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Found 137 results

  1. If you're doing it wrong. I tried for years to match these guys who were up in tenor range, because a lot of guys I listened to were tenors. I couldn't do it without flipping into falsetto and ending up with a completely different tone. I finally start working with somebody who knows and not only do I find I'm getting up in that range, I find out that I'm a tenor! After believing for 8 years that I'm a baritone. I got several opinions on that. Some thought I was a baritone, some weren't sure. It just goes to show that it doesn't matter how many times you do something or how hard you try if you're doing it wrong. Failure does not mean you can't do something. An important lesson.
  2. WhatsUp Guys, I want to know what is it that really actually happening to the singing voice and the high notes when singing publicly & spontaneously I feel like These days we live in a Technology world that is near taking over our social life as human beings lol so i just thought we should be more social to each other. And an idea came up in my head, why not Practicing my vocals in a such enviroment! Remember this is just a part of my Training Routine, so i'm glad if you give me alot of feedback! Mash up with all the feedbacks you can get! Peace!
  3. WestCoastRocker

    Reflux, or something else?

    Hi, I have always, as long as I have defined my self as a singer, experienced periods of bad vocal health. Over time I have learned better technique and learned to sing smart and kind of use damage control paths through songs on rough days but I find it really hard to just surrender to not knowing what really goes on. Problem is basically this. During periods which can last from a few days to a few months in row, I experience like some configuration just goes out after just a very short time singing notes over the passagio. What happens after this is that my falsetto/neutral is fine while my twang is totally gone and trying to produce twanged vowels result in a complete mess. I can still sing cross the passagio with heavy voice production in a kind of overdriven manner but the smooth transition is gone. Funny though how the configuration seem to work somewhat initially only to go out completely after a short while. The common answer to vocal problems like this might be acid reflix. Go see a doctor, get your subscriptions and eliminate triggers. Yes, my doctor has seen symptoms of acid reflux and I have been on and off prescription medicines for a long time. I rather not take them though considering negative sideffects from such meds. Also the meds doesn't really seem to do the trick or might work initially like some kind of pseudo effect. But the problems always seem to come back. I also remember doing laryngoscopy one time during a period of experiencing problems and the doctor could not find any obvious redness. That thew me a little bit of the chair thinking it might have to do with something else. I seldom experience severe "morning voice" which seem to be a common symptom of LPR or GERD. The problem only occurs when singing over the passagio and during long vocal lines. I am interested in what other things could cause the symptoms i'm describing. A theory of mine is that it is related to viral infection. I base this theory upon the fact that problems seem to go when after periods of being sick. My theory is that there could be viral infections that does not break out and just sits there waiting for the body defense system to react. Another theory is that this is technique related and could be the result of a vocal blow out or something like that. Allhough I never change my technique and when I have a good day everything is fine and this could sometimes be from one day to the next so it really does not make sense. I wonder what you think. Have anyone of you had or maybe are having the same kind of problems?
  4. The dog days are over - Florence + the Machine cover https://youtu.be/cqCpwPXa-i8
  5. Nicole Chang

    What sound is this?!

    Hello, Im currently a student and i love singing alot, but i couldnt afford a vocal class and im facing this problem with my voice, and i dont know what is this or why it happen. is my voice broken??? https://soundcloud.com/nicole-chang-959104894/whats-this-weird-sound i sing with my head voice at the beginning, it starts at F3 and my head voice it very weak, then i tried changing from chest voice to head voice, it has this really weird sound. anyone can tell me why this happen? and how can i fix this? pleaseeeeeee
  6. TheNewEra

