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Found 196 results

  1. Whenever i listen to a (*auto edit*) baritone i just want to fall asleep. Baritone singing sounds so boring. It's the biggest curse ever. God gave you a great deep voice yet you can't (*auto edit*) use it for singing. I would sacrifice my whole family for a tenor singing voice and i'm not exaggerating. Tenor voices sound (*auto edit*) amazing. Super interesting. My baritone voice sounds like shit. Singing a D4 is hard for me. I can't believe. Can reach G5 in falsetto but it means nothing. I want to be able to (*auto edit*) reach it in chest voice. Might kill myself i'm serious.
  2. Hi, I'm new to voice work and I've bought a voice training book which explains how the voice works and how to train it. However, I'm stuck on the first exercise. It basically says that I need to lie down on the floor and scan my body for tensions and command those tentions to release but when I command nothing happens. I've tried this exercise a dozen times and it doesn't seem to work. Does anyone know what I might be doing wrong?
  3. Hello everyone, my passaggio is at B3-E4 and my chest voice is dark. It's not good for rock or pop cause is heavy and not pleasure. Some people told me I'm a tenor, others baritone but, is that possibile have a passaggio at B3-E4 beeing a tenor? It's possibile change the color of chest? Ty ...
  4. I am hoping to audition andI have to submit an online video. It's all accapella. Please give me your very honest feedback about my voice. Why does my tone change so much and sound so different? My chest voice to me sounds bad, like almost manly, but it is easiest for me to sing. While my head voice sound like it has a better tone, I get physically tired singing it and I can't seem to breathe right no matter how hard I practice from the diaphragm. Worse, my left side of the throat hurts sometimes. What vocal range am I? I noticed I talk very deeply and it hurts as well. I've always felt my voice is very 'bahh'bahh' like..almost gravelly. It doesn't have that crystal clear sharp voice I hear in most voices. How can i achieve that? Are my vocal cords damaged? My higher notes are unstable--it can either hit right or get REALLY pitchy. What am I doing wrong? What kind of voice/larynx/technique should i use to ensure a consistently good tone? What do you think are my biggest problems with my voice in your opinion? Lastly, which track do you think I should use to audition? Thanks for helping!! audition songs(in another langauge but i hope you don't mind): https://soundcloud.com/user-940698627/iu-ending-scene https://soundcloud.com/user-940698627/iu-dear-moon https://soundcloud.com/user-940698627/memories-of-the-wind-audiotrimmercom chest voice-just for reference: https://soundcloud.com/user-940698627/hero-mariah-carey
  5. Hello, my 10 year old daughter is an aspiring singer. She is in voice lessons and has been in some musical theater productions as well. We understand she is not necessarily a "natural", but she does have the drive and desire and truly loves performing. Any thoughts or suggestions for improvements are welcomed to help her with her goal of becoming a singer one day? She has sung the National Anthem at a couple college sports events and a professional event. I am also including a link for one of her musical theater shows, Music Man. Thank you in advance! https://www.youtube.com/watch?v=XUg--tK829M (National Anthem) https://www.youtube.com/watch?v=B8lGocVKUHw (Goodnight my Someone)
  6. I used to have a very very horrible (much worse) singing voice but I have been trying and making progress in the last 1-2 years. However i have only been practising through singing women's songs.. It is so weird that it seems no guys songs is suitable for my voice unless they are very deep throughout, otherwise i could only sing the very first few lines and that's it. and for women's song I am not hitting the right key anyway but it sounds ok so I keep on practising that way. I have been wondering recently that whether my voice is really so bad and unbelievably deeper than the general guys that makes my voice impossible to sing guys songs well or is it that i just need more practice to reach where I want to be? I have recorded some tapes to show what I mean, one of the tapes is a song that I really like and hope be able to sing very well . I have the following question: After the first few lines in guys songs I always have to try my best to sing in my head voice/ pre sing the lines in falsetto (don't even know if I really know how to, more like weird sounds but allows me to reach high notes effortlessly indeed).. compared to the original singers my voice in guys songs is obviously so very thin and with lots of strains,.. they're like talking but I am like drowning.. am I doing anything wrong or is it stem from the quality of voice (too deep)?.. is my voice really so deep ???? or am I not even hitting the right key in the guys songs.. PLEASE HELP ME here are some demonstrations. sorry my voice was tired then while recording and I could not sing loudly in the environment.. but here you go the song that I really hope to be able to sing: orignal https://www.youtube.com/watch?v=QE1piGBS1sI me https://www.youtube.com/watch?v=9DKX_O41RaI&t=140s When I sing women's song adele original https://www.youtube.com/watch?v=9_pIaI93YGY me https://www.youtube.com/watch?v=0OZsyshlT1M another guys song example in english.. just to show.. really bad shawn mendes orignal https://www.youtube.com/watch?v=xXEx0DyIMks me https://www.youtube.com/watch?v=Mq9zVMSM-nE please help me and tell me what am I and what should I do.... many many many thanks
  7. Trouble with tone at end of song. Advice appreciated. Cheers. Erik Robles
  8. I am teaching a student right now who is working on coloratura exercises. Often times when the student starts to sing them higher and faster the pitch accuracy goes out the window and he has trouble hitting the notes in tune. Any suggestions for ways I can help this student?
