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  1. Mixed voice is my main problem in singing. I probably can sing very high mixed, but I cannot bridge this high mixed with chest voice. I cannot sing mixed below A4, and my high mixed is too nasal, it's not brutal enough for me. Some crying, baby sounds don't help me because I cannot make them more chest and they don't bridge with my chest voice as well. I'm attaching the examples. I can belt D4 but if I try higher notes, I just start yelling. Attempts.mp3
  2. So I just saw this video It's about the maximum resonance point which is the note range in which your voice sounds the most relaxed, confident and likeable. In order to find which notes are my maximum resonance point I'm supposed to figure out why my comfortable note range is. This sounds self explanotory but I'm not sure if I'm doing it right. Finding my deepest comfortable note is easy, but the highest is not. I'm not good at bridging so I have a comfortable note range right before I switch from chest to head voice and then a few notes after having bridged, speaking in the higher voice is comfortable again for a few notes. So I'm not sure if my comfortable range is up to the note where I have to bridge or up to my highest comfortable head note. I'd really appreaciate all yours insight into this topic
  3. Hello, I'm a baritone. I'm only 15, so that could change, who knows, but I've been looking into extending my range downwards and have had good results. My normal range is from F2-C5, although once warmed up I can get a D2 that's very unstable, but not fry. I learned about "Subharmonics", and decided to try them out. After about a week I've developed the technique to take me down to a G1, ugly it may be. The reason I'm posting here is because during this week, I've developed a strange... "partial" on my voice. (I'm a brass player, so this is the only way I know to say how it feels.) This partial starts at C2, and ends at about D1-E1, and I don't think its fry. It's not as pretty as say a full chest voice, however, its very connected and not separated like fry tends to be. Its hard to control, but it's there. Is this some type of fry I've randomly developed? Is it maybe subharmonics that I've somehow figured out? Any input? Very curious.
  4. Hello fellow singers! I've taken on this classic for my latest: If you enjoy, please share, like, and subscribe! Thank you.
  5. A study on one of my favorite songs, by my favorite singer
  6. Is "mixed voice" closer to something like A or B. A: A soft, speech-like yell. Today I felt I was shouting in my lesson and my teacher said that was my mix. I don't mean shouting as in yelling and forcing as if someone was stabbing you, but to get someone's attention across the street or at a baseball game. B: Pretty much a connected head voice sound but with a slightly raised larynx than opera. In other words just making the head voice sound chestier. So it will feel like I am singing in pure head voice with but just with a speech-like larynx or twang? Is mix literally singing in chest and head at the same time, or singing in head voice with twang so it sounds powerful and full and indistinguishable from chest voice? I would like replies from singers who are not just starting out but have experience and can actually sing in a balanced 'mix'. Thanks
  7. I am a singer (classically trained, but culturally a singer of soul/gospel/r&b). I lead worship weekly on Sundays and have realized that I find it much easier to remain pitch accurate it my head voice than in chest. Is this common? Is anyone able to share the science behind why? (Ps. In classical music I am a low voice - I sing baritone, but in popular music I vary in range as a tenor, as gospel often has tenors in high vocal ranges, and I’m pretty comfortable there as long as my technique is appropriate) Thank you!
  8. Hello fellow artists! Here's my latest: I hope you enjoy, and if so, don't forget to share, like, and subscribe! Thank you all.
  9. Hello, fellow singers! Here is my next cover: If you like what you see, please share and like the video, and subscribe to my channel! Thank you all.I hope you enjoy!