    MIXED VOICE QUESTION

    Hey forum , I’m new here and having been practicing singing for a while now. I believe I find my mix.and I have a few questions about it. 1: how do I make it more chesty 2: why on some days it’s a bit harder to get my mix going. 3: should I keep on with the “nay nay nay” vocal exercise after I found it? Please judge my little vocal clip there and let me know what you think and how I can improve thanks!
  7. MAESTRO DAVID KYLE THE WINDOW OF FAME Vocal teacher for all styles for over 50 years, David Kyle, The “Maestro” became a local Seattle icon and was considered by the industry to be one of the best vocal instructors for contemporary singers in the world. Unique to the “Maestro’s” approach was his method for expanding vocal range into multiple “registers”, or what we would refer to today at TVS as, "Bridging & Connecting". Maestro was also keen on eliminating psychological barriers that hinder singers’ freedom of expression, by use of creative visualization techniques and development of healthy auditory imagery for singing. One day, Nate Burch, one of my students from Seattle, came to the lesson with an old coffee stained piece of paper that had a hand written, transcribed lecture from Maestro Kyle on it. An excerpt from that lecture is shared below as well as popular quotes that Maestro Kyle used to use with all his students. Maestro David Kyle & Robert Lunte - The Vocalist Studio MAESTRO DAVID P. KYLE LECTURE: Those sounds which seem to ring the most are usually the best. Those which seem the roundest are usually the best. Those which seem to resonate are usually the best. Those which seem to echo are usually the best. So listen out into the theater and see if they are echoing, and if they are round, and they are resonant. Connect your notes and don’t be afraid. There are two kinds of stars. There are “stars” and there are “superstars.” The star no matter how he tries he just can’t seem to become a superstar. He’s great, great, great, great, but along comes a Caruso, or a Lanza, or a Gigli, and he can’t quite get over the hurdle. It’s because of one simple thing. The star sings, and when he’s singing he listens to himself; and while he’s listening he shapes it; and he opinionates it; and he shapes it around. If it isn’t round enough he rounds it more. And that sounds logical doesn’t it? It’s wrong! The superstar pictures the sound and knows what he wants to hear before he makes it! Singing is more the concept than anything. If we’ve got the right idea, then the muscles as they train more and more they become like a reflex and the reflexes respond to the image. Even if you’re trained beautifully and your image is a fear that you haven’t got high notes and it’ll never get there the reflexes won’t respond no matter how well trained you are. The epitome of it is you can say singing is absolutely mental. In the process of getting to realize that you have to take a lot of physical steps before you begin to see it, but it is true! The singer has to be in the consciousness and the mood. How does one establish a consciousness and a mood? You tend to become as you act. So if you pretend and try to get your feelings to act as you think they would act if you were doing it, then you’re getting in the consciousness. But if our consciousness is only on body and physical things then our mind is... The rest of the lecture offers another 5 pages of incredible insights about how the mind controls the singing voice. Read the entire lecture in The Four Pillars of Singing. Maestro David Kyle - The Vocalist Studio Maestro David Kyle Quotes “Good singers sing and listen, Great singers listen, then sing” “Good speech is half sung, but good singing is not half spoken.” “Wear the world like a loose garment. Don’t let it tighten in on you.” “Suppose you were learning to drive a car. Would it be better to learn on a road with no obstructions?” “Every negation is a blessing in disguise.” “The art of the art is the art that conceals the art.” “He who would know aught of art must first learn and then take his ease.” “When you open up you should be able to see light from both ends.” “Feel like you are singing with your whole body.” “Your reflexes respond to your image.” “The reflexes respond to the imagination.” “Listen away from yourself.” “Sing on the balls of your feet, like the American Indian.” “Burn Bridges and don’t look back.” “Listen away from yourself, right out into the auditorium.” “Singing is both a science and an art. All art is all imagination and you cannot fix that.” “You have to believe you will receive before you receive and then you will get it.” “Visualize you are already what you want to be. Act as if you