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Found 146 results

  1. I was wondering if anyone could tell me anything about my singing? What category is it? Or style? Am i tone deaf? What do you think i need to work on? I usually only sing at home. I've never sang in front of other people. I love to sing, and I do it everyday! I'd love to hear your advice or opinions please. Thank You !!! Kimberly Kay is jamming on Rescue Me! by Kimberly Kay (Songtree-id-7654).m4a Kimberly Kay jams on kubikmeter is jamming on Morning blues( at the bottom of the bottle) by Kimberly Kay (Songtree-id-12938).m4a
  2. ROBERT LUNTE AXIOM FOR THE DAY: I sang this beautiful classic love song by Handel at the University of Miami "back in the day". Although I doubt as nicely as Richard Lewis does on this performance. While enjoying Richard's rendition, it suddenly dawned on me the following... Take the most beautiful man and compare him to the most beautiful woman in a beauty contest, and no gent has ever had a chance. In spite of our merits guys, we just are not as "inspiring" for eyes to gaze upon in regards to physical attraction. And that is ok, that is the way nature has set it up. But to my point... "Humankind" doesn't write songs like this about men... only women get songs like THIS. Oh sure, there is the occasional Pat Benatar, "Fire & Ice" or Tammy Wynette's "Stand By Your Man", we do get a few bones tossed our way fellas, but let's be honest, we never get songs like "Faithfully" by Journey, or "When I Was Your Man" by Bruno Mars, or song like "Where'er You Walk" that has been playing for hundreds of years. Guys get, "You Broke My Heart" songs... but women truly get LOVE songs of such great adoration from us smitten clunky fumbling males. In Summary, the power of female attributes, which certainly would include aesthetic beauty, arguably has inspired a greater inspiration to write the greatest love songs through the ages. Thus, nature, or evolutionary biology of the sexes, influences observable and apparently evident differences art of love song composition. I just find that to be an interesting observation. This song by Handel is what?... 400 years old? Chances are, prior to it being published at the time, it likely existed in an earlier version as a folk song that people ( or guys...), sang around the camp fire, or to try to serenade a woman. Guys, Listen to this song and follow the lyrics and tell me that you have never felt this way about a woman? BTW... ladies in case it isn't obvious, this is a compliment to you and yours.
  3. Congratulations Sylvie Guichard. TVS Certified Instructor from France. A pretty soulful vocal track. It has been great working with you through the years! Coach...
  4. I will begin by tell you about how i did it. I will briefly and make it quick, few years ago i understood that i want learn how to singin and i search for a really good guide to develop my singin skills. and i found this website that really helped me. he was really that good that i really want to recommend. www.TheFourPillarsofSinging.com
  5. Singingsuccess.com paid Google for advertising that rips off The Vocalist Studio's customers and product, by paying for a high ranking advertisement of "The Pillars of Singing" (no "four") , ... a forged name of the real product, and then redirected TVS web traffic to their web site. Pretty greedy & cowardly guys... Do you actually lack that much confidence in your own product and brand, that you feel the need to trick customers, by creating a forgery, for the purpose of stealing web traffic from your competitors? Apparently so...
  6. WOMEN VS. MEN WHY MEN DON'T HAVE A CHANCE WITH LOVE SONGS! I sang this beautiful classic love song by Handel at the University of Miami "back in the day". Although I doubt as nicely as Richard Lewis does on this performance. While enjoying Richard's rendition, it suddenly dawned on me the following... Take the most beautiful man and compare him to the most beautiful woman in a beauty contest, and no gent has ever had a chance. In spite of our merits guys, we just are not as "inspiring" for eyes to gaze upon in regards to physical attraction. And that is ok, that is the way nature has set it up. But to my point... "Humankind" doesn't write songs like this about men... only women get songs like THIS. Oh sure, there is the occasional Pat Benatar, "Fire & Ice" or Tammy Wynette's "Stand By Your Man", we do get a few bones tossed our way fellas, but let's be honest, we never get songs like "Faithfully" by Journey, or "When I Was Your Man" by Bruno Mars, or song like "Where'er You Walk" that has been playing for hundreds of years. Guys get, "You Broke My Heart" songs... but women truly get LOVE songs of such great adoration from us smitten clunky fumbling males. In Summary, the power of female attributes, which certainly would include aesthetic beauty, arguably has inspired a greater inspiration to write the greatest love songs through the ages. Thus, nature, or evolutionary biology of the sexes, influences observable and apparently evident differences art of love song composition. I just find that to be an interesting observation. This song by Handel is what?... 400 years old? Chances are, prior to it being published at the time, it likely existed in an earlier version as a folk song that people ( or guys...), sang around the camp fire, or to try to serenade a woman. Guys, Listen to this song and follow the lyrics and tell me that you have never felt this way about a woman? BTW... ladies in case it isn't obvious, this is a compliment to you and yours.