  9. Never had a singing lesson in my life, but starting school in Jan. 2019. I can hit an A#1 in chest, A#0 in Subharmonics, and I've found a lower subharmonic that even takes it to a D0(I think?). It's also getting deeper and better by the day. I've only been singing (horribly I might add) for a few weeks. I cannot find any advice, practice techniques, digital Tuners, songs, etc. For this range.... Ive exhausted you tube on the subject. luckily I have a 2nd decent baritone range as well to help with vocal entertainment. Anyone that can help? I need a ton of work, but really feel there's something special there I need to build on and share.
  10. Hello! I'm Emily & I been into singing contests/performances since I was super little, then joined acapella at around 15 and have been in it ever since. There has definitely been a change in voice from 12 years old to now. When I was younger, my "technique" or sound was kind of the opposite we can say haha. I used to strain so bad! I do still feel some strain in my throat but that's after a lot of singing, and I do feel it is easier to sing the way I am now than in the way I was when I was 12 lol. In the video provided, I would strongly appreciate it if anyone can give a nice analysis on my register(is it chest??) and **anything** I could work on! one thing I am concerned about for the past few years is that I have a "beegees" feel (at least my dad said) to my voice no matter how low I try to sing. it sounds like an airy type of voice. I wanted to know if that could maybe be my natural voice or if it's a way of coping with the straining I used to put on my voice when I was younger. Or possibly if that's simply how my voice developed over many years. I do feel pretty natural singing this way. Thank you loves! https://drive.google.com/open?id=1Vuq-hOL_a9nLNrSqGOxSTwBp14qPZ0Eo https://drive.google.com/open?id=1-roCmLNo2wXBw2dwACmSPiZxF7ATR7M9 https://drive.google.com/open?id=1EsJbI8nJid0I7qpmI2M2s_Zv_fOr8ijF
  11. Please suggest me a good condenser mic (under $100) for recording vocals for my small home studio. I am currently looking at the AT2035 (condenser) and Behringer Ultravoice Xm8500, which is recommended by many people. What are your thoughts and maybe own experience?
  12. Hi. The past summer, I was singing very often. Not only was I singing often, but I was often growling and belting and generally using my voice very harshly. I temporarily lost my voice at certain times but then got it back after short rests and began singing again. At some point in August, I seemed to have really broke my voice. It was very raspy, breathy and I could hardly sing at all. I was very terrified of what I might have done, so I stopped singing and its been probably about a month and a half now. Now my voice is in very strange shape. I seem to have all my range back, but it feels I need to use extra power to use it, which I feel as tightness in my neck and head a bit. I also have some pressure points of pain in my head around my jaw, temples, and behind my ears. My throat is also sometimes sore, usually just when aggravated by talking a lot or loudly but it has not gone anyway. I barely started singing, because I am not sure if I have made a full recovery, so I have stopped singing again and its been about a week. I have had a cold or flu over this past bit of time, so perhaps that has strained my voice, but I think whatever I have now I have had since it all seemed to collapse in August. My speaking voice sounds mostly fine, however, it is just this strange mild pain that I sometimes have, and I sound my voice makes when I inhale. I have attached an audio file of this sound. I do not wish to sing in audio files out of fear of doing further possible damage. Any thoughts? Thanks. The sound quality isn't great but its the best I could get.rec_13s.mp3
  13. Hi all, I would really apreciate to get your opinion on my voice and my covers below with many kind of music (Pop/Acoustic/Piano-voice...) SoundCloud link to my covers : Let me thank you in advance for your feedback ! Best Taha
  14. Hello ! New cover of Ed Sheeran songs: Happier https://soundcloud.com/user-257453606/ed-sheeran-happier-cover Hope you'll like it ;) Fell free to comment, Thanks !
