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Found 254 results

  1. Dear Forum, This is my first post to this great "the singing wisdom". I just started my adventure with singing literally from scratch like 6 months ago. Never did this before. I mostly sing some covers i like with acoustic guitar (I do play guitar for many years) , and I find this a fun and inspiration. I want to develop this more. I know my comfort register - key G#. I mainly transpose song to this area. Easy on guitar. Here is an issue. There are some songs I want to sing, they start first note like 1 tone up from my comfort zone to make it back into comfort zone for rest of verse. 9 time at 10 I will start wrongly this song. Once it rolls I am OK. Like 2nd verse with higher notes is OK. But just beginning is always terrible. It varies from being not on pitch to be not on register even. Is there a way to address this somehow with dedicated exercise? Are there others who struggle with just beginning of song? Any suggestions are very welcomed.
  2. Hello I am having real trouble finding my falsetto, I can't make that effortless sound, it is always strained. I was always able to make a voice that I thought was falsetto, but I got to the conclusion that is flageolet instead. I got really used to it and it is relaxed, and really sounds like falsetto, but I think it isn't falsetto mainly because: - It isn't connected to chest voice. I know sometimes it's difficult to connect head and chest voice, but this is extremely disconnected, it is a different world. - I am able to transition smoothly from whistle to this flageolet. Not trying hard at all, just lowering the pitch from whistle, I end up in this voice. Demo: https://instaud.io/3rzk So, an example of this strained 'falsetto', in a moment with the voice quite tired (so that the strain is noticeable): https://instaud.io/3rzm Same song, in flageolet (I know it sounds a lot like a falsetto):https://instaud.io/3rzd An example of a song, in falsetto, that sounded better, in a moment my voice wasn't that tired: https://instaud.io/3rzf (Yes, I like Ed Sheeran XD). This is as close to a relaxed falsetto that I can get. So, any advice on how to find that relaxed falsetto? Maybe I am still unable to do it because I have those muscles untrained? I've tried yawning, making the sound of an owl, or Mickey Mouse's voice... Everything is strained. Any advice, or exercise? Thank you in advance Whistle to flageolet.mp3 Strained falsetto.mp3 Flageolet.mp3
  3. I offer a online vocal training service. I can send you to an online voice teacher. check my profile!
  4. Hi. I seem to have a problem. I imagine a pitch in my head before I sing it. But the thing is, while I'm singing it, it sounds normal, but when played back, I hear a constant microtonal flat. A friend told me that it might be because my pitch expectations are warping my perception of what is actually coming out of my mouth. In other words, it seems that I'm hearing the expected/imagined pitch more than the actual one. Another friend told me that the "formant/timbre" of my voice is higher in my head than what is actually heard outside. My voice literally sounds deeper and lower-pitched in a recording. The higher formant might make the illusion of a slightly higher pitch than what is actually heard. Sometimes, if I'm extremely concentrated on pitch, it feels like I can hear two different pitches when I sing, but I'm sure one is in my mind and the other one is real. Another issue I have is that my vocal muscles are inseparably linked to my pitch imagination. Sometimes, I am aware that I'm singing slightly flat, so I try to sing a note slightly higher. The issue with that is that I cannot do that without imagining a slightly sharp note and it gets disorienting. For instance, if I were to imagine a B, my vocal muscles would lock in to a slightly flat B. I could adjust my vocal muscles to an accurate B, but my mind will automatically imagine a slightly sharp B. My friend who is vocalist told me that it's because I learned pieces by singing along to pre-existing recordings and that it's natural to unconsciously sing a tiny bit flat when doing so as not to overshadow the vocals in the reference recording. That would basically mean that this inseparable inaccurate link between vocal muscle contraction and pitch imagination is mainly due to muscle memory and I have no idea how to undo that. I know I'm not tone deaf because I can clearly distinguish between notes, even on the microtonal level, on recordings. I can also hear microtonal sharps and flats when others are singing. I even have pretty good relative pitch. But it seems that it goes away when I'm singing in real time thanks to this psychoacoustic/psychosomatoacoustic (if such a word exists) issue. Any tips for this frustrated fellow? (Edit: I don't seem to have this problem when singing falsetto or within my comfort range.)
