the technique.
  19. Hello everybody! So my last thread I asked for help on mixed/ middle register. I have been working on it for a little while now but I still feel like I'm shouting and using too much air on belting high notes. It's as if I'm trying to sing it rather than just letting the sound out. Here is a comparison: and me lol: Any tips or advice is appreciated. Don't know if I'm shouting because I can't get that cord closure properly in my higher registers or if it's a bunch of different things. Woke up a little hoarse today too after singing for around 2-3 hours heavily. this is so annoying Thank you ! Love this forum for all the help I get
  20. Hi, I'm a 17 yr old female singer and I've recently been working on developing my upper register. The video is me singing my high C but it just sounds bleh to me. How can I make it stronger and what am I doing wrong? Any help would be much appreciated!! I'm new to the forum so I hope this is ok for me to post as a thread. Oh also may I ask what is my voice type? My range is E3-C#6. I feel most comfortable singing between E4-G5 though.
  21. Hey guys, I'm new to the site. I am really worried about my vocal health. I have just graduated uni after years of specialising in vocals and two months ago I began my first proper singing contract in a different country. Because of the change in climate I got ill and ended up with laryngitis. Unfortunately I still had to sing and do shows with laryngitis, however, I had to almost scream to get a sound out. My voice kept getting worse and the laryngitis developed into pharyngitis and guess what... I still had to sing every night. No voice rest for me It has now been two months and although I do proper warm ups before my shows, afterwards my voice is gone because of the amount of strain I am putting on it. I still have to shout to get the notes out and I cannot sing effortlessly like I used to. I'm getting so fed up of it. I live with other singers and I feel unworthy to join in with their songs because my voice sounds so bad compared to what it used to be like. The other singers in my company must think I'm talentless. I just want my voice back. I cannot do runs clearly; it sounds like I am sliding around the notes and my head voice is completely non existent. I know now I should see a voice therapist but finding an English speaking one may be difficult out here. Does anyone have any advice on remedies or exercises that will help me get my voice back? Almost importantly, do you think I have permanently damaged my voice?
  22. this is kinda hard to explain properly, ill try my best. so when i try to sing, there is hundreds upon hundreds of different type of sounds that i can apply to my voice, for instance, i can make my voice sound compressed, nasally ect... there is many more different sounds i can do but i simply do not even know how to discribe them, and sadly, none of them sound good at all, some sound better then others, but they are all still border line horrible. when trying to apply changes to the sound of my voice, i feel like i am constricting my vocal range in some way, i feel a tension of some sort in my throat, and this tension prevents my voice from reaching the desired key/pitch i aim for. should i not try to change the sound of my voice when singing? should i just use my natural speaking voice to sing while allowing my voice to sound how ever it naturally sounds? my voice is quite deep naturally and doesnt sound right when trying to sing with my naturall speaking voice. is what i am saying makes sense to anyone? another thing: so lets say i somehow manage to sing on key/pitch perfectly, now, does this mean that my voice will be pleasant to listen to? is key/pitch what makes a singers voice sound good/bad? could i sing on pitch/key perfectly, but still have my voice sounding horrible due to the overall sound of my voice? one last thing XD: it seems that i can sing country songs 100x better then the songs i prefer to sing. i actually caught myself off guard when singing a country song just for testing purposes, i found out how to allow my mic play through my headphones with a track playing in the back ground, with this, i can hear myself in real time and make adjustments to my voice if needed. insanely enough, when i sing a country song, i can let my voice sing in my natural speaking voice kinda, like, i feel no tension in my throat at all and my voice doesnt even sound like im the one singing it, its hard to explain, it just sounds great compared to other types of songs i sing. only bad thing is that i hate country music with a passion, if i had to choose between singing country good or not singing at all, then i choose to sing nothing at all lol. am i doomed to only sing country?
  23. Throughout the last 4 years, since I started singing until now, although I gained technique (went from eardrum destroyer to mediocre/acceptable), my high register is fading away. What I did during this time was to smoke a lot (quitting now due to lung infections) and to focus on mid-register and lower register songs. Those songs were easier for me because I have to make little effort to reach the notes (from D2 to A3 is the area where my voice sounds better). When I have a higher song to sing, I lower the key to fit around D2-A3 for it to sound acceptable. In the past, I could sing easy cool F4's, although a little airy. Now, every note past around A3 (which is my "primo passaggio", D4 beind the second) sounds either heady, airy, thin, or unpleasant. Sure I can sing some 4th octave notes today, but they are limited and they use to suck. The main question is, is there a way to help recover some of the range that I lost due to heavy smoking and/or lack of practice, and then belt anything past A3 with some real chest resonance?
  24. I had mentioned this singer "Chris Stapleton" in another thread. Thought I'd share this video/song he recently published. I was really struck by the numerous examples of solid vocal athleticism that arise in this performance. I try not to overanalyze every good vocal too often, cuz sometimes I loose the "soul" of the song in my ear from all of the deconstruction I use to understand the vocal. Couldn't resist on this one. Still "hearing the soul" to date. I've tagged all the key words that I believe I recognize "done well" in this composition. Personally, I'm most impressed with his mastery over what I would assume are the critical configurations which bring great resonance with comparatively low level respiration. I'm convinced that, with the best possible formant, combined with the strength support of skilled appoggio, the "illusion" of a belt is created. He is singing at a relatively low volume yet, the intensity of his voice is sustained. The same nuance is applied to his vocal distortion, which he employs mostly in the higher notes. Those are my impressions.
  25. Does anyone get a swollen up ear like deafness like your ears had popped on an airplane after a while of practicing high notes? Is this normal or bad techniques or too high of a note for myself or just doing it too many times? Thanks 2CIADB