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Found 623 results

  1. Hi guys, I have been following many methods and Rob was one of the first guys that got my attention on the internet so I decided to come over here and share my first 2 videos on youtube. I started practicing 3 years ago and I was unable to imagine that I would one day share my voice with public so I practiced in car or forest or in an empty buildings . But I thought that the time has come to get my ass to the studio and share the partial success I got from my practice. I know it is a long road still and I am not gonna stop now - I will continue practicing everyday to get my voice to the top level. So here are my two precious things
  2. I got news from @Robert Lunte that our friend and team member Adolph Namlik passed away earlier this month... This is sad news and I feel we should do something in his memory, perhaps a song with everyone adding their voices, or perhaps those who want to record something on their own could send it too. I will be recording a song if anyone wants to help or collab doing something please let me know. Felipe
  3. I'm a rather young Bass singer: only in my early teens, and I'm trying to improve my tone. I've been told by my teacher I have a very dark tone, so I've been working on brightening it for the past month or so. However, now that my tone has brightened significantly, I noticed that my voice sounds much less mature than other Basses that I've listened to. Now I'm confused about what gives a Bass, especially a classical soloist, that "Bass" sound other than the brightness/darkness of their voice or if I simply made my tone too bright.
  4. Hello everyone, I've been singing a lot since 3 years and i've been progressing constantly. But recently i was stuck, and for several month nothing changed. Then i discovered that i had a lot of tongue tension, so i tried a many different exercises and it worked a bit, my tongue is definitly more relax now than a month ago. But somehow, the tension seems to always get back at me ( especially the tension at the root of the tongue ) , and its fluctuating : someday i can sing pretty well and really feel my tongue as relaxed piece of meat and the day after, i'm back with the tension. Does anyone here had a similar problem ? PS : I've got a light TMJ disorder and bruxism, i don't know if it's linked but hey... PS 2 : I really don't understand this tension because a lot of my friends ( even those who don't sing ) have perfectly relaxed tongues naturally.
  5. A few days ago, I saw a post on Reddit where someone was asking for his singing to be critiqued. After a couple of replies the person says that there was... "some light pitch correction"... ...in his singing sample! Making changes to pitch or rhythm makes a mockery of any critique of technique (it wasn't a finished cover, or anything; it was him practising). So, what's the point? Will people start to become so reliant on technology that they won't bother anymore?
  6. Who Sang The "Nessun Dorma" Climax The Best? It's very subjective, of course. Only classical singers are in the running, imo. Others didn't get a look in. For me.. 1. Luciano Pavarotti (6:03) 2. Andrea Boccelli (0:46), Jussi Bjorling (2:14) 4. Beniamino Gigli (6:35) 5. Jose Carreras (3:05) Quality of recording plays a part, I think. The Placido Domingo recording (4:55) made it difficult for me to place him.
  7. IF YOU HAVE GHOSTS ///// ORIGINAL FOR REFERENCE(ALREADY ON THE RIGHT VERSE) I took some liberty on runs and vibratos, just went with what I felt. Timing is something I´ve noticed has been a tad off, but I´m working on it. HE IS ///// ORIGINAL FOR REFERENCE(ALREADY ON THE RIGHT VERSE) at "-HOLDS(A4) us together -" I can´t really do a chesty mix so I let my head come in and worked on sliding down back to my chest without breaking or sounding weird, and timing, again, is something I´ve been trying to fix. Any tips are welcome. I like these 2 live versions of the songs, since I´ve been working my mix and belt(so it´ll sound louder intentionally), I decided to give them a try, my microphone unfortunately lowers the output volume at the loudest moments, something very noticeable in the first piece, and sometimes gives out some weird effect, but no so much as to botch the audio... Tks for listening and any criticism is pertinent!
  8. I am looking for suggestions to work on passaggio improvement and techniques in vocal lessons.
  9. Hi. I am 20 years old. I born in 27 July 1999. I am un-trained singer. My voice get acid reflux damage since 2017-2018 and it makes maybe a little bit lower but nowadays i try to recover my voice health. Anyways, people calling me as "Baritone" or "High Baritone" and i'm tired because of this Baritone stuff. I always call myself as Dramatic Tenor (Low Tenor) because i think my voice is high pitched for calling as Baritone. But, some people say; "Your voice sounds too heavy to calling you as Tenor.". My voice is really heavy for become a true Tenor? I always want to get light voice timbre like spinto Tenor's at chest voice. I sing "I'll save you" a rock genre song made by Jordan Sweeto. Here is two different version; My voice version; https://www.youtube.com/watch?v=ZwzhpiUOGa4 Original version (Jordan Sweeto); https://www.youtube.com/watch?v=0diwDG-06Nc My vocal range (Un-trained voice); Chest range; E2 (Very weak as whistle talking but still possible to reach) up to B4 and not barely C5 Falsetto max note: G5 (Sounds like screaming) (Also my falsetto sounds like Mickey mouse and airy) What's a problem? My voice doesn't deserve for calling as Tenor? Is Jordan Sweeto he is Tenor? And i'm Baritone? Look, i always like Tenor type voices. And i don't wanna calling as Baritone anymore. I am really bored about calling Baritone thing. Tenor sounding more light, more sweet and better i think. My voice is more heavier than him?
  10. Can you hear the difference? One is placed mainly back of throat, the other in the mask.
  11. What are some suggestions for exercises and repertoire for helping a student gain strength and control in their lower register? Also suggestions for going between chest voice and mixed voice?
