Jump to content

Search the Community

Showing results for tags 'how tos'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • WELCOME & HOW TO GET STARTED!
    • Welcome New Members!
  • SINGING & TRAINING TECHNIQUES
    • GO HERE >>> GENERAL DISCUSSIONS
    • Vocal Health
  • REVIEW YOUR SINGING - SHARE YOUR SINGING
    • REVIEW YOUR SINGING - SHARE YOUR SINGING
  • VOCAL GEAR
    • Microphones
    • Recording For Singers
    • Vocal Effects / Processing
  • SEEKING VOCALIST / VOCALIST AVAILABLE
    • Seeking Vocalist / Vocalist Available
  • ARTICLES & MICROPHONE REVIEWS
    • Vocal Gear Reviews
    • Singing Articles
    • Expert Interviews

Blogs

There are no results to display.

There are no results to display.

Categories

  • Product Reviews
  • Articles
  • Interviews

Calendars

There are no results to display.

There are no results to display.


Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Found 4 results

  1. Hello, Im currently a student and i love singing alot, but i couldnt afford a vocal class and im facing this problem with my voice, and i dont know what is this or why it happen. is my voice broken??? https://soundcloud.com/nicole-chang-959104894/whats-this-weird-sound i sing with my head voice at the beginning, it starts at F3 and my head voice it very weak, then i tried changing from chest voice to head voice, it has this really weird sound. anyone can tell me why this happen? and how can i fix this? pleaseeeeeee
  2. Hi! I'm new here so I'm sorry if I've done anything wrong. Either way, I just did a vocal range thing, and I went from C3 to a C6, but I managed to come up to E6+ but my voice got very squeaky. Many people have commented that I sing very high, and I really don't know what voice type I have. I have some trouble with singing very low, considering that my normal talking voice is low, but when singing high notes I don't have any problem at all, afterall, I prefer to do that. I'd like to do whistle tones, but I think it's better that I know what voice type I have before I do so so I won't damage my voice. What do you think?
  3. Hi TMV, Today I had to upload a few videos for an audition. Basically I sang for a few hours to get the takes just right, and it was more singing than I've been doing lately. Some of it was in the upper parts of my range. Long story short, after finishing everything, I tried hitting my upper notes a few minutes ago and I couldn't do it, I didn't have control over it, and it sounded really raspy, and not in a controlled way. I sound fine while speaking and I can sing lower down, and in the middle of my voice. There is no pain, and aside from the rough sound in the upper notes, there's no hoarseness. Could I have done permanent damage to my voice or is this just from tiredness and improper use of my voice? I admit I don't have perfect technique, and I chose a song that had a few parts that were too high for me. However now I'm worried I have nodules or something. Please do let me know what you think. I'm gonna go to a doctor in maybe 2-3 days if this doesn't change, but for now I'm trying not to panic, because it might not be anything serious.
  4. (Blues, Jazz singer Cheryl Hodge - author, is currently nominated for BEST BLUES SONG, 2011, at the Hollywood Music In Media Awards) People are always asking me about what my secrets have been for getting ahead in the music biz. It's almost like they think there is some magic answer that will help them move up the ladder. Well, in a funny way, maybe there is one. But you might not like the answer. There are basically three rules that I live by and have for 30 years. In order to succeed in the music biz (the simple answer), you need three basic ingredients. In time you will find that all three ingredients are inner-related, and that one hand scratches the other. You must have: 1.) A great musical product (it doesn't have to be original - but if you are going to do a cover, do it nothing like the original... avoid comparisons.) The first 20 seconds of the production have to be both innovative, infectious, and flawless. This has to be music so catchy that if you, yourself, had only enough money to buy one CD a year, this would be the one you would buy. Put yourself in the consumer's seat. Remember, we are presently in a devastating recession. Talk is cheap (there are lots of sales pitches out there), and money is dear. For someone to buy your music, they need to be really moved by you, in a way that no one else has. 2.) Relentless drive (unending belief in yourself). 99% of the artists who are successful did not "make it" over night. They knew, at the start, that they would most likely be in for a "long haul" before the public would become aware of them. The chances of being a huge success in the selling market are actually less than that of being kidnapped, believe it or not. When people see those odds, they tend to become daunted. The sooner you get started, the better. Look at former mouseketeers, Britney Spears, Justin Timberlake and Christine Aguilera. Starting early certainly gave them a "leg up" in the business. However, having said all this, it is truly never too late. At 56 years old, I am starting to be discovered in the biz. Why? Because I didn't give up. I believed in my music; I believed in myself. I knew my niche, as it were. I realized my market. The great Lou Rawls once said at a seminar that his golden rule for success was, "Never change your music to suit the public, and current trends. Do what YOU believe in. If you believe in your music, then sooner or later the public will, too." 3.) Business savvy. This is the one that some artists absolutely hate to acknowledge. Many believe that the words "business" and "artist" are polar opposites. Every year, a few songwriters approach me by saying that they feel that being a business-minded musician is the equivalent of "selling out". Interesting premise, but I beg to differ. Songs are a communication. If you believe in your art, then you will admit that you believe in communicating the message of the song with the most listeners you can possibly relay the song to. And now we get to the ultimate goal: exposure. You'll need to learn all about agents and managers. You will need to schedule out at least an hour per day of web work. You will need to know about tax shelters. You will need an office that includes: a computer, possibly (probably) a home studio, a phone/fax machine, a scanner, a filing cabinet, and a few absolutely great books about the music business. One of my personal favorites is Hal Galper's book, "The Touring Musician". The best way to find out what you like is to talk to some of the most successful people whom you have already made acquaintances with in the music business. Questions? Feel free to contact me at one of the following places: cherylhodge.com ,jazzboulevard.com, reverbnation.com, Jazz & Blues Artist, Cheryl Hodge (facebook) .
×
×
  • Create New...