  15. MAESTRO DAVID KYLE THE WINDOW OF FAME Vocal teacher for all styles for over 50 years, David Kyle, The “Maestro” became a local Seattle icon and was considered by the industry to be one of the best vocal instructors for contemporary singers in the world. Unique to the “Maestro’s” approach was his method for expanding vocal range into multiple “registers”, or what we would refer to today at TVS as, "Bridging & Connecting". Maestro was also keen on eliminating psychological barriers that hinder singers’ freedom of expression, by use of creative visualization techniques and development of healthy auditory imagery for singing. One day, Nate Burch, one of my students from Seattle, came to the lesson with an old coffee stained piece of paper that had a hand written, transcribed lecture from Maestro Kyle on it. An excerpt from that lecture is shared below as well as popular quotes that Maestro Kyle used to use with all his students. Maestro David Kyle & Robert Lunte - The Vocalist Studio MAESTRO DAVID P. KYLE LECTURE: Those sounds which seem to ring the most are usually the best. Those which seem the roundest are usually the best. Those which seem to resonate are usually the best. Those which seem to echo are usually the best. So listen out into the theater and see if they are echoing, and if they are round, and they are resonant. Connect your notes and don’t be afraid. There are two kinds of stars. There are “stars” and there are “superstars.” The star no matter how he tries he just can’t seem to become a superstar. He’s great, great, great, great, but along comes a Caruso, or a Lanza, or a Gigli, and he can’t quite get over the hurdle. It’s because of one simple thing. The star sings, and when he’s singing he listens to himself; and while he’s listening he shapes it; and he opinionates it; and he shapes it around. If it isn’t round enough he rounds it more. And that sounds logical doesn’t it? It’s wrong! The superstar pictures the sound and knows what he wants to hear before he makes it! Singing is more the concept than anything. If we’ve got the right idea, then the muscles as they train more and more they become like a reflex and the reflexes respond to the image. Even if you’re trained beautifully and your image is a fear that you haven’t got high notes and it’ll never get there the reflexes won’t respond no matter how well trained you are. The epitome of it is you can say singing is absolutely mental. In the process of getting to realize that you have to take a lot of physical steps before you begin to see it, but it is true! The singer has to be in the consciousness and the mood. How does one establish a consciousness and a mood? You tend to become as you act. So if you pretend and try to get your feelings to act as you think they would act if you were doing it, then you’re getting in the consciousness. But if our consciousness is only on body and physical things then our mind is... The rest of the lecture offers another 5 pages of incredible insights about how the mind controls the singing voice. Read the entire lecture in The Four Pillars of Singing. Maestro David Kyle - The Vocalist Studio Maestro David Kyle Quotes “Good singers sing and listen, Great singers listen, then sing” “Good speech is half sung, but good singing is not half spoken.” “Wear the world like a loose garment. Don’t let it tighten in on you.” “Suppose you were learning to drive a car. Would it be better to learn on a road with no obstructions?” “Every negation is a blessing in disguise.” “The art of the art is the art that conceals the art.” “He who would know aught of art must first learn and then take his ease.” “When you open up you should be able to see light from both ends.” “Feel like you are singing with your whole body.” “Your reflexes respond to your image.” “The reflexes respond to the imagination.” “Listen away from yourself.” “Sing on the balls of your feet, like the American Indian.” “Burn Bridges and don’t look back.” “Listen away from yourself, right out into the auditorium.” “Singing is both a science and an art. All art is all imagination and you cannot fix that.” “You have to believe you will receive before you receive and then you will get it.” “Visualize you are already what you want to be. Act as if you are that, and you will become it.” “If you always notice what you are while trying to get there, you’ll never get there.” “Start as if the sound begins before the breath.” “The end is in the beginning, and the beginning is in the end.” “It’s not a game I’m playing! If you think that you’re short changing yourself.” “People don’t get tired of their work; they get tired of the resistance to their work.” “Forever diet the voice. Diet the voice; diet the mind; diet the spirit; diet everything but your income!” “Feel like your whole self is all a part of the sound, like the full violin is just vibrating.” “Imagine the sound you want, picture the sound you want.” “Open up the entire body and see the light through both ends!” “Breath, pause, release the jaw, visualize the sound you want, and sing to the back of (Carnegie Hall).” “We don’t let attitudes control us, we control them!” “Only babies are victims of moods!” “Let the sound flow right over the roof of the mouth into the masque.” “Bowels up, vowels forward.” “Some day you’re going to stand up and say, ‘This is me’ and go!” “We tend to become as we act.” “Attitude is everything in everything.” “Every time you find your thinking going to the strain or the resistance, immediately create mentally the sound that you want, hear what you want.” “And remember you have a beautiful voice. At your worst you sound better than many of them at their best!” “Just don’t sound like everyone else!” “And tell it your singing marvelous, you’re singing wonderfully!” “Sing Away from yourself, to something.” “Listen, then sing!” “Way to go Baby!” Maestro David Kyle passed on Saturday, November 27th of 2004 OTHER VOICE COACHES OF ROBERT LUNTE...
  16. Please go and visited my channel and view some videos www.paytonsellsmusic.com
  17. Vocal Athlete Intensive Seattle, WA USA - May 14th - 18th Five (5) Day Vocal Intensive to ACHIEVE YOUR VOCAL POTENTIAL with Robert Lunte & Draven Grey.RESULTS: Take ownership of your voice with hands-on, results-driven coaching. You will learn the top tested exercises and get the feedback for doing them correctly.CONFIDENCE: Get behind the mic knowing exactly what to do and how to do it. Sing with confidence from a solid vocal foundation with a performance that is uniquely you.MASTERY: Achieve your vocal potential. With a proven pedagogy for modern singing, we will show you the way out of vocal frustration into mastery.Study with Robert Lunte, Founder of The Vocalist Studio, author of critically acclaimed vocal training system The Four Pillars of Singing and internationally recognized voice training school for hundreds of voice coaches. Draven Grey is an accomplished musician, vocalist, rock singing teacher and music industry expert. He has coached bands across the world in their careers, released multiple books and course on the music industry. www.VocalAthleteIntensive.com ******************* Be sure to check out the Facebook Event and show your interest: https://www.facebook.com/events/158276921614589/ *******************
  18. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  19. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed. View full articles
  20. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  21. I know the answer will be "No, don't give up" since you hear this everywhere. However if i'm not a great singer at 20, is it too late and am i wasting my time? I'm already an adult and i fear that i will never learn to sing really great. I mean, i like my voice. I have have nothing to complain. My only problem would be that i'm a baritone. I began singing on a regular basis around late 2014.
  22. I always hear that if i do XYZ , my voice will be permantley damaged. I'm not some famous pop star so i can't afford surgery like Adele, i'm really worried that my voice might damage but at the same time i want to be more free with my singing voice and just try out new styles. How can i be sure that a certain technique won't cause permanent damage.
  23. Robert Lunte & Draven Grey produced a FREE vocal course at TVS Studios. Enjoy these behind the scenes moments when we took a break from the filming of the course. The first 10 attendees to the VAI event will receive a FREE RøDE Performer Wireless M2 Microphone! To get the FREE vocal course and learn more about the training week in Seattle, go to this website: www.VocalAthleteIntensive.com.
  24. I don't understand it. I mean i have fun singing but it's so hard to sing right. So many rules to follow, so many things you can do wrong. I've sang for some years yet i still feel that there are so many things i don't know about it.