  5. Hey! There's something that a lot of popular vocalists do and I'm trying to figure out how to do it too. Ed Sheeran does it a lot, for example in the first two words of the phrase 'Are all over written on the signs' at 0:36 seconds in this video: https://www.youtube.com/watch?v=OtZRC_0Vc_A . It sounds like he hits a ton of distinct notes in that trembly 'flourish' thing, I don't know how he makes them each sound so distinct or generally why it sounds so cool. One guess is that he's just doing vibrato as he goes up and down in the tone or maybe he's just skilled enough to do that without any 'trick'. Regardless, does this technique have a name? And how can I practice it? Thanks very much!
  6. What are some techniques that will help a student learn how to use good breath support?
  7. Im a newbie. So I have a really deep voice. Can hit Bb1 plus subharmonics down to a D1. My bass sounds and feels natural to me. I keep being told that I'm an octive to low, and my choir teacher actually wants me to sing Tenor in January. This higher range sounds horrible and feels unnatural (to me), but it seems like a common theme among critiques. So am I a tenor with a crazy bottom range, or a Bass with a Crazy top range? I'm new to singing and am so confused with range...any advice or answers? Everyone says my Tenor sounds better, but my bass feels more natural. Tried attaching video, but it keeps telling me file size is to large and im tired of reshooting it to make it shorter.
  8. I remember seeing posts like these for years. Now, I finally get it somewhat. What are some good ways of accomplishing this?
  9. So, I finally have a technique question. I saw a video about grunting and I essentially was able to work it into a growl that I can apply to singing. I can consistently do this now, but I know this can be harmful if done wrong, so I was wondering, to those who believe they are doing this right, and can consistently do this and have never had any problems, how does it feel to you? I've experimented with it, but not used it a whole ton. I've gotten it to the point where I barely feel it very little, if at all. Just looking for experiences to compare it to.
  10. If you're doing it wrong. I tried for years to match these guys who were up in tenor range, because a lot of guys I listened to were tenors. I couldn't do it without flipping into falsetto and ending up with a completely different tone. I finally start working with somebody who knows and not only do I find I'm getting up in that range, I find out that I'm a tenor! After believing for 8 years that I'm a baritone. I got several opinions on that. Some thought I was a baritone, some weren't sure. It just goes to show that it doesn't matter how many times you do something or how hard you try if you're doing it wrong. Failure does not mean you can't do something. An important lesson.
  11. Which vocal course is best? (I want sing mainly rock - from art rock, blues rock, swing to heavy metal but too can sing most of music genre) I hear (mostly) good opinions about: Ken Tamplin Vocal Academy and course '' How To Sing Better Than Anyone Else '', Kevin Richards (Rpm Vocal Studio) and course '' Breaking The Chains '' ''Superior Singing Method'' of Aaron Anastasi And '' Singing Success 360'' of Brett Manning What do you think about these courses and which is best and help me 'increase' my voice? - Lyssie
  12. http://d5542gs7r25y1pf9wogqueiq8r.hop.clickbank.net/ Learn from the best to become just like your Idols.
  13. Hello all, I am currently taking Bel Canto singing lessons with an instructor, and she has been teaching me vocal technique and giving me exercises to get more in touch with my emotions so I can draw them out and use them in singing. Learning Vocal Technique and Adding Emotions Separately? I originally wanted lessons so I could improve my vocal technique and use my vocal organs to their maximum ability (and sing healthily) so I was a little surprised by the addition of emotion, as I had thought that adding emotion comes after you learn how to sing properly. The instructor trains all her students with stardom as the goal, and says that learning vocal technique and emotion go hand in hand, you cannot learn one first then the other if you want to be a good singer. She said that if I wanted to learn technique first then emotion, she is not the teacher for me as in her opinion that just doesn’t work (or is a rather half-assed attempt at becoming a singer). What's your Opinion? I have zero experience with singing and don’t even know anyone I could ask about this (cept for the internet), and to a layman’s mind, it seems logical that you could learn vocal technique first then learn how to sing with emotion later just like learning an instrument. So, is she right? Side Question Let’s say that my interest in singing ranges from singing broadway like Les Mis, Chinese pop songs, and Oratorios like Handel’s Messiah. Can I train to sing all those genres in their appropriate styles, or is it impossible to do that?
  14. In this Quick Answer, I talk about how to train to build consistency in your singing voice. Besides an important exercise, I also address the main questions that came up from my last videos about finding your voice and avoiding voice fatigue, bringing it all together.
