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Found 317 results

  1. kickingtone

    A siren

    My siren (it's getting to where I want it to be, but it is still work in progress) https://soundcloud.com/kickingtone/sah004rvp (I've deliberately allowed the harsh open tones at the high end of the scale, rather than alter the vowel.) NB It is all my own opinion, so don't let it turn into a slanging match as it has in the past. If you disagree, why not post your own siren and explain the differences. Objectives: 1. Throat, larynx, upper body and vocal tract should be completely relaxed and naturally posed. Nothing much going on there. 2. All effort is concentrated in the abs, trunk and diaphragm, regulating air flow and freeing the larynx. This should enable you to glide through the passaggio. 3. Maintain a single placement. Don't flip registration. 4. Keep effort uniform throughout. Any volume change (and it can be quite substantial) is caused by resonance shift only. 5. Sing on one vowel** but allow vocal tracts resonance shifting to cause its natural change in vowel. 6. Keep the siren slow. You should be able to hold abruptly at any point. 7. Relax. No "blasting" to force ascent at any point. 8. Control. No collapse on descent. 9. Both ascent and descent are important. 10. If you are running out of breath in the 20 seconds, your breath support is probably inefficient. ** But close the vowel to protect your vocal cords from damage if you find the vowel is too open to sing safely at higher pitches. A characteristic heady resonance may kick in at around A4 for males. It may not sound pretty. Don't worry. The exercise is taking you through the second passaggio. Don't let it become a psychological barrier.
  2. Nicole Chang

    What sound is this?!

    Hello, Im currently a student and i love singing alot, but i couldnt afford a vocal class and im facing this problem with my voice, and i dont know what is this or why it happen. is my voice broken??? https://soundcloud.com/nicole-chang-959104894/whats-this-weird-sound i sing with my head voice at the beginning, it starts at F3 and my head voice it very weak, then i tried changing from chest voice to head voice, it has this really weird sound. anyone can tell me why this happen? and how can i fix this? pleaseeeeeee
  3. In this Quick Answer, I talk about how to train to build consistency in your singing voice. Besides an important exercise, I also address the main questions that came up from my last videos about finding your voice and avoiding voice fatigue, bringing it all together.
  4. Hi all. I think I’ve posted this in the right place. I have a question about Bruce Dickinson’s modern day vocal technique. In these clips below (at about the 2:05 and 1:52 mark) do you think that Bruce is singing in head voice or chest voice? Im asking because in the original recording and early 80s live performances he sounds much more powerfull (obviously down to age) and less airy. The chorus of this is another good example of what I mean. (1:15) Im hoping that if so, I will be able to use my head voice so sing these, and with enough practice it would hopefully sound powerfull enough to still sound semi decent since I dont have the natural range that Bruce seemed to have in the 80s and 90s. Thanks, Keir.
  5. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page http://bit.ly/TVSEvents Download The Tour Poster HERE: http://bit.ly/TVSMCTourSpring2018 14-15 APR Ansbach, Germany http://bit.ly/TVSMCAnsbachGermany 21-22 APR Pescara, Italy http://bit.ly/TVSMCPescaraItaly 28-29 APR Cagliari, Italy http://bit.ly/TVSMCCagliariItaly 1-2 MAY Nimes, France http://bit.ly/TVSMCNimesFrance If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  6. I made one of these last year. What are you vocal or musical goals for this year? 1. Improve breath support, because it is something that limits me. 2. For me, the next on my list is range increase. I'm at the point now where my style would benefit by more range, and I think other things are now strong enough to where I can really focus on range. 3. Be able to play 7 songs on the guitar while singing. 4. Pick back up Piano lessons 5. Produce first cover song using audio software. 6. Continue learning songs by ear.
  7. Hey guys. re: True, which is why I train. Here's a quick video I made and uploaded to Youtube. It's me doing warmups. You see me pause a bunch at my breaks. Again, it seems like I sing better in Falsetto/high head. Enjoy, or, er, try not to have you ears bleed.
  8. 2 cats in a dust bin

    Techniques for memorizing a song

    I am sure I read something on the net about this, something to do with memory mapping or something like that Is it true?
  9. Hello , This is my first publication i little bit nervous i want to know your impressions about this song and Thank you !!
  10. This is a song I've been having my more advanced students study and work through. The guy has impecable technique through most, if not all, of the song. I usually use this as a great song for practicing tuning the formant when they get tired of going through the exercises. He rides the line between light-mass head voice and full voice all the way to belting, all the while keeping great placement. As some of you know, when you're tuned well (especially in head voice), adding in chest voice muscles, dampening, twang, distortion, and just about any other sound color is much more simple. This song is an incredible example of that tuning and manipulation of the voice. It's worth studying and attempting to mimic.
  11. Thevocalist

