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  1. Robert Lunte, "Timeless Chains". A song about my "x" Anna Christina. Enjoy. Silently your, beauty took my breath away... Now comes the rain, can I feel another day. So much time has past away from that fateful day. So much time has passed, since you turned away. Chorus Now timeless chains, there's no escape! You walked Away Just when I started to get my life back under me. Berlin skies of gray, so cold I cannot breath Cause I lost, mean Frau in the storm, that marked my destiny! But here I stand defiantly mending a heart ripped to shreds of tragedy But my face to the wind, Im washed from my sins, but you still keeps haunting me Chorus Timeless chains, there's no escape! You walked Away Just when I started to get my life back under me So much time has past away from that fateful day. So much time has passed since you turned away. Chorus Timeless chains, there's no escape! You walked Away Just when I started to get my life back under me!
  2. Recording plugins are some of the most essential and fun additions for any home recording. The quality and variety of recording plugins available today is simply miraculous. With the right choice of plugins, and a little bit of skill at home recording, an experienced home recording engineer can produce recordings that sound very professional! Plugins are not just for vocal effects. They are also available to simulate vintage preamps, compressors and even recording consoles like the famed SSL console system. In the world of plugins for digital audio work stations, (DAWs), there is no company that does a better job then waves. Visit www.waves.com and learn more about how you can make your home recordings sound professional! TOP RECOMMENDED WAVES PLUGINS FOR RECORDING VOCALS! CLICK HERE TO VISIT WAVES RECOMMENDED VOCAL PLUGINS AT WAVES: CLA VOCALS * JJP VOCALS * EDDIE KRAMER VOCAL CHANNEL MASARATI VX1 * BUTCH VIG VOCALS * VOCAL RIDER * HR REVERB HR ECHO REAL ADT APHEX VINTAGE AURAL EXCITER WAVES TUNE WAVES TUNE LT DOUBLER * DEBREATH DeEsser VITAMIN * RENAISSANCE VOX THE KING'S MICROPHONES AND A LOT MORE...! * Honorable Mentions... essential! Other Vocal Gear Required for a Complete Home Recording Include The Following Recommendations: A digital Audio Workstation - DAWs: LogicProX, Reaper, ProTools. A digital audio interface: We recommend the Scarlett digital audio interfaces from focusrite. A recording, condenser microphone: RODE Microphones: NT1, K2 Pearlman Microphones See The Vocal Gear Store for more suggestions. Headphones: Extreme Isolation x-29s. See The Vocal Gear Store for more suggestions. A Reflextion Fliter: SE Electronics Reflexion Filter Pro Ambience. A Pop Filter: See The Vocal Gear Store for more suggestions.
  3. CVI vs TVS: Review of “The Four Pillars of Singing″ BY FELIX, ON APRIL 21ST, 2015 So I finally decided to buy “The Four Pillars of Singing″ by Robert Lunte (TVS, The Vocalist Studio). Some of his tutorials and lectures on YouTube caught my attention and after a few days of consideration (+200$ is a lot of money) I decided to give it a try. When I started my singing studies I had decided to look at as many different approaches as possible and learn as much as I can and Robert Luntes perspective is certainly interesting and he definitely knows what he is talking about. I will compare his training system to CVT (Complete Vocal Institute) because it seems to be aimed at the same target audience. “The Four Pillars of Singing” is a comprehensive vocal training system that includes a book, over 350 videos, audio training content, detailed training routines, guide files and a robust learning management system that allows you to take a comprehensive course to study and master the TVS Method. It offers workouts starting in the key of C and G (to make it easier for women to use), training work flows and training routines for over 64 workouts, guide files that help you learn how to perform the workouts quickly and a very useful interface that organizes this massive amount of content. A user interface like this, is not available in any other program.. Robert advertises it as being the system with "the most content in the history of mankind". That is not only marketing but certainly a fact. But what does it mean? There is a lot of data in here, that’s for sure. The content of the book is similar to what CVT teaches. Especially the TVS method for organizing the vowels of singing into what they call, "Acoustic Modes". But unlike the CVT vocal modes, the TVS Acoustic Modes have stripped out a lot of additional levels of complexity, focusing only on where the singing vowels resonate in the voice and their respective