  12. I've used slightly differently placements between these two clips. Can you hear the difference? I definitely prefer one over the other, at least for particular songs. I'm wondering how obvious the difference sounds, or if I am splitting hairs. Difficult to say, listening to your own voice. Please take a listen to the very short clips and let me know if you hear a difference and if you think it makes any difference! (We all know who the troll is, by now. I'll be ignoring him, as usual. I am not interested in his opinion. )
  13. How can you help teach a student to naturally let vibrato happen? For example if a student has been previously taught to sing with a mostly straight tone or reprimanded by people for singing with vibrato and doesn't know how to let it naturally happen, how do you teach that? Especially if it occasionally will come through in their lower register but they really struggle with it in the upper register?
  14. This is a recording from quite a few years ago. I figured that I since I keep commenting on other peoples singing I would give them a chance to pay me back. Good or Bad.
  15. Hi! I'm new to singing, but I really have received much feedback on my voice. I'm a little lost in direction with what kind of songs I should go for or if I am in the wrong genre altogether? ill provide some links to some songs that I have tried. I'm really really inexperienced and uneducated with music. I've never been through any vocal lessons, and I haven't been through a music class in my life. The only reason I'm giving it a try is when im at a karaoke night at a bar a lot of people tell me that I should really get into it? Let me know what you think and if I should continue? Also, genre and/or song recommendations are also greatly appreciated. Any and all feedback is welcome. Song Links: 1. Don't Know Why - Nora Jones: https://www.youtube.com/watch?v=WERaHzmllfo"]https://www.youtube.com/watch?v=WERaHzmllfo 2. Dream a Little Dream of Me - Ella Fitzgerald: https://www.youtube.com/watch?v=l9J0EmQp7T8"]https://www.youtube.com/watch?v=l9J0EmQp7T8 3. Let it Be - The Beatles: https://www.youtube.com/watch?v=fRCpFphs6b4"]https://www.youtube.com/watch?v=fRCpFphs6b4 4. Dock of the Bay - Otis Redding: https://www.youtube.com/watch?v=RV3t2YT2fhM"]https://www.youtube.com/watch?v=RV3t2YT2fhM
  16. I came across a very interesting discussion about whether "athleticism" can give somebody a head start when training as a vocalist. The main idea was that the core abdominal strength needed for breath control could be ready developed. Although the question itself was too broadly phrased, imo, for the replies to be conducive to much of a consensus, it did provide a means by which people could describe and compare breath control systems. (The discussion was on reddit). I think that "athleticism" is too broad a qualification. A weightlifter, for example, has to brace his abs, and even wear a belt. It seems clear to me that breathing technique in such a sport would not carry over to singing. However, people involved in other athletic activities also claimed that the breathing techniques involved may actually have hindered, not helped them, with breath support in singing. Some people even seemed to be suggesting that you lose the six pack, if you have one, and start rocking that potbelly! I see a lot of crossover between breathing for running and breathing for singing. Both involve filling the lungs from bottom to top. Both require the abs to make room for the descent of the diaphragm. Both involve efficient exhalation phase, so as not to recycle used air.. Both work the abs. The main difference I see is in the movement of the rib cage. With running, the movement of the rib cage is very active and preemptive. With singing, the rib cage moves more in response to the air pressure in the lungs, so it always applying light pressure on the lungs. (With running, the rib cage is actively pulling the lungs out in the inhalation phase, and bearing down considerably during the exhalation phase. With singing the rib cage is more or less "tracking" the lung expansion). That's my own experience. But some of the descriptions I read about breathing for running, i found quite odd, and could account for why some people felt that the abdominal strength gained there was not applicable to singing..
  17. Link: https://youtu.be/WERaHzmllfo This is my cover that i did of “Dont Know Why” by Norah Jones. Any and all feed back is welcome. Please review this song and let me know how you feel I did on my cover.
  18. For those who don't know. Freddie's birthday was 4 days ago. So I thought I'd do one of his songs (It's actually John's song but whatever) (Although a bit late). But here you go. Just to clarify, the harmonies are the original ones. I didn't have enough time to do 4x4 harmonies this time compared to other queen songs I've done. https://audiomack.com/song/diego-ktva/youre-my-best-friend
  19. It's been years since I last posted a cover her for review. Hope to receive feedback.
  20. Hello you guys! I am 17 years old from Honduras! Been singing for a few years. No really any formal training. So I have 3 covers in 3 different Genres. I have a lot more, but thought I'd show these recent ones. Feel free to critique as harshly as you want. You DON'T have to review them all. If you want to then that would be even better. Tell me what you think!
  21. Hi. I am really bored being Baritone. I am not sure i'm a Baritone or Not. But i have totally un-trained voice and i have also, fry voice problem by Acidic reflux. I have damaged vocal cords but still i can sing. I don't know i have to chance to become Lyric tenor? Or i am a tenor or baritone? When my voice health before, my vocal range: Full chest: E2 (Very weak and force low note) up to A4-B4 and with force alot C5 Mixed chest: I don't know this technique so i don't know. Falsetto: Max note G5 i only know (But screaming) (And my falsetto is airy and dramatic sounds like very Mickey mouse tone) Head voice: Very weak but max note C5 probably. Here is my some cover tests: This recording when my voice is health... (Old a little bit)