are that, and you will become it.” “If you always notice what you are while trying to get there, you’ll never get there.” “Start as if the sound begins before the breath.” “The end is in the beginning, and the beginning is in the end.” “It’s not a game I’m playing! If you think that you’re short changing yourself.” “People don’t get tired of their work; they get tired of the resistance to their work.” “Forever diet the voice. Diet the voice; diet the mind; diet the spirit; diet everything but your income!” “Feel like your whole self is all a part of the sound, like the full violin is just vibrating.” “Imagine the sound you want, picture the sound you want.” “Open up the entire body and see the light through both ends!” “Breath, pause, release the jaw, visualize the sound you want, and sing to the back of (Carnegie Hall).” “We don’t let attitudes control us, we control them!” “Only babies are victims of moods!” “Let the sound flow right over the roof of the mouth into the masque.” “Bowels up, vowels forward.” “Some day you’re going to stand up and say, ‘This is me’ and go!” “We tend to become as we act.” “Attitude is everything in everything.” “Every time you find your thinking going to the strain or the resistance, immediately create mentally the sound that you want, hear what you want.” “And remember you have a beautiful voice. At your worst you sound better than many of them at their best!” “Just don’t sound like everyone else!” “And tell it your singing marvelous, you’re singing wonderfully!” “Sing Away from yourself, to something.” “Listen, then sing!” “Way to go Baby!” Maestro David Kyle passed on Saturday, November 27th of 2004 OTHER VOICE COACHES OF ROBERT LUNTE...
  8. Vocal Athlete Intensive Seattle, WA USA - May 14th - 18th Five (5) Day Vocal Intensive to ACHIEVE YOUR VOCAL POTENTIAL with Robert Lunte & Draven Grey.RESULTS: Take ownership of your voice with hands-on, results-driven coaching. You will learn the top tested exercises and get the feedback for doing them correctly.CONFIDENCE: Get behind the mic knowing exactly what to do and how to do it. Sing with confidence from a solid vocal foundation with a performance that is uniquely you.MASTERY: Achieve your vocal potential. With a proven pedagogy for modern singing, we will show you the way out of vocal frustration into mastery.Study with Robert Lunte, Founder of The Vocalist Studio, author of critically acclaimed vocal training system The Four Pillars of Singing and internationally recognized voice training school for hundreds of voice coaches. Draven Grey is an accomplished musician, vocalist, rock singing teacher and music industry expert. He has coached bands across the world in their careers, released multiple books and course on the music industry. www.VocalAthleteIntensive.com ******************* Be sure to check out the Facebook Event and show your interest: https://www.facebook.com/events/158276921614589/ *******************
  9. I'm Noah, I'm from New Zealand, and I'm almost 15. I've been singing for about 4 years now, mostly in the 3rd octave (My voice dropped relatively early, around 12). However, I'd like to build up some confidence in my upper register (above say G4), where up until now I've resorted to yelling (small clip provided) This threshold used to be a lot lower, close to E4, but over time this has moved up. What I think I know about my voice. Based on my dad's range and tone (we both have the same range, about D2-C6) I think I am a tenor, albeit slightly lower set. My passaggio seems to be between Eb4-G4 I'd like to develop a mixed coordination of some sort so I don't have to yell when singing notes in the upper 4th octave, and also to be able to connect my falsetto to my full voice. I've been working on this for a few months now, and I've found that I am able to slide smoothly between my chest voice and falsetto on a closed "oo" or "ii" vowel. This is only going up though (I can't slide bACK from falsetto to chest w/o breaking). I have also found another voice that is connected to my chest that I can take pretty high (goes up to C#5 on a good day, which is my highest yelled note; i've managed to get it to around an f5 on some occasions), but it is veRY VERY light (also an example provided). My question is: What exercises do I need to be using, how do I use them effectively, and what is this mysterious upper voice? Thank you (excuse the whistle at the beginning, i was messing around lol) Ballad Of Mona Lisa.mp4 Head Voice?.mp4
  10. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed. View full articles
  11. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  12. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  13. DisgustingVoice

    How do i avoid vocal damage?

    I always hear that if i do XYZ , my voice will be permantley damaged. I'm not some famous pop star so i can't afford surgery like Adele, i'm really worried that my voice might damage but at the same time i want to be more free with my singing voice and just try out new styles. How can i be sure that a certain technique won't cause permanent damage.
  14. I'm attempting to lighten up my vocals whilst still maintaining a definitely connected sound with good color. This is not how I intend to always sing, just trying to find the lowest possible effort and lightness with good sound, then am going to go to the opposite extreme. My goal is to find my limits on both ends. Any comments on this effort will be appreciated.
  15. So I’m a 17 year old girl and I think my voice is pretty strange. My range currently is D3-E6 but I feel way more comfortable singing low. It seems that when I do sing in a lower register, I have so much more power as I can belt. As I reach the breaking point between chest/head voice it is pretty weak and quiet and then it gets stronger again at the top! My question is: Is it appropriate for me to sing male solo songs if I audition for drama school? For instance: ‘My Friends’ -Sweeney Todd/ ‘Shoes Upon The Table’ -Blood Brothers (and also a bit obscure but) ‘Captain Crewe’ - A Little Princess. I feel way more confident with songs like these as I’m worried to be seen as having a weak voice! If anyone has any suggestions for good songs for an alto(?) voice, please feel free to share as I’m in desperate need, thank you!
  16. Lucky for me, I healed in two days! Yes, this is a personal story, a cautionary tale of the vocal danger of over confidence, which can fuel lack of training, and lead to injury! It's a slice of humble pie for me to tell about this, especially with the influential voice of TVS & this TMVW community always echoing in my mind. So here's what shut off the echo (my excuse). A friend of mine gave me a call to invite me to jam with an old cover band he is considering reforming. I had not had the chance to jam with local musicians since I was last living where I am now some 8 years ago. Back then, my friend (the drummer), had me sing as a temporary fill in for his band since I couldn't commit to long term at the time. I was amped about singing live hard rock with some talented players! On the way to the jam, in the car, I made a feeble attempt at "tracking" (nasals) with the radio. Failed to get a proper sound check and sound level. I walked in to the rehearsal room (garage studio) and within a few minutes, the PA was flipped on, the guys were warmed up and I chose this song off the set list on the wall, an old favorite to start off the night: Song went great, these kats are tight! I was having a good time yet, as soon as we were done with that song I knew instantly I had very little passaggio left! I could feel it when I would just softly sing a scale. I told the guys the bad news, THEN had us get my mic level right, and was expecting the jam to be ruined however, I was surprised to discover that the songs we then played, I was able to gimp through them relying only on M1 and the upper end of M2. The guys said, "dude you sound fine, there's nothing wrong with your voice!" That gave me a chuckle and I proceeded to tell them a brief explanation of passaggio. Then, the last song we played for the night helped them see exactly what I was talking about. The guitarist (who could sing quite well) had to take over. Much of this song is in the passaggio for me. I was quite bummed as I'm a big Adams fan, love singing any of his tunes! So, In my defense, I was sort of swept off my feet in the excitement of getting to jam after years of missing it! I forgot the most basic elements of protecting the voice from damage. Singing too loud (due to no sound check, lead vocal mic too low), with distortion, WITHOUT proper appaggio (mainly diaphragmatic support) I've got no real excuse in forgetting to support, complete failure as a vocal athlete. At least I can say, it won't happen again! So there's that, don't do what I did! Sing every day! Always sound check! Train, Train, Train! peace, k
  17. Eduardo Assis

    Eduardo´s singing from Brasil

    Hey Guys, how are you doing? I´m from Brasil, I´m a TVS Student since 2017 april. Before join TVS team I watched all Rob´s Youtube content. Now after almost one year I started to record my songs. You can hear the result here: https://soundcloud.com/ducabeloeosi…/por-que-nao-uma-de-amor? TVS Methodoloy really works, when I found Rob on Youtube I was a begginer, never sang before. My favorite part of the program is Onsets!!! Thank you so Much Robert Lunte.
  18. Carlos Miguel