sound colors. It is a very effective and intuitive way to learn about the acoustics of singing. In addition to ideas from TVS such as training work flows (teaching students to train with "step by step" instructions), specialized onsets and vowel modification formulas, "Pillars" also offers "physical modes" which are essentially very similar to the EVTS voice qualities or Estill modes. If your looking for CVI and Estill concepts as well as the unique TVS techniques, you can only find it in The Four Pillars of Singing. The focus is on all styles of singing. The 616 page book includes descriptions and illustrations of all the important components for singing; physiology, acoustics and mental imagery. The product is very comprehensive and a lot of work has clearly been put into it. With CVT, you only get a book and some sound samples and that leaves the less skilled voice student lacking for guidance and instruction on how to train and practice. One of the strongest aspects of The Four Pillars of Singing very well may be, that it seems to not miss the important point that students of singing technique programs have to have the content and guidance that no only teaches them the method and techniques, but also teaches them how to apply the techniques with training and practice routines. The sound samples with CVT are helpful, but the value is far below what you get with The Four Pillars of Singing. Then there is Robert. He sure is an interesting voice coach, he sounds very credible and his way of teaching is captivating. In a real-life coaching situation, that might be great and it certainly is important if you want to reach your full potential as a singer quickly. What is better, CVT or TVS? Should I buy Complete Vocal Technique or The Four Pillars of Singing?... or BOTH? It is important to point out that both systems are actually compatible together, but if you had to make a choice, given that "Pillars" already includes the main CVT premise, vocal modes oriented around singing vowels, then The Four Pillars of Singing is the way to go, given that they cover that topic with the "TVS Acoustic Modes". If you are a person who needs or learns faster with video tutorials and audio files to listen to in the care and practice with, then "Pillars" might be the better choice for you. Learn more about "The Four Pillars of Singing". Read reviews on Amazon.com. CLICK HERE FOR AMAZON.COM REVIEWS >>>
  4. Hi all, new guy here. Playing lead gtr for about 28 years but only now trying to learn to sing properly. Just starting on the Four Pillars. Im trying to give myself some goals to work towards as I start working on my singing. So here are a few questions I have on choosing songs to aspire to: 1) Should we have a list of songs we want to learn to sing (a dumb question I know) 2) Is there a recommended list of songs anywhere on this forum for newbs to work on etc? I think it would be a cool thing to make a list of songs in the different genres. Then those songs could be analysed and maybe categorized as far as range, style, belting, head voice, bridging, overall difficulty levels etc. Im aspiring to the sort of Zep/Whitesnake/BlueMurder/Badlands style and I realize there is a wide variety of range and difficulty levels there. I might try to analyze some of the songs myself but since im a newb id probably miss the important points lol. In general should a newb start trying to conquer songs well within his reach or try to look ahead a bit to songs that are slightly outside his current abilities? Thanks for any feedback and ideas, JonJon
  5. TMV World Team

    TC Helicon VoiceLive Touch 2 Review

    INTRODUCING THE TC HELICON VOICE LIVE TOUCH 2 They call it a "Vocal-Designer". Interesting, I thought to myself while unpacking the TC Helicon VoiceLive Touch 2 from its box. As the name implies TC-Helicon has released a new version of its innovative 'Touch' series which builds upon the original Voice Live Touch. I'll be upfront and say that I never had the opportunity to try out the original Voice Live Touch so this review will strictly be based on my experience with the new unit: the TC Helicon VoiceLive Touch 2. Gone are the colorful touch pads and diminutive LED screen. Instead, the Touch 2 is more serious wrapped in subdued grey with a much more usable LCD screen. Being this is a very menu driven device I imagine this is a welcome change to the original Touch users. TC Helicon VoiceLive Touch 2: Build This product can be purchased at The Vocal Gear Store. As with all TC-Helicon gear, the build quality of the TC Helicon VoiceLive Touch 2 makes it feel like every bit of its $500 street value. There are no manual knobs and buttons on