    FREE VOCAL EXERCISES

    Hey there! I just want to show you this website that has a bunch of free vocal exercises. Ive been using them for a couple of weeks now and they are really good! here it is: http://jacobsvocalacademy.com/vocalexercises/
  12. Indeed, but some people still think that if they knew the diagnosis and somewhat (in theory) how it could be treated, they would have attempted fixing their vocal issues by themselves… The fact is that any voice problem, by definition, is already an internal problem; and thus, has to be treated very seriously and by a qualified voice specialist. The work with a damaged voice is usually very detailed and very intense, which applies to both sides: The injured client and the voice repair specialist. The answer is: Dealing with something serious like that cannot be self-served. Nevertheless, one of the commercials on weight loss for men says: “If you could do it alone, you would’ve done it already.” - Harvey Brooker Indeed, but some people still think that if they knew the diagnosis and somewhat (in theory) how it could be treated, they would have attempted fixing their vocal issues by themselves… The fact is that any voice problem, by definition, is already an internal problem; and thus, has to be treated very seriously and by a qualified voice specialist. The work with a damaged voice is usually very detailed and very intense, which applies to both sides: The injured client and the voice repair specialist. Without the guidance of a highly qualified professional, it is virtually impossible for the sufferer to lift their voice and re-channel it into the different set of muscles altogether; and on top of that, put those muscles (facial and abdominals) to work in full conjunction and coordination with each other. The above formula would allow the person to release their vocal anatomy from the pressure of the sound; and thus, allow the bruised throat and the vocal cords to heal. Moreover, the person has to adapt a new way of speaking, as well as singing (where applicable). It could be very much so equivalent to the modification of a whole “blueprint” of the person in question. Let’s say that a “dancer” was dancing for quite a few years with the feet inwards instead of outwards. Nevertheless, the dancer had gotten used to it and even felt quite comfortable with it until such time that his/her ankles and knees started to give out. So now, we have to restructure the feet position in order to save the dancer’s joints; and, as a side effect, finally teach him/her how to dance complying with professional standards and how not to damage the structural components of their body. In this case, (and as well as in any other case), we will, first of all, be teaching the brain to think differently and translate that thinking into the physical body (first in the slow-motion and then on an “automatic pilot”, so to speak). This methodology has similarities with what’s called Neural linguistic Programing. The above discipline advocates that, via special skill application, it could change and “replace” the certain modality of the certain behavior in one’s brain. As you see, my reader, it sounds pretty complex. Therefore, it never ceases to amaze me when after just an introductory session, my potential client is revealing to me that he is ready to practice by himself and quite prepared to work really hard on his own…? I’m sorry to say, but I find that a little ridiculous (to put it mildly). It would be the same as if the person would meet with a brain surgeon, who (granted) would explain in reasonable details what exactly the surgical procedure would entail; and then the patient (who is in need of a brain surgery) would decide that he, somehow, would be able to perform it himself, on his own, and at home…? Sounds funny, doesn’t it? It does indeed. But I do hear it quite often and I hope that people are thinking that way only because of the financial strain and not out of complete ignorance. On top of it, some of them are going to regular vocal coaches to seek help with their injured voice. I consider the regular vocal coaches, at best, equivalent to a regular physician who knows something about (let’s say) brain surgery, but never got specialized in it. If in real sense, (God forbid) you would need brain surgery, would you want your family physician to perform it, or you would rather hire a highly qualified brain surgeon to perform it? The above is your quiz for today. Enjoy your food for thought! View full articles
  13. The answer is: Dealing with something serious like that cannot be self-served. Nevertheless, one of the commercials on weight loss for men says: “If you could do it alone, you would’ve done it already.” - Harvey Brooker Indeed, but some people still think that if they knew the diagnosis and somewhat (in theory) how it could be treated, they would have attempted fixing their vocal issues by themselves… The fact is that any voice problem, by definition, is already an internal problem; and thus, has to be treated very seriously and by a qualified voice specialist. The work with a damaged voice is usually very detailed and very intense, which applies to both sides: The injured client and the voice repair specialist. Without the guidance of a highly qualified professional, it is virtually impossible for the sufferer to lift their voice and re-channel it into the different set of muscles altogether; and on top of that, put those muscles (facial and abdominals) to work in full conjunction and coordination with each other. The above formula would allow the person to release their vocal anatomy from the pressure of the sound; and thus, allow the bruised throat and the vocal cords to heal. Moreover, the person has to adapt a new way of speaking, as well as singing (where applicable). It could be very much so equivalent to the modification of a whole “blueprint” of the person in question. Let’s say that a “dancer” was dancing for quite a few years with the feet inwards instead of outwards. Nevertheless, the dancer had gotten used to it and even felt quite comfortable with it until such time that his/her ankles and knees started to give out. So now, we have to restructure the feet position in order to save the dancer’s joints; and, as a side effect, finally teach him/her how to dance complying with professional standards and how not to damage the structural components of their body. In this case, (and as well as in any other case), we will, first of all, be teaching the brain to think differently and translate that thinking into the physical body (first in the slow-motion and then on an “automatic pilot”, so to speak). This methodology has similarities with what’s called Neural linguistic Programing. The above discipline advocates that, via special skill application, it could change and “replace” the certain modality of the certain behavior in one’s brain. As you see, my reader, it sounds pretty complex. Therefore, it never ceases to amaze me when after just an introductory session, my potential client is revealing to me that he is ready to practice by himself and quite prepared to work really hard on his own…? I’m sorry to say, but I find that a little ridiculous (to put it mildly). It would be the same as if the person would meet with a brain surgeon, who (granted) would explain in reasonable details what exactly the surgical procedure would entail; and then the patient (who is in need of a brain surgery) would decide that he, somehow, would be able to perform it himself, on his own, and at home…? Sounds funny, doesn’t it? It does indeed. But I do hear it quite often and I hope that people are thinking that way only because of the financial strain and not out of complete ignorance. On top of it, some of them are going to regular vocal coaches to seek help with their injured voice. I consider the regular vocal coaches, at best, equivalent to a regular physician who knows something about (let’s say) brain surgery, but never got specialized in it. If in real sense, (God forbid) you would need brain surgery, would you want your family physician to perform it, or you would rather hire a highly qualified brain surgeon to perform it? The above is your quiz for today. Enjoy your food for thought!
  14. Teaching both contemporary and classical students, do you have any recommendations of a comprehensive sources for vocalises? Instead of a resource to teach singing, think of it more as a supplement for a teacher to pick vocalises from for the student. As boring as a book like that might be, I need something like that. And because I'm working with classical teachers and other contemporary teachers as well, the more exhaustive and general terminology, the better. They don't all follow the same pedagogy. I was originally just going to ask @Robert Lunte, but I figure a lot of you might have recommendations.
  15. So I just got the program today, and will pursue it throughout the summer, posting my progress here. I did some track and track exercises today, and I can tell I have quite a bit to work on. My voice is also quite bad right now, as I think I have bronchitis, so I'll keep the singing/vocalization to a minimum until I get fully better, and won't post anything new until my voice is back at 100%, but I can post this siren I did a while back when I wasn't ill. I hope you guys can give me some feedback http://vocaroo.com/i/s1Pm6POhAyI4
  16. Version