    How to expand range healthily

    Hey everyone, I was wanting to ask for the best tips to expand my chest voice range healthily. I want to be able to sing like Bruce Dickinson with a lot of power, control and vibrato in a high chest register and I would really appreciate the help. I also want the flexibility to sing high yet soft like Ronnie James Dio has been able to do.
  19. Missgalekee

    Mulan - Reflection

    Hiiii. I just recorded a raw cover of Reflection from Disney. I’d like to get some critique and feedback on how I can improve my voice quality. I feel as though I’ve been belting unhealthily and it’s straining me. I can belt but it is not a very comfortable thing for me. I feel as though I need to work on relaxing my throat. I just know something is wrong with the way I sing this cover. Could you please help me distinguish and give me tips on how I can improve it? During a choir voice warm-up, one of our conductors tested my voice on piano and said I am Soprano 1. He placed me in the Alto group tho. Here is the link: https://www.smule.com/p/1509298119_1920505134
  20. Missgalekee

    Mulan - Reflection

    Hiiii. I just recorded a raw cover of Reflection from Disney. I’d like to get some critique and feedback on how I can improve my voice quality. I feel as though I’ve been belting unhealthily and it’s straining me. I can belt but it is not a very comfortable thing for me. I feel as though I need to work on relaxing my throat. I just know something is wrong with the way I sing this cover. Could you please help me distinguish and give me tips on how I can improve it? During a choir voice warm-up, one of our conductors tested my voice on piano and said I am Soprano 1. He placed me in the Alto group tho. I never had professional training btw and only received informal lessons from an Aunt and uncle who are professional singers. I used to sound nasal and only improved over time through practice. I just feel there is sth wrong with my belting. Here is the link: https://www.smule.com/p/1509298119_1920505134
  21. Hey everyone, I was wanting to ask for the best tips to expand my chest voice range healthily. I want to be able to sing like Bruce Dickinson with a lot of power, control and vibrato in a high chest register and I would really appreciate the help.
  22. Hello all. I posted this as a Q&A on the TVS course, and Robert advised me to repost it here to see what answers the community might have. Thanks for any help you can offer: I have gone through most of the course materials on Udemy and everything has been very helpful. However, there is one thing I am not understanding or getting: how do you sing in "head voice" with as much power as you do? What I find is that I can sing in what I feel as my "chest voice" up to about an F4. However, above that, the only way I can sing with any decent quality is in falsetto, which is obviously not desirable. Falsetto is the only "head voice" that I can grasp and sing. So I am wondering: in order to sing high notes with power (make them sound "chesty") should I be slowly training my chest voice to go higher or do I need to somehow alter my technique to transform falsetto into something else that is more powerful? Thanks again for your help, Noah
  23. Hi Folks, This is one of my favorite songs. I posted a version earlier, this is after I did some work on my musculature. Now I am able to retain more of the muscular sound even on my high notes. The verse as many will attest is one of James La Brie's finest performances. It has taken me several years to reach this level. For now happy with the outcome. Thanks to anyone who drops in a sentence or two..
  24. A Diphthong is a sound formed by the combination of two vowels in a single syllable, in which the sound begins as one vowel and moves toward another (as in coin, loud, and side ). Often times the second vowel color is a narrowed language vowel such as "ee", "oo", or the R-Controlled vowels; "er", "ur", "ar", "ir". These narrowed language vowels found in diphthongs, are one of the PRIMARY reasons why singer's voices break and weaken when singing in the head voice. The solution? ... Be aware of this issue and then train your articulators to learn how to shape diphthongs in the head voice with slow and controlled detail work. www.TheVocalistStudio.com. From the 2nd webinar with Draven Grey.
  25. Hello, I have been learning the various voice registers & applying to this song. Any suggestions on where to improve would be greatly appreciated, i.e. Do it sounds like one voice? or not yet? Love & peace