the Touch 2. Instead, every control aside from a mic gain knob is a touch pad. It's an interesting design concept that is going to work for some but may be troublesome for others. The layout is generally straightforward and once you get a hold of the basics of how to drive into settings, the TC Helicon VoiceLive Touch 2 is fairly intuitive. I wish TC Helicon had given thought to backlighting their pads as I can see having issues in a dark club environment finding the right pad to hit, especially if you prefer as I do to not stand mount it. As a workaround, I highly recommend using their 3 button foot control available for purchase separately. TC Helicon touts the VL2 as giving singers "unprecedented creative control of their live sound with state-of-the-art vocal effects and performance looping in an intuitive touch layout." This I agree with. The TC Helicon VoiceLive Touch 2 packs an enormous catalog of preset effects to get you started sorted by genre such as Rock, Pop, Alternative etc. that mock the vocal effects used on a large v ariety of hit socks. If that isn't enough they are continually updating the catalog that is downloadable directly to the VLT2's using VoiceLive support. The TC Helicon VoiceLive Touch 2 In Practice The TC Helicon VoiceLive Touch 2 is pretty much ready to go out of the box. Built in is TC's fabulous adaptive tone which automagically applies adaptive EQ, compression and de-ess to your voice. It almost always sounds great and it certainly does on the Touch 2. Every effect is just about infinitely customizable on the Touch 2 including all the usual suspects of HardTune, tap delay, reverb, harmony, doubling, choir, and transducer. However, I generally found myself starting with one of the built-in presets and then customizing it to fit my sound. One of the more interesting features added on the Touch 2 is an effects "slider" that allows you to a choc tweak with your sound as you go. TC has come a long ways with their harmony algorithms by syncing them up with instrument input to ensure they are always on point and realistic sounding. The Touch 2 adds to the flexility of this by incorporating 8 total voices (more than you'd likely every need) and what they call "RoomSense". If one doesn't have an instrument to plug into the VoiceLive, the two onboard microphones take it the chord structures based off what its hearing in the room to decide how to apply the harmonies. I would argue there's no replacement for real harmonies, but this comes so damn close that admittedly even I have started using them. Another key feature to point out is the 6 track TC VLOOP performance looper. This is where things can really get creative with the ability to record your vocals on the fly for up to 30 seconds. The Touch 2 is so intelligent that it will even quantize those for you for perfect loops. One you have your loops you than then add Reverse, Filter, Slow Speed, Squeeze and Squeeze Auto to really make things interesting. Overall I felt that the looper was well done and simple enough that it could be used in a live situation. CONCLUSIONS about The TC Helicon VoiceLive Touch 2 The TC Helicon VoiceLive Touch 2 is without question an extremely powerful tool. At the end of the day, it does however, cater itself slightly more towards the studio and solo artist than it does to more of a rocker like myself. I felt the menu-driven design and touch interface left me spending more time in trial and error before finding a sound than I would have spent flipping a knob or hitting a switch on the Voice Tone series pedals. In my opinion, though, TC has found a niche within a niche market with the VLT2. If this looks like it might be your kinda thing I recommend you check it out.
  6. Some of you guys have seen earlier preproduction of this tune. Here is the final presentation to you all... hope you enjoy. The Song is a bit about... the morning after. That feeling you get when you did something the previous evening or have been doing something that is fun, but now you have to pay the consequences in the heart. Then freeing yourself from it...
  7. Robert Lunte

    What Is Vocal Twang?

    Vocal Twang is a term that refers to a physical configuration for the singing voice that is characterized by tilt of the thyroid cartilage, compression on the vocal folds and an amplification of the voice. This "vocal mode" is ESSENTIAL for great singing. It is the most important physical setup that a singer needs to train to develop to become a great singer. Vocal Twang explanations, techniques and training are all provided in The TVS training program, "The Four Pillars of Singing". www.TheFourPillarsofSinging.com. WHAT IS VOCAL TWANG?
  8. Vocal Twang is a term that refers to a physical configuration for the singing voice that is characterized by tilt of the thyroid cartilage, compression on the vocal folds and an amplification of the voice. This "vocal mode" is ESSENTIAL for great singing. It is the most important physical setup that a singer needs to train to develop to become a great singer. Vocal Twang explanations, techniques and training are all provided in The TVS training program, "The Four Pillars of Singing". www.TheFourPillarsofSinging.com. WHAT IS VOCAL TWANG? View full article
  9. TMV World Team

    What IS VOCAL TWANG?

    Vocal Twang is a term that refers to a physical configuration for the singing voice that is characterized by tilt of the thyroid cartilage, compression on the vocal folds and an amplification of the voice. This "vocal mode" is ESSENTIAL for great singing. It is the most important physical setup that a singer needs to train to develop to become a great singer. Vocal Twang explanations, techniques and training are all provided in The TVS training program, "The Four Pillars of Singing". www.TheFourPillarsofSinging.com. WHAT IS VOCAL TWANG?
  10. CVI vs TVS: Review of “The Four Pillars of Singing″ CVI vs TVS: Review of “The Four Pillars of Singing″ BY FELIX, ON APRIL 21ST, 2015 So I finally decided to buy “The Four Pillars of Singing″ by Robert Lunte (TVS, The Vocalist Studio). Some of his tutorials and lectures on YouTube caught my attention and after a few days of consideration (+200$ is a lot of money) I decided to give it a try. When I started my singing studies I had decided to look at as many different approaches as possible and learn as much as I can and Robert Luntes perspective is certainly interesting and he definitely knows what he is talking about. I will compare his training system to CVT (Complete Vocal Institute) because it seems to be aimed at the same target audience. “The Four Pillars of Singing” is a comprehensive vocal training system that includes a book, over 350 videos, audio training content, detailed training routines, guide files and a robust learning management system that allows you to take a comprehensive course to study and master the TVS Method. It offers workouts starting in the key of C and G (to make it easier for women to use), training work flows and training routines for over 64 workouts, guide files that help you learn how to perform the workouts quickly and a very useful interface that organizes this massive amount of content. A user interface like this, is not available in any other program.. Robert advertises it as being the system with "the most content in the history of mankind". That is not only marketing but certainly a fact. But what does it mean? There is a lot of data in here, that’s for sure. The content of the book is similar to what CVT teaches. Especially the TVS method for organizing the vowels of singing into what they call, "Acoustic Modes". But unlike the CVT vocal modes, the TVS Acoustic Modes have stripped out a lot of additional levels of complexity, focusing only on where the singing vowels resonate in the voice and their respective sound colors. It is a very effective and intuitive way to learn about the acoustics of singing. In addition to ideas from TVS such as training work flows (teaching students to train with "step by step" instructions), specialized onsets and vowel modification formulas, "Pillars" also offers "physical modes" which are essentially very similar to the EVTS voice qualities or Estill modes. If your looking for CVI and Estill concepts as well as the unique TVS techniques, you can only find it in The Four Pillars of Singing. The focus is on all styles of singing. The 616 page book includes descriptions and illustrations of all the important components for singing; physiology, acoustics and mental imagery. The product is very comprehensive and a lot of work has clearly been put into it. With CVT, you only get a book and some sound samples and that leaves the less skilled voice student lacking for guidance and instruction on how to train and practice. One of the strongest aspects of The Four Pillars of Singing very well may be, that it seems to not miss the important point that students of singing technique programs have to have the content and guidance that no only teaches them the method and techniques, but also teaches them how to apply the techniques with training and practice routines. The sound samples with CVT are helpful, but the value is far below what you get with The Four Pillars of Singing. Then there is Robert. He sure is an interesting voice coach, he sounds very credible and his way of teaching is captivating. In a real-life coaching situation, that might be great and it certainly is important if you want to reach your full potential as a singer quickly. What is better, CVT or TVS? Should I buy Complete Vocal Technique or The Four Pillars of Singing?... or BOTH? It is important to point out that both systems are actually compatible together, but if you had to make a choice, given that "Pillars" already includes the main CVT premise, vocal modes oriented around singing vowels, then The Four Pillars of Singing is the way to go, given that they cover that topic with the "TVS Acoustic Modes". If you are a person who needs or learns faster with video tutorials and audio files to listen to in the care and practice with, then "Pillars" might be the better choice for you. Learn more about "The Four Pillars of Singing". Read reviews on Amazon.com. CLICK HERE FOR AMAZON.COM REVIEWS >>> View full articles
  11. Recording plugins are some of the most essential and fun additions for any home recording. The quality and variety of recording plugins available today is simply miraculous. With the right choice of plugins, and a little bit of skill at home recording, an experienced home recording engineer can produce recordings that sound very professional! Plugins are not just for vocal effects. They are also available to simulate vintage preamps, compressors and even recording consoles like the famed SSL console system. In the world of plugins for digital audio work stations, (DAWs), there is no company that does a better job then waves. Visit www.waves.com and learn more about how you can make your home recordings sound professional! Recording plugins are some of the most essential and fun additions for any home recording. The quality and variety of recording plugins available today is simply miraculous. With the right choice of plugins, and a little bit of skill at home recording, an experienced home recording engineer can produce recordings that sound very professional! Plugins are not just for vocal effects. They are also available to simulate vintage preamps, compressors and even recording consoles like the famed SSL console system. In the world of plugins for digital audio work stations, (DAWs), there is no company that does a better job then waves. Visit www.waves.com and learn more about how you can make your home recordings sound professional! TOP RECOMMENDED WAVES PLUGINS FOR RECORDING VOCALS! CLICK HERE TO VISIT WAVES RECOMMENDED VOCAL PLUGINS AT WAVES: CLA VOCALS * JJP VOCALS * EDDIE KRAMER VOCAL CHANNEL MASARATI VX1 * BUTCH VIG VOCALS * VOCAL RIDER * HR REVERB HR ECHO REAL ADT APHEX VINTAGE AURAL EXCITER WAVES TUNE WAVES TUNE LT DOUBLER * DEBREATH DeEsser VITAMIN * RENAISSANCE VOX THE KING'S MICROPHONES AND A LOT MORE...! * Honorable Mentions... essential! Other Vocal Gear Required for a Complete Home Recording Include The Following Recommendations: A digital Audio Workstation - DAWs: LogicProX, Reaper, ProTools. A digital audio interface: We recommend the Scarlett digital audio interfaces from focusrite. A recording, condenser microphone: RODE Microphones: NT1, K2 Pearlman Microphones See The Vocal Gear Store for more suggestions. Headphones: Extreme Isolation x-29s. See The Vocal Gear Store for more suggestions. A Reflextion Fliter: SE Electronics Reflexion Filter Pro Ambience. A Pop Filter: See The Vocal Gear Store for more suggestions. View full articles
  12. Enjoy this new video that provides an overview of what vocal modes are and why they are important. If you train and study vocal modes, your understanding of the singing voice and vocal technique will be vastly superior then dealing with training methods that can't explain the physiology and acoustics of singing. The whole point about vocal mode pedagogy is to make the understanding and execution of singing better EASIER, not harder. So don't let anyone tell you that "vocal modes are necessarily too complicated". That is simply not true. If you take a little bit of time to just learn how it works, you will open up a huge door to understanding the voice and singing better. And of course we cover this in The Four Pillars of Singing 4.0! http://bit.ly/TFPOSONLINE. Enjoy this video and hope we can have some discussion about vocal modes.