    0 downloads

    Joanna Cazden, MFA, MS-CCC, is a speech pathologist specializing in voice rehabilitation and a respected advocate for holistic, multi-disciplinary voice care. Joanna offers private services in voice rehabilitation and training, workshops and master classes for voice students, and seminars for speech pathologists and vocal arts teachers. Joanna also sees voice patients by medical referral at Cedars-Sinai Medical Center's outpatient Voice program. Helping to found this program in 2001, she has treated well-known pop singers, actors, broadcasters, and musical-theater artists. She was a clinical instructor for ten years at California State University, Northridge (CSUN), and has presented scholarly papers at major voice conferences in the USA UK, and Mexico. In 2004 she was named a Fellow of the California Speech and Hearing Association, an award that honors excellence in clinical service, teaching, and community service. Joanna released six solo albums between 1973 and 1997; her first album, The Greatest Illusion (1973), has been re-released internationally. In 2000 she joined Pete Seeger and other folk luminaries on "Folksongs of the Catskills," an ensemble CD later featured at the Library of Congress. She organized the first panel on Health Issues for folk performers, at the 1992 Folk Alliance Conference, and has won numersous singing and songwriting awards. Joanna studied voice with Ellalou Dimmock, Natalie Lemonick, and Jan Pederson. She holds a BA in Drama from the University of Washington, an MFA in Acting from CalArts, and an MS in Communication Disