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Found 151 results

  1. I am practicing singing for a while.. Almost for 5-6 months.. Now i am able to sing in mix in my chest range.. But when i go to my upper range i lose connection of the vocal folds... I have a good cord closure in my chest range..but i lose it in the upper range.. What should be my next step? Or how far i am way for those strong belted high notes?
  2. Hey! I'm having a hard time figuring out the voice i've created. It kinda feels like mixed voice in some degree, but I think it's not mixed voice cause I when I ascend my pitch it goes breathier and not connected to the head voice (it breaks) and feels like it stucks in my throat (not smoothly transition into the head voice area/ in head voice placement). It only sounds like it's in chest and head but if I ascend it stays that way. It doesn't hurt my throat and i don't strain at all when i do it. I'm confused of what to do, am i supposed to train it or let go cause i've tried all the "find your mixed voice" on youtube, it's the same, i ended up at the same spot. Do i have to train my chest voice ? Cuz i'd been training my head voice like more or less than 1 year by singing in head voice. But now i'm training my chest voice. My chest voice range is E2-C#4/D4, C#4-D4 kinda struggling but ok, D#4 straight up shouting. I can sing D#4 if I transition into that voice. My transition point into that voice is around A3 if I sing quietly, it sounds normal until it gets to F4. I've never took a vocal lesson cause i'm broke lmao. What do you guys think I should do ? What do you guys recommend ? Voice 018_sd.m4a
  3. Hi all, This is my first forum post. I'm looking for some advice. I have improved in my singing recently to push chest a bit further, but I find singing softly at high pitches is difficult to avoid being shrill. I can reach high notes in falsetto/head voice but struggle to get a pleasing tone. I would like to round off that tone a bit. Any advice on where to focus my efforts: https://vimeo.com/381645779 Thanks in advance! Dan
  4. I am looking for suggestions to work on passaggio improvement and techniques in vocal lessons.
  5. What are some suggestions for exercises and repertoire for helping a student gain strength and control in their lower register? Also suggestions for going between chest voice and mixed voice?
  6. I'm 25, have been casually doing some exercises for years, but only focused on training everyday for the last 2 months. What should I concentrate on FIRST? I would like sincere criticism. I don't think my voice is good atm, so albeit knowing what's working is a good thing I really want help in fixing my **?color?(**my voice just doesn't sound pleasant to me even if not strained and in pitch), my agility in the upper range, and understanding what out of pitch, tone and key mean...cause I haven't figured it out, and I don't know which one I'm doing, although probably all 3! Of course I know a vocal teacher is the best option...but atm, money is short and I don't feel good about getting free sample lesson one after another and not hiring anyone...they need to eat and should waste time with whom is actually going to pay. I'm providing 3 songs that I both like, and each cover a different part of my range, feel free to comment on whatever aspect strikes out more to you!(IT'S PROBABLY VERY LOUD) YM\\\\\\\\\\\\\\\(Your Man-Josh Turner) This one starts and stays on my lower range(I can hit the F2 with focus, but here I only managed to get to the G2) CR1\\\\\\\\\\\\(Country Roads) End verse The most difficult one tbh..I did it because it matches a range close, and passing my bridge, Definitely some wrong pitches there, but I really don't know what to do to ease this part of my voice. LP1\\\\\\\\\\\\\\ LP2\\\\\\\\\\\(Livin on a prayer-Bon Jovi) I provided 2 audios cause although it wasn't as difficult to hit and maintain notes as with the previous song, actually hitting the Eb5 instead of the F5, E5 or even D#5 seemed impossible, it's as if the higher the octave the less precise I get with pitches. Thanks so much for your time!
  7. I am working on my singing and have been taking lessons. My issue - I seem to do okay with head voice when I go above G4. However, when I try to see in the F4, G4 area on certain songs, it comes out “shouty” and harsh. I can hit the notes fine, but I am not getting quality. If it is a softer, quieter song, I don’t have this issue. I have this issue when trying to do fuller sounding notes in this area. I would greatly appreciate any feedback anyone cares to give. I am not a great singer yet and am trying to learn. Thanks!
  8. Hi everyone So basically I've just found my mixed voice and I can use it to achieve a good sound, and when I perform it, I feel no pain, strain or tension. However 30-60 minutes after I've stopped singing, when I've used the technique, I get a sore throat. I've heard this is something to do with your throat not being used to resonance with the soft palate raised. Is this normal at first? Or am I doing something wrong?