  13. WHAT THE HELL IS A "SNILE"? I have formulated a new idea this morning that is great... I share with thee... This is a technique that is used to help train singing through narrowed vowels and improving the articulation of your lyrics when singing high. This technique is also great for resonating to forward positions and amplifying the "cup" of the hard palette. A snile is a cross between a sneer and a smile. It is used in singing to help narrow singing vowels to maintain intrinsic musculature support and stability with amplification, when singing pop / rock music above the passaggio. Mastery of The SNILE will greatly train your kinesthetic feel for narrowing vowels, resonating forward into an "edgier" position, and amplifying while keeping acoustic mass low and balanced. "THE SNILE" is characterized by: A lifting of the upper lip to expose the forward teeth of the embouchure.A "narrowing" of the embouchure, to prevent "splatting".A very strong, amplified, forward resonant position in the "cup" of the hard palette and "edgey pings" off the forward teeth.Must have dampened larynx or anchoring of the larynx. Notice How Geddy Lee of the prog. band, RUSH tracks "Limelight" through the "SNILE"! Who said that "FREE" Secret Tips Didn't Exist?! TRY "THE SNILE" NOW!! ... and post your results here! Video demonstration on "THE SNILE" coming soon... "THE SNILE" is just one idea and technique. It is not a "global" solution for all things singing... it you want to get a feel for forward resonance and narrowing, it is good for that. It can also help you to sing very accurately with great intonation and articulation.
  14. I thought it was awesome so I posted it here to brag. Anyways.... is there anything you guys recommend me doing to make it better? http://vocaroo.com/i/s0fyCH3oqtVe
  15. mchlclark

    Ebouchure

    After studying the four pillars of singing, I was watching Nirvana unplugged, and noticed that for over 90 percent of Kurt Cobains performance, his embouchure was almost completely closed. Yet he still manages to perform, and produce a sound that is entertaining, and to my ears quite good. Even during his distortion, which he is most known for, he doesn't seem to be straining much at all, and his embouchure is still just open. So I guess my question is... is it really necessary to always use a full horizontal, or vertical Embouchure? Or as with the vowel modification, should the embouchure also be experimented with?
  16. Hey guys, I just got back from the 35 hour TVS training intensive with Robert this past week. We did a ton of work and it definitely has paid off in getting me stronger and growing as a singer. If you have the opportunity to do so, I highly recommend coming to Seattle and working with Robert. He is a fantastic coach and you'll get your money's worth. Here is Living Colour's Cult of Personality that we had worked on:
  17. Hey guys! Im just wondering does the following clip sounds like a full voice. I had a bit more time to practice lately (dont really have any time ussualy so im kinda not proggressing really good). NOTE: I can make this sound alot better and less airy and less shaky, BUT i wanted to share this one as this is what happens most of the time. Just wanted tips on what is wrong here. I know what to practice i have all that in Pillars but i dont know what im doing wrong! https://app.box.com/s/syjjny1vpzth1rpl06rb0oh10pc8arwl Thanks alot guys!!
  18. I recently had a breakthrough......It only took 40+years As a child and growing up I would imitate cartoon voices, High voices and Low voices.......For some dumb reason I never used them for singing, Except imitating those singers who already sound Cartoony ( Axl Rose, Brian Johnson). I guess I wanted my voice to sound cool or something, anything but cartoony. But when using some of the cartoon voices I could easily produce pitches pretty much anywhere in my range (on a spoken phrase)......I was playing with one of the Exercises in "Four Pillars of Singing" and Robert does tell you to Play with this particular one......I ended up in one of my "Cartoon Voice" configurations and there was no problem keeping the configuration through the passaggio (E4 to A4 range)........Here is the breakthrough........What causes these Cartoon Voices are an imbalance somewhere along the line...Too much compression......Too Much Twang.......Too much Larynx manipulation...... Too much lift of soft Palate.......Too much air......Or just not enough of something somewhere. SOME of these exercises are MEANT to over use some aspect or another of the Vocal package......WHILE TRAINING do not be thinking you are doing something wrong Because it sounds too cartoony.....What is making that Cartoony sound is what is being strengthened and it just may be the Week Point in your normal singing voice. I will give you One example...... Foghorn Leghorn....If you are having trouble Dampening your larynx (Dampening is slightly different than lowering) Imitate Foghorn Leghorn.
  19. Hi, everyone, Starting in a semi professional quire as a chorister, also, aided with a professionalised gregorian choir in St. Niklaas, Belgium, once and a while. Later on a monk, I had the lead of the second quire in a monastery; Having a broad rockmusic background of the seventies and eighties, A year and a half ago, I started out, studying Post Hardcore Rock music, Alternative also; Since september, I began practising albums of Breaking Benjamin, Black Veil Brides, A Day to Remember, Escape the Fate and Falling in Reverse. I do home recordings, and although circumstances are not favorable to professionalise, I seek financial and professional aid in enhancing my vocalist, mostly my modulating and voice bending capacities; which have proven to deploy at its best outdoors btw; I hope for PROFESSIONAL assessment, advice, proposition for Management etc: Here in addeda a link to my Google Drive, where people can see some of my covers, I will be uploading more ot them eg Devils Choirs, of BVB etc On YouTube You can find my channel beginning with first recording experiences, under my name Peter HumbleLegolassie Donné Dear Sir, Madam, Since childhood I have been incorporated in a classical semi professional cathedral choir in Belgium under Chapel Master Vande Meerssche; for official references on this choir one can advise oneself with the subsidiary authority, the provincial musical examination comittee; because of the steadfast quality of the quire concerts and practice; in my time, the exams were considered unnecessary; I temporarily also and in between, when needed, aided the professional gregrorian choir of St. Niklaas under direction of Professor Ronny Plovie for some performances; Later on, a monk, I was in charge of the second choir of my abbaye; Applying myself, since more then a year and a half, to Post hardcore and Alternative Rocklife from my own autodidact knowledge of seventies and eighties Rock, I began studying modern Pöst Hardcore Rockbands, BVB, Breaking Benjamin, A Day to Remember, Escape the Fate, Falling in Reverse; For a first time, I did pre-audition with FML, Irish Post Hardcore Screamo Rockband. recently, because of lack of particular Screamo technique, I could not go in for auditioning; I have been recording numbers of home recorded covers - apart from one - mainly of Breaking Benjamin, but also of BVB and ADay to Remember; I mostly lack finances to professionalise my studies, and further enhance and refine my vocal skills, in particular voicebending and modulating style; Please find i addenda some covers I did, taking in account the forementioned lack of professionalising possibilities for now. Here in addeda, a link to number of covers on my Google Drive; one of which in a Youth Hostel, the others at home; to be able to asses relevant quality in reigning circumstances: https://drive.google.com/folderview?id=0B3HiNeB9azIMfloxWUxPNEF3NDZmc2k3elkwcG9NRV9sTHRvaUdNU3gwQVpNYW1MYlpJWlE&usp=sharing
  20. Guy Monroe, The Charisma C

    Trouble Singing?... Try Vowel Emphasis

    I'm not a speech pathologist or speech therapist. I am a master of vocal mechanics specializing in singing and super-fluent voice training for speakers. I train good singers to become great singers and good speakers to become great speakers, (TEDx, The Voice, America's Got Talent, etc.) Did you know that master singers and speakers use VOWEL EMPHASIS, (navigating from vowel to vowel,) to sound amazing? It’s true. Did you know that speakers who are sub-fluent use consonant emphasis, (placing gaps between words, halting sound and stopping airflow?) It's ok, not many people know this. To sing beautifully learn; 1. How to breathe with intention to support your voice. 