  15. Hi. I just found this forum and have a question about software for singing. I have looked at a coule of programs but not sure if they are suited for me. The intention was to have it possible to record and hear the song to compare whats good an whats bad. And alo training and instructions. The software I have found so far is "eMedia Singing Method" and "EarMaster 7". Probably the "eMedia Singing Method" got the best Balance for my demands between those two. Witch one would be the better one and are there another high rocommended software out there at the same pricerange
  16. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed. View full articles
  17. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  18. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  19. I'm unaware if this video has been posted here before. I think it underscores what's wrong with some vocal coaches who seem to remain stuck in outdated teaching methods from circa 1985. I would have come away from my first voice lesson with the exact same opinion were it not for the fact that a major rock star told me his coach increased his vocal range, stamina, and power significantly! I went to his same vocal coach. I went to the first lesson expecting that whatever the coach instructed was gold, and I was going to follow it blindly! After all, I had seen the results in a singer he taught! It's true, just like Grohl implies in this video, after that first lesson I thought, "it just seems bogus that these singing scales are gonna help me achieve what I'm wanting vocally!" There was very little in depth discussion about what the science of the vocal instruction was. It was just, take this cassette home of the scales I just recorded you singing, and practice them every day for at least an hour. Next week when you come back, we're gonna work on vibrato. Then the next lesson, another cassette, until a large volume of dollars drained out of my wallet. It's very cool how Rob Lunte blazed the trail on vocal pedagogy in the last 15+ years. It's a model that brings a more holistic and specialized comprehension, which translates into augmentation of vocal development/improvement. To say nothing of his engaging training system, and the re-engineering of "singing scales" or "vocal workouts" (chiefly - onsets) to maximize the students ability to feel more tangibly what is occurring in the vocal track, and why. I don't know who this coach was that Cobain went to, but you can see there wasn't enough understanding at the end of his lesson. AND, if Kurt blew his voice out, why did he come home with a cassette of scales? (see any of the youtube videos or threads on exercises for vocal damage). peace! k
  20. I was just thinking about the different styles of singing and I started to wonder, what are prominent elements in different styles?
  21. Hello, I need some help with my voice type My range is E2 - F4 and my comfortable note is F2, but I cant sing E2 very loud. In the morning I can hit loud D#2 and a bit quiet C#2. My voice is straining on high notes like C4, F4 but I can still sing them loud (the straining is probably because of bad singing technique and not training enough) I used vocal monitor which tells me that I speak in A2 (if that helps). I stated learning the subharmonic singing technique one week ago and now I can hit G#1 with it but I cannot sustain because Im working on controlling it now. I wonder what is my voice type. I am 18 years old btw. Thanks in advance
  22. Vocal Athlete Intensive Seattle, WA USA - May 14th - 18th Five (5) Day Vocal Intensive to ACHIEVE YOUR VOCAL POTENTIAL with Robert Lunte & Draven Grey.RESULTS: Take ownership of your voice with hands-on, results-driven coaching. You will learn the top tested exercises and get the feedback for doing them correctly.CONFIDENCE: Get behind the mic knowing exactly what to do and how to do it. Sing with confidence from a solid vocal foundation with a performance that is uniquely you.MASTERY: Achieve your vocal potential. With a proven pedagogy for modern singing, we will show you the way out of vocal frustration into mastery.Study with Robert Lunte, Founder of The Vocalist Studio, author of critically acclaimed vocal training system The Four Pillars of Singing and internationally recognized voice training school for hundreds of voice coaches. Draven Grey is an accomplished musician, vocalist, rock singing teacher and music industry expert. He has coached bands across the world in their careers, released multiple books and course on the music industry. www.VocalAthleteIntensive.com ******************* Be sure to check out the Facebook Event and show your interest: https://www.facebook.com/events/158276921614589/ *******************
  23. Alright! What are we looking to do this year?!
  24. Ms. Diana Yampolsky is one of the world's foremost specialists on the topic of the human voice and is the creator of Vocal Science(TM), a unique and truly revolutionary accelerated vocal development technique. It is a holistic and scientific approach to voice mechanics that enables all singers and speakers to reach their full potential in an extremely short period of time. Based in Ontario, Canada, Diana works with a worldwide spectrum of clientele as a Vocal Coach/Consultant, In-Studio Vocal Production Expert and Non-Surgical Voice Repair Specialist.If you feel that you, or a loved one, may be suffering from such voice disorders like Spasmodic Dysphonia, contact us: info@vocalscience.com | 416-857-8741