  10. https://vocaroo.com/19hOp3YHxi9C here is my recording of Versace on the floor (chorus), and the bland mixed voice that I'm talking about starts from the lyrics "door, oooh I love that dress" till "anymore". I can transition seamlessly through my pasaggio but when I sing with it, I can't bring my chest voice even just a little starting from a#4 and above, example is the "Turn down the lights" is my chest voice and the close the "DOOR" sounds like my chest voice get left behind, I can't bring it up and dunno what can I do here. Any advice and also solutions to my particular problem. TYIA
  11. I've been listening to BTS "Dynamite" and looking at their Tiny Desk (Home) Concert. Most of the singers seem to hit the high B4 with ease, even though some have more vocal strain. On other songs, I'm able to hit a B4 without much vocal strain, but not in Dynamite. I find this particular sentence hard to sing and struggle with my vowels. I'm experiencing with different ways to approach the note, but I can't seem to get it right. Yes, there are some processing on the vocals in their performance, I already know that. I'm looking for some tips to help me hit the B4 with less straining. Here are all the timestamps refering to the sentence "Shining through the city with a little funk and soul": B4 => 0:55, 1:45, 2:02, 2:36 C#5 => 2:53, 3:09
  12. So, I am a rather young baritone/bass (depends who you ask) and I'm just trying to sound better singing my favorite songs. However, I don't really have the range to sing most of them, and I want to fix that lol. I feel like I have 3 modes that I can sing in, but 1 of them is unusable, and that happens to be the one in the range that I'm looking to use. I'll start with range, my comfy chest voice on a normal day is around D2 - D4 and I can occasionally get that pesky E4 on good days. My head voice on a good day can get up to F5 and can be taken down to around C4 ish. Now, the fun thing is I have a middle thing that sounds a lot like falsetto but weaker, and it covers from around F4-D5. Now, this middle thing would be incredibly useful if it was strong, but like I said it's lighter than a falsetto currently. I think this is some form of mixed voice that I'm just not putting the right finesse into. Does anyone have some exercises or tips that I could try to get that mode of my voice to sound more full so I could use it in songs? As it is currently, I have no clue how to train that, and neither does my vocal coach. Thanks in advance for any help. :)
  13. Hey guys, so I've come to bit of a dilemma recently. My private vocal coach whom I've seen for almost ten years now always suggested to breathe through the nose. When I studied clasiccal/opera in college I was told to breathe through the mouth. Went to my private voice teacher with this topic and he said that mouth-breath is an old pedagogical school of thought, and breathe through nose is the proper way. What I was told by college professor: Breathe through mouth because it raises the soft palate and you can prepare your mouth/throat for the onset of the coming phrase. What I was told by my private vocal coach: Breathe through nose because through the mouth dehydrates the vocal cords at a faster rate and you with proper technique you'll have the raised soft-palate/prepared throat without needing to open my mouth. Conflicting articles: Nose: https://www.ceenta.com/news-blog/sing-strongly-with-nasal-breathing Mouth: https://www.oxfordsinginglessons.co.uk/breathing-for-singers-is-different-from-normal-breathing/ Which is the proper way? I admit I do feel the mouth breath sets my vocal mechanism up for the onset of the coming note a little better than nose-breath but mouth breathing does dry out the chords and when I have a four hour gig I can't really afford to do that.
  14. Hello, fellow singers! My next cover is here: If you like it, please share the video and subscribe to my channel! Thank you all.I hope you enjoy!
  15. The last part of our tribute, we´ve choosen the epic Rainbow in the Dark, second single Dio released on his solo band, in 1983. Enjoy!!! Long Live Rock n Roll \m/
  16. Very fun song that has alternating characters, from the musical Jekyll and Hyde: Alternating head voice and chest voice with more compression to get the different vibes. Cheers!
  17. I have uploaded Old Man River to youtube. How do I get my song reviewed? I am 81 years old and have always had a good voice, but not this good. 1 1/2 years ago I was forced to completely retire and decided to learn how to sing. My wonderful coach has increased my chest vocal range by over 1 octave. I can sing in the quality of voice of Bass Baritone, Baritone, Tenor and mixed Tenor. In Old Man River I sing my Bass Baritone until the ending where I switch to Baritone and end with 1 note of Tenor. I also uploaded And This Is My Beloved but I goofed and the high note was flat so it was deleted.
  18. Hello, fellow singers! My next cover is here:www.youtube.com/watch?v=Dd7SG9davBcIf you like it, please share the video and subscribe to my channel! Thank you all.I hope you enjoy!
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