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Found 14 results

  1. Hi guys, I have been following many methods and Rob was one of the first guys that got my attention on the internet so I decided to come over here and share my first 2 videos on youtube. I started practicing 3 years ago and I was unable to imagine that I would one day share my voice with public so I practiced in car or forest or in an empty buildings . But I thought that the time has come to get my ass to the studio and share the partial success I got from my practice. I know it is a long road still and I am not gonna stop now - I will continue practicing everyday to get my voic
  2. Hey guys. So I've been singing for some years now. I'm classicaly trained, theoretically a tenor, but I could never manage to understand and make the adjustments to go higher than F4 without breaking into M2 or straining a lot. Last year I started reading a lot about voice physiology and learning contemporary singing technique. Now I can go sometimes even up to G5 (not a pretty singable tone yet, but it's there). From Bb4 up I can somehow manage a lighter sound that doesn't sound like M2, but between E4 and A4 I can only do full-on belting or something lighter but with a lot of constriction (a
  3. Hello I am having real trouble finding my falsetto, I can't make that effortless sound, it is always strained. I was always able to make a voice that I thought was falsetto, but I got to the conclusion that is flageolet instead. I got really used to it and it is relaxed, and really sounds like falsetto, but I think it isn't falsetto mainly because: - It isn't connected to chest voice. I know sometimes it's difficult to connect head and chest voice, but this is extremely disconnected, it is a different world. - I am able to transition smoothly from whistle to this flageolet. Not tryi
  4. I decided to run a little experiment and (for the first time in my life) analyze exactly what notes comprise the M1, M2, and what I'll call M3 regions of my vocal track. Just for fun, and to share with some of my fellow voice geeks here. Even though I received effective vocal coaching, it was a long time ago when popular vocal teachers did not bother explaining or analyzing anything unless you were willing to sit there and pay $80/hr. to chat (never happened for me). As a result, I never paid too much attention to notes and my "range." I would always reference songs my vocal hero's were
  5. Hello everybody! So my last thread I asked for help on mixed/ middle register. I have been working on it for a little while now but I still feel like I'm shouting and using too much air on belting high notes. It's as if I'm trying to sing it rather than just letting the sound out. Here is a comparison: and me lol: Any tips or advice is appreciated. Don't know if I'm shouting because I can't get that cord closure properly in my higher registers or if it's a bunch of different things. Woke up a little hoarse today too
  6. This is not a song I would normally try to cover but my wife has been playing it over and over. I needed to record it to get it to stop playing in my head. Any thoughts on what I need to improve on is welcome.
  7. Did this a little while ago. Sang it with a lady friend. Did the whole thing in falsetto, or, as Rob might say, "falsetto mode"
  8. When shopping around for a live vocal microphone, I had never really considered trying out a condenser mic, as the vast majority of vocal mics out there are dynamics. While I have used plenty of great sounding dynamic mics, I always thought it would be great to find a live vocal mic that could combine the sensitivity, clarity and extended frequency response of a large diaphragm condenser microphone with the feedback and sound rejection of a dynamic. After years of using the standard Shure SM58 and similar dynamics, I was curious to see how a condenser microphone would perform in real world li
  9. Take a listen to this Magnificent bastard! Beautiful tone and control! Tons of messa di voce throughout the song.
  10. Recently I've been breaking a lot from chest to head (specifically falsetto), as I'm trying to extend "chest" more (I'm already working on support, placement, formants, etc.. not to break). I'd like to know if breaks are harmful to the vocal folds. If yes, why?
  11. The vocals on this entire album are mind blowing!!!   Listen To This!     Freddy Curci         Freddy Curci on Wikipedia
  12. Hi guys, my range is not that great, I can sing in head voice only up to E5 before I cannot get higher. I can use chest range up to F4. The interesting thing to me is that I can sing the same note in head voice and chest voice at multiple pitches below F4. I read in my studies that Manuel Garcia did this with his student, but in my CVT book it says it is dangerous to use falsetto below C5. I am sorry if this is a dumb question but is there any benefit to singing the same note in m1 and then m2 or is this unhealthy for the voice? How is this beneficial or harmful for male voice training? After
  13. There is something in my voice I have always wondered about that is sort of frustrating.  About a year back I didn't have any sensation of connected head voice.  (I.E. I could not bridge at all into a light phonation, I could only flip to a different "falsetto" register that was in no way consistent or bridgeable.) Since then I've discovered a connected sound that I can bridge on increasingly stronger levels with but one thing deeply concerns me.    I see all these demonstrations (sometimes from complete beginners) of people bringing their voice through their entire bridg
  14. Hello all, I come to you with a question that I can't find answered anywhere else in the way I'd like it to be.  I've been singing for a few years now and I am quite happy with my voice.  I have a quite strong chest voice that I am currently stretching into the fourth octave inch by inch. (I am still at the point where I am losing ease and starting to strain by C#4) However, what I strongly desire is to have a beautiful head voice sound that can cover all dynamics from soft and pretty to loud and powerful.  I used to not have any head voice tone whatsoever available to me but ab
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