  7. I was reading a thread about baritones, saying that they are not easy to find now. The thread is old and long so I am starting this one and plan to bring more singers, for those who only know the modern ones (I know the older ones ). I have also noticed that the heroes in this forum are mostly Heavy Metal singers, which I don't generally know myself. So I am starting with a baritone, who is very very famous. I have always liked him, because he sings my kind of music, but now when I started thinking of technique, I have to say that he is really good. In Spanish we sometimes call singers "intérpretes", because they are somehow acting too. And this one is not an oldie! I know many young people like him as well. Some of his songs could be good practice for those wanting to practice in the high baritone area. This is a challenging song. Michael Bublè - Me & Mrs. Jones. A3-A5 He often sings in duets and his baritone voice shines with the sopranos.
  8. Don't let any other video or coach try to tell you that less information, less explanation, less features and less value in a vocal training program is a benefit to you. "Less is More" doesn't get you more benefit, or more of what you need, or more understanding about singing. It just gets you... Less!
  9. THE FOUR PILLARS OF SINGING THE INTEGRATED TRAINING ROUTINES Video Workout Demonstrations That Teach Singers How to Practice! Robert Lunte, founder of The Four Pillars of Singing offers an impromptu screen capture presentation of the Integrated Training Routines found in the TVS training program, The Four Pillars of Singing. The Four Pillars of Singing offers very clear instructions and guidance on how to train and practice vocal technique to make your singing stronger and more coordinated. Like no other vocal training program on the market today, TFPOS leaves no questions unanswered and removes all the mystery about singing great and what you have to do achieve great singing skills. If "free secret tips" on YouTube are not getting you any lasting results, that is because you HAVE to train! No tips or information, regardless of how good it might be, will do anything for you, if you do not take the time and energy to practice. If you are prepared to train and get serious about vocal training, The Four Pillars of Singing is a program you should take a serious look at.
  10. Don't let any other video or coach try to tell you that less information, less explanation, less features and less value in a vocal training program is a benefit to you.
  11. Just getting tips on YouTube is NOT EVER going to help you to sing better. A free tip without content and your commitment to practice and train, will do nothing for you. To sing better, you have to train, practice and sing songs. TheFourPillarsofSinging.com.
  12. SCHEDULE A CONSULTATION FOR YOUR SINGING, PUBLIC SPEAKING AND ONLINE COURSE WORK PLANS: CLICK HERE TO SCHEDULE A CALL Robert Lunte is the owner founder of the The Vocalist Studio (TVS), an Internationally recognized voice training school for extreme singing vocal techniques and advanced vocal instruction. Robert is also the author and producer of the critically acclaimed vocal instruction speech training system, www.TheFourPillarsofSinging.com. Robert is also available for feedback on vocal health issues, public speaking coaching, singing and transgender therapy coaching. Robert Lunte is also available to speak to you about how to set up online course offerings without running into unforeseen problems and mistakes. Robert is also the founder of www.TheModernVocalistWorld.com, the #1 online resource for vocal education and networking on the internet. Click HERE to schedule a consultation call.
  13. Robert Lunte - "Nocturne" I love this song, I hope you do too... Some of you have heard this. This is the Final production. Special thanks to my team Zack Uidl, Jason Shavey and Clay Copeland.
  14. Happy New Year! A song I wrote with and produced with "Thin Black Line". Engineered at Synergy Productions. Probably influenced a bit by Peter Murphy's album, "Deep", which is is characterized by rich, baritone sound colors, minus the super high screams of course because Peter Murphy doesn't scream like this. Hope you enjoy it. To learn more about TVS training, check out our program for singers here: http://www.TheFourPillarsofSinging.com. Cloud Burst, from unlit skies cloud bust, from unleht skuh-eez Onward – Way ward lives Now pretend, until you overcome Now Prehtend, un tell yuh ovuh come And decent, Hide from everyone hand dehsend , hud from everyone chorus I would be your eyes I well beh yuh uh-eez When you look away, and I When yuh luck uh weh Would be your dreams Wud beh yuh-r drehms At the Break of Day, and… hat thuh brehk ov deh hand I would be your fear) I wuld beh yuh-r fehr On the night we pray and I………. Hon duh nuh-eet weh prey hand duh-ee Now wonder, where secret lies And hunger - Until you realize Chorus I would be your eyes I well bay yuh uh-eez When you look away, and I When yuh luck uh weh Would be your dreams Wud bay yuh-r drayms At the Break of Day, and… hat thuh brehk ov deh hand I would be your fear) I wuld beh yuh-r fehr On the night we pray and I………. Hon duh nuh-eet weh prey hand duh-ee I!!!!! HI am this life W&R Onset I am this life I am this LIFEE!! I am this life I am this life I am this LIFEE!!!!!!!!!!!!!!!!!!! Solo---------- 3:17 SCREAMING!!! I would be your eyes When you look away, and I Would be your dreams At the Break of Day, and... I Would be you your fear On the nights we pray and I………. I am this life X15
  15. Hi guys! I just signed up for the premium membership and I am so excited to get advice and critiques from you all. I am very serious about my singing and I would like complete honesty when it comes to critiquing my voice. It has has always been my dream to be a recording artist and I really want to go on The Voice or a similar show. Over the past year or so, I have really been trying to develop a unique tone to my voice and I would like to know if it working for me or not and what can I do to improve? I can sing several styles and do different things to my voice for different effects. For the purpose of this post, I have a certain singing style that I would like critiqued, which is my "rock voice." Please be brutally honest and I would like a critique on both videos below. Thank you! http://www.smule.com/recording/nirvana-smells-like-teen-spirit/350287919_289787967 http://www.smule.com/recording/guns-n-roses-sweet-child-o-mine/350287919_289762473
  16. SCHEDULE A CONSULTATION FOR YOUR SINGING, PUBLIC SPEAKING AND ONLINE COURSE WORK PLANS: CLICK HERE TO SCHEDULE A CALL Robert Lunte is the owner founder of the The Vocalist Studio (TVS), an Internationally recognized voice training school for extreme singing vocal techniques and advanced vocal instruction. Robert is also the author and producer of the critically acclaimed vocal instruction speech training system, www.TheFourPillarsofSinging.com. Robert is also available for feedback on vocal health issues, public speaking coaching, singing and transgender therapy coaching. Robert Lunte is also available to speak to you about how to set up online course offerings without running into unforeseen problems and mistakes. Robert is also the founder of www.TheModernVocalistWorld.com, the #1 online resource for vocal education and networking on the internet. Click HERE to schedule a consultation call.
  17. Here is a song for everyone that doesn't have a date tonight. Enjoy the final production of this project por mui.
  18. WOW... some of the best passion I have ever seen in a song. Beautiful and heart breaking...
  19. Any easiest way to discover mixed voice while singing?
  20. Am I whistling? Please share this link to your friends Help me to be a famous singer
  21. HERE IS AN EMAIL THAT WAS DISCOVERED WHERE ROBERT LUNTE, FOUNDER OF THE VOCALIST STUDIO, ANSWERS QUESTIONS ABOUT KTVA VS TVS TECHNIQUES. HERE IS AN EMAIL THAT WAS DISCOVERED WHERE ROBERT LUNTE, FOUNDER OF THE VOCALIST STUDIO, ANSWERS QUESTIONS ABOUT KTVA VS TVS TECHNIQUES. Hey Rob, So I noticed that there is a difference in definitions between TVS and Ken Tamplin's program. Ken Tamplin refers to head voice as a mode; basically a strong reinforced falsetto. WELL, ... IN REGARDS TO THE TRUE DEFINITION OF VOCAL MODES, THAT IS NOT A DEFINITION THAT IS AS ACCURATE AS IT NEEDS TO BE. IF WE ARE GOING TO TALK ABOUT MODES, IT IS BEST TO REFER TO THE ORIGINATORS OF PHYSICAL MODES, THE ESTILLIANS… WHICH IS MORE OR LESS WHAT THE TVS PHYSICAL MODES ARE INSPIRED BY. FALSETTO IS A PHYSICAL MODE, HEAD VOICE IS NOTHING MORE THEN A METAPHOR FOR THE UPPER REGISTER… HEAD VOICE ACTUALLY DOESN’T MEAN ANYTHING, IF YOU WANT TO BE STRICT ABOUT IT. IT IS A “PICTURE WORD” TO REFER TO THE UPPER VOICE SENSATION WE ALL HAVE… TO CALL IT A VOCAL MODE, IS TO CLAIM THAT IT IS A PHYSICAL AND TANGIBLE THING, WHICH IT ISN’T. THERE IS NO SUCH THING AS ‘REINFORCED FALSETTO’. THERE IS ONLY A PHYSICAL MODE CALLED FALSETTO AND IT IS CHARACTERIZED BY A WINDY, OPEN GLOTTIS THAT ESCAPES RESPIRATION. IF THE PHONATION DOES NOT HAVE WIND, IT IS NOT FALSETTO. IF YOU “REINFORCE” A PHONATION ON A HIGH NOTE ABOVE THE BRIDGE, IT IS MORE ACCURATELY GOING TO BE VOCAL TWANG… WHICH IS ANOTHER PHYSICAL MODE. In TVS falsetto is a mode, but the head voice is just what you call notes that resonate from the head, in whatever mode you are singing. WELL DONE, THAT IS MORE OR LESS CORRECT. HOWEVER, NOTE THAT THIS DEFINITION OF MODES IS NOT JUST THE WAY TVS SEES IT. IT IS ALSO THE WAY ESTILLIANS AND CVI SEES IT. ESTILL ARE THE ORIGINATORS OF VOCAL MODES, SO PEOPLE THAT CARE TO BE ACCURATE ABOUT VOCAL MODES, TEND TO FOLLOW THEIR ORIGINAL FOUNDATION ON THE TOPIC, WHICH TVS PHYSICAL MODES DO. I prefer the TVS definition. However, I think that makes the whole bridging late vs bridging early debate between the two systems inconsistent. IS THERE A DEBATE? ... OH YA, KTVA WOULD LIKE CONSUMERS TO BELIEVE THERE IS… THERE IS NO DEBATE. TVS HAS BOTH BOTTOM UP AND TOP DOWN TECHNIQUES. THIS IS A TIRED, OLD IDEA THAT STARTED ABOUT FOUR YEARS AGO THAT HAS BEEN PROPAGATED TO CREATE CONFUSION IN THE MARKET ABOUT WHAT TVS STANDS FOR... KTVA HAS GOT A LOT OF MILEAGE OUT OF PROPAGATING THIS MISINFORMATION. IT IS COMPLETELY STUPID AND I HAVE CREATED NO LESS THEN FOUR VIDEOS TO COMBAT THE CONFUSION. Ken's criticism of what he calls late bridging seems more apt to describing some classical voice teachers who teach bridging to a falsetto mode instead of a twang mode, or metal screamers who rely on a distorted reinforced falsetto. His criticism being that early bridging over time breaks down the "mid voice," of which he doesn't define. HE TALKS A GOOD GAME AND CERTAINLY SINGS A GOOD GAME… BUT WITH ALL DUE RESPECT, IN MY OPINION AND FROM FEEDBACK FROM HIS CUSTOMERS, HE DOESN’T ALWAYS DEFINE OR EXPLAIN A GOOD GAME. IN REGARDS TO EARLY BRIDGING AND VOCAL ATROPHY… ON THIS POINT, I AGREE WITH KEN. THE LACK OF BOTTOM UP TRAINING WILL RESULT IN WEAK TA MUSCLE STRENGTH AND ENDURANCE. BOTTOM TRAINING IS ESSENTIAL TO BELTING, BUT ALSO JUST TO BASIC VOCAL HEALTH. THIS IS WHY THE NEW 4PILLARS SYSTEM HAS AN EXTENSIVE BOTTOM-UP AND BELT TRAINING EXPLANATIONS AND ROUTINES. With the TVS definition, I'd say I mostly bridge early. But it's not such a big difference it seems. I can still bring a bigger boomier sound up higher, but from learning early bridging techniques, I'm not stuck to an overly heavy phonation with constriction. It's dynamic and free. PRECISELY!!!!!!!!!!! YOU NEED BOTH APPROACHES! DIFFERENT PEOPLE NEED DIFFERENT APPROACHES BASED ON THEIR NEEDS. YOU DESCRIBED THOSE NEEDS NICELY. I TOTALLY AGREE. KNOW THIS… THE REASON ANY COACH WOULD BE LIGHT ON TOP-DOWN TRAINING TECHNIQUES IS SIMPLY BECAUSE TOP-DOWN TRAINING TECHNIQUES ARE MORE COMPLICATED TO UNDERSTAND AND TEACH. IT IS A LOT EASIER TO TEACH BOTTOM-UP TECHNIQUES. TOP-DOWN TECHNIQUES REQUIRE MORE PRECISION AND MORE UNDERSTANDING OF THE MUSCULATURE AND OTHER DETAILS. "PUSH FROM THE BOTTOM UP ON AN AH VOWEL"... IS A FAR EASIER STORY TO TELL, THEN BUILDING FROM INSIDE THE HEAD VOICE. I think part of the confusion also stems from the SLS / singing success terms, where the mixed voice is their term for twang, and head voice is defined as a strong falsetto. WHICH IS AN AWFUL DEFINITION OF TWANG… AND PAINFULLY INCORRECT. AGAIN, IF ANY OF THESE PEOPLE, WOULD BOTHER TO STUDY VOCAL MODES AS I HAVE, THEY WOULD NOT BE TALKING INACCURACIES TO CONSUMERS. SLS AND SS SEEM LIKE THE LEAST INFORMED TEACHERS SOMETIMES. TO BE SURE, THEY ARE NOT TRAINED IN VOCAL MODES AND ARE WAY OF COURSE WHEN IT COMES TO BELTING. VERY FEW PEOPLE WILL EVER BUILD A STRONG TOP REGISTER BELT WITH "SING LIKE YOU SPEAK" TYPE METHODS. It's kind of silly considering the actually mixed resonance we feel is only from around c4 to E4. Mixed voice is just a bad term. YEP… THAT IS WHY I KILLED IT IN MY “MIXED VOICE IS DEAD!” VIDEO… IT IS A TERM THAT SOME TEACHERS USE TO KEEP THEIR STUDENTS CONFUSED. THE MORE YOU CAN KEEP YOUR STUDENTS CONFUSED, THE LESS YOU HAVE TO REALLY UNDERSTAND YOUR SUBJECT MATTER AND BE ABLE TO REALLY EXPLAIN THINGS AS A TEACHER. Am I understanding this right? TOM, I THINK YOU HAVE A LOT OF THIS PRETTY SQUARED AWAY. IT SEEMS THE TVS CONTENT IS HELPING YOU TO SORT THIS ALL OUT, WHICH IS GREAT. Tom
  22. Recording plugins are some of the most essential and fun additions for any home recording. The quality and variety of recording plugins available today is simply miraculous. With the right choice of plugins, and a little bit of skill at home recording, an experienced home recording engineer can produce recordings that sound very professional! Plugins are not just for vocal effects. They are also available to simulate vintage preamps, compressors and even recording consoles like the famed SSL console system. In the world of plugins for digital audio work stations, (DAWs), there is no company that does a better job then waves. Visit www.waves.com and learn more about how you can make your home recordings sound professional! TOP RECOMMENDED WAVES PLUGINS FOR RECORDING VOCALS! CLICK HERE TO VISIT WAVES RECOMMENDED VOCAL PLUGINS AT WAVES: CLA VOCALS * JJP VOCALS * EDDIE KRAMER VOCAL CHANNEL MASARATI VX1 * BUTCH VIG VOCALS * VOCAL RIDER * HR REVERB HR ECHO REAL ADT APHEX VINTAGE AURAL EXCITER WAVES TUNE WAVES TUNE LT DOUBLER * DEBREATH DeEsser VITAMIN * RENAISSANCE VOX THE KING'S MICROPHONES AND A LOT MORE...! * Honorable Mentions... essential! Other Vocal Gear Required for a Complete Home Recording Include The Following Recommendations: A digital Audio Workstation - DAWs: LogicProX, Reaper, ProTools. A digital audio interface: We recommend the Scarlett digital audio interfaces from focusrite. A recording, condenser microphone: RODE Microphones: NT1, K2 Pearlman Microphones See The Vocal Gear Store for more suggestions. Headphones: Extreme Isolation x-29s. See The Vocal Gear Store for more suggestions. A Reflextion Fliter: SE Electronics Reflexion Filter Pro Ambience. A Pop Filter: See The Vocal Gear Store for more suggestions.