2. How to create and sustain torso pressurization for support and 3. How to create amplification by sustaining and directing vocal cord vibrations into your sinuses via the front upper teeth, creating resonance (buzzing vibration). All that remains is dealing with words in the song. Words are assembled vowels, (voice box sounds,) and consonants, (non-voicebox sounds,) except for m,n,v and z. Vowels make you sound musical, like friends that will never abandon you. They should be emphasized! Consonants betray the human voice at every turn and contribute to stuttering and every other vocal issue known to man, (polyps, vocal nodes, etc.) Consonant : Con = "Opposed" Sonant = "Sound." I propose that you and I were taught in school that consonants are key to to good diction. False. This is far from the truth. In fact, consonants by design oppose vocal mastery. Any master singer will agree with this. When a singer honors a consonant, the tendency is to communicate by navigating from consonant to consonant. Relying on consonants is horrible for speakers and even worse for singers, as consonant emphasis ensures no tone or melody will appear. Consonants produce neck tension, are percussive, of short duration, sounding like clicks and pops that oppose human vocal production. Consonants create restriction. Restriction is the source of all vocal difficulties including locating and sustaining pitch. When a singer honors vowels, (engaging in diaphragmatic /solar plexus muscle activity to sinus buzzing activity,) he or she creates sustained sounds which open the throat, permitting melodious, resonant tones to occur which serve vocal expression. Aaaahhhh! Delicious! Yuuum! Here is a fun example of the power of vowel emphasis. I hope that you enjoy it! When you sing a phrase, I propose breaking down the vowel elements in the following manner: :-) -------------------------------------------------------------------------------------------------------------- 1) Spell out the phrase words in conventional script: Example: SUMMER TIME! 2) Sound out each vowel sound and replace script vowel letter with an accurate phonetic approximation. Example: SUHHH • MUHHH • TEYE-EYE-EYE • M! 3) Write your phrase in an unbroken style, with NO GAPS between the words: Example: SUHHH - MUHHH - TEYE-EYE-EYE - M! 4) Sing your phrase, exaggerating the vowel sounds (VOWEL EMPHASIS) as an unbroken phrase. Notice how everything you love (resonance, melody and tone) occurs when resting on the vowel. Example: SUHHH-MUHHH-TEYE-EYE-EYE-M! 5) If you run out of air, you are not pressurizing, (conserving air as you sing.) To make your air last longer, fill your lungs completely with air and attempt to hold your breath while singing the phrase. As you create sound, air will escape. Just let it out more slowly, permitting the time to finish your phrase. Removing every silence or gap will force you to navigate from vowel to vowel to vowel, creating continuous resonance and melody. 6) Let's try it (4) times. Are you ready? Take in a breath... Here we go! 1) SUHHH-MUHHH-TEYE-EYE-EYE-M! again... 2) SUHHH-MUHHH-TEYE-EYE-EYE-M! again... 3) SUHHH-MUHHH-TEYE-EYE-EYE-M! again... 4) SUHHH-MUHHH-TEYE-EYE-EYE-M! ...Good work! :-) Vowels are cool, huh? What did you discover? And what was your experience like? - Guy Monroe http://hotmicmethod.com/ http://greatspeakertraining.com/
  21. Hi all, I'm approaching my journey here at TMVW with a complete positive mental attitude! Too long have I settled with my modest range. I intend to push myself to my full potential using the FPOS (should get it delivered in a couple of weeks) so I can sing songs like the one below properly! :-) I have never trained any other range other than my chest, so I have no idea if I'm doing any of it right! I decided to choose a song that is out of my comfort zone (in terms of range) and, instead of transposing it to a lower key, attempted it in the original key. I feel like it's better to get it wrong in the original key than to get it better in a lower key. My performance is weak, I'm embarrassed about this video, I've sang better, but none of that really matters - I just want to improve!
  22. petersamueloffice@shaw.ca

    You've got another thing coming

    <iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/207750204&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true"></iframe>
  23. Simpan24

    Practice A4

    Hi again i tried to do an a4 and not sound strained this time does it sound better or should i quit?   https://soundcloud.com/rms-17/practice-a4
  24. I finally got my hands on a copy of 4Pillars. I wanted to do a thread where i will track proggress of my voice. Im gonna include the stuff i have recorded now and i am going to update this thread every 2-3 months with content after studiying Pillars. Just wanted for myself and you guys to hear how its going along. P.s. gonna steal 2 posts just so i keep it organised