  9. Hi, i always wondering my vocal fach. My speaking voice sounds heavy and dopey but in tenor tessitura. I'm very insecure about my voice sounds weird in others ear. But, i'm very love to sing, i can't stop doing this. This is my voice sample This song is easier for me because alot of headvoice. https://soundcloud.com/fadelsawi/shes-gone-moris-morty-monty And, this one is harder because i need to stretch my chest up to A4 (my second passaggio). https://soundcloud.com/fadelsawi/risalah-hati-monty
  10. I don't know how to describe it but it's annoying it does it randomly. Is it because of poor chords closure (I have 2 cysts on the vocal chords)? https://drive.google.com/file/d/1-f2_iT-2gUlKpLx4-nzzMew12Xc1xGMM/view?usp=drivesdk
  11. DEFINITIVE OPERA TECHNIQUE for all styles of singing- This is one of the most renowned opera singers in the world. He has started a new online method of singing, teaching, and interpreting voice. The technique is operatic but is universally based for all genres of singing including crossover, musical theater and popular styles. Unlock access to the traditional Italian bel canto method of singing based on historical techniques. The lessons are designed to be highly concentrated to help you learn and teach as efficiently as possible, and to be a point of reference both at the beginning of your studies and throughout your career.
  12. Years ago this WAS the best forum for singers and teachers. Those wishing to learn and those willing to help and those who just want to discuss their thoughts on singing and training.. There is still a need for this forum and a community to belong to and interact with. I was here when the community was thriving and when things declined. There are two main issues that singers have to deal with. Egos and rejection. The thoughts of "Am I good enough?" and "Who has the right to tell me I am not good enough". No one has the right to tell you that you are not good enough. But, everyone does have a right to their opinion, and opinions differ. Some people will have a more pleasant starting sound than other people(according to "Popular" opinion) and people have different issues vocally to deal with. Not to mention the different purposes for wanting to improve and the different applications. So, when you ask "Am I good enough?" You will get opinions that you may not like and you may get opinions that would make you believe there is no improvement needed. The FACT is that your voice is constantly changing and keeping up with the changes and making improvements takes work and practice. Any state that your voice is in right now can and will change with time and the way you choose to develope. The problem arose with people arguing opinions as facts. Just because you like or dislike something or believe something does not make it a fact or correct. Letting other people express their opinion without challenging it will give yourself different ways to deal with issues that you may have with your own development. To that extent and also, Giving advice and expressing your own opinion will give you insights on how you yourself feel about your development and other ways and things you can do to improve your own vocal skills. Back to the topic of this post: Do you want to continue with this forum and give and receive advice and engage in conversations about vocal improvement, heath and how things work for vocalists and why they work or do not? YOU, who or whom ever you are, need to take part for this forum to continue and grow and be great again.
  13. Hey Guys i'm new on this forum, I would really appreciate your opinion about my High C bandicam 2019-02-25 18-45-28-988.mp4
  14. I am hoping to audition andI have to submit an online video. It's all accapella. Please give me your very honest feedback about my voice. Why does my tone change so much and sound so different? My chest voice to me sounds bad, like almost manly, but it is easiest for me to sing. While my head voice sound like it has a better tone, I get physically tired singing it and I can't seem to breathe right no matter how hard I practice from the diaphragm. Worse, my left side of the throat hurts sometimes. What vocal range am I? I noticed I talk very deeply and it hurts as well. I've always felt my voice is very 'bahh'bahh' like..almost gravelly. It doesn't have that crystal clear sharp voice I hear in most voices. How can i achieve that? Are my vocal cords damaged? My higher notes are unstable--it can either hit right or get REALLY pitchy. What am I doing wrong? What kind of voice/larynx/technique should i use to ensure a consistently good tone? What do you think are my biggest problems with my voice in your opinion? Lastly, which track do you think I should use to audition? Thanks for helping!! audition songs(in another langauge but i hope you don't mind): https://soundcloud.com/user-940698627/iu-ending-scene https://soundcloud.com/user-940698627/iu-dear-moon https://soundcloud.com/user-940698627/memories-of-the-wind-audiotrimmercom chest voice-just for reference: https://soundcloud.com/user-940698627/hero-mariah-carey
  15. I have been playing guitar for some time now, and i want to be able to pick up the chords for a song instantly, but i have major difficulty in singing the sound i hear. So i tried singing a few songs, really tried, and realized i have absolutely no vocal range, doesnt get sharper or "darker", it's just the word itself. If i try to do the song how it really is, either the voice dissapears or i cant hold the note for even 0.5 sec, just jumps back and forth with sharp and "dark". Even watched some videos to see if i have correct form, like chest up, chin slightly down, breathing and all, but my voice simply has no pitch whatsoever besides the natural one. How can i upgrade my vocal range dramatically? I would like to be able to sing, atleast decently in about 6 months, so i can play guitar and sing at same time And not tonedeaf btw 17y, male. https://streamable.com/rk1hg So sorry for making you guys hear this, destroying the music
  16. I know he's long out of the spotlight, Gary Puckett & the Union Gap...famous once for hits like Lady Willpower, Young Girl, Woman Woman, Over You back in the 60's. I always admired his tonal quality. But I recently ran across this solo album he did of some rock hits and I developed a newfound appreciation for his obvious skill and seemless transitions on these tunes. If you listen to him, you can pick up on many great things you might want to incorporate or develop in your own voice. Such consistency of tone, he sounds so smooth and seamless going in and out of falsetto head, voice, chest voice like nothing. Such a mixture of dark and light quality. In fact you will think he's singing a lot higher than he really is. I study his vowel particular choices...facsinating...to me. He's right up there all the greats IMO, Tony Bennett, Andy Williams, Sinatra, etc. This is really worth a serious listen! Check out the entire album.. here are just a few:
  17. I've been really struggling determining my voice type. I've been singing since i was young but it was only the past year where i started being concerned with technique, agility, range, etc... I know i am not the best singer but it would really be great if someone will try to classify my voice and help me develop! My lows notes usually is from C#2-B3 but it can also reach B1 (vocal fry), I my voice starts to crack somewhere in F4 and G4 idk if i start transitioning from chest to mixed here but i know my voice switches into something else in this part. Idk where my head voice starts but it can reach up to G5. My falsetto can go as high as C6 sometimes Eb6 or higher but it's really hard and sounds very weak if i try to go higher than C6 and my whole voice gets tired and uncontrollable after overutelising it. Idk if i am resonant or if i have a good support. I'm not sure if i'm doing runs properly. Also, idk if i'm singing healthy. Self learning is hard ughhh Very high falsetto: https://soundcloud.com/user-935041544/img-2954 Comfortable falsetto: Me singing:
  18. I decided to run a little experiment and (for the first time in my life) analyze exactly what notes comprise the M1, M2, and what I'll call M3 regions of my vocal track. Just for fun, and to share with some of my fellow voice geeks here. Even though I received effective vocal coaching, it was a long time ago when popular vocal teachers did not bother explaining or analyzing anything unless you were willing to sit there and pay $80/hr. to chat (never happened for me). As a result, I never paid too much attention to notes and my "range." I would always reference songs my vocal hero's were singing, and I could tell my M2 notes were getting beefier from the vocal instruction / training. It is interesting to note that, after so many years of singing without strain in M2, I actually forgot how to pull chest voice. I discovered this one day when someone asked me to explain to them how I was able to sing "tenor notes" when they knew I was a baritone. I started to explain the difference between M1 & M2, I wanted to sing an example of straining to sing a high C. We all had a laugh as I struggled to remember how to pull M1 that high without singing in M2. So, lately I've been contemplating expanding my range a tad higher than I've been satisfied with for so many years. The pdf illustrates what I found out about my "instrument." I thought it was interesting to see how much more agile my M2 is than my M1! The overlaps are also interesting for me to see correlated with the notes. I'd like to start training those weaker M2 notes. I'd like to see if I can change the pink D#5, and A5, to red! Only two notes yet, I know it will take a lot of effort, those notes are not easy to make beefy. MY VOCAL TRACK ILLUSTRATED.pdf
  19. This song is out there. I like it, I'm happy with it, but I want to learn how to take my voice higher obviously. I'm a baritone I think. I can hit A4 but not with agility. This song goes up to F#4 which is typical of baritone. Constructive criticism is appreciated. Take a listen to my voice and let me know what you hear. Thank you! https://drive.google.com/open?id=1socIDJTGXkjGqf01oIiebfCOlYT3M06d
  20. I am giving some voice lessons to a adult male who sings really well for the most part. But he has some trouble singing through his passagio when working on octave jumps and becomes tense in the neck. What exercises would be helpful for him to sing through the vocal break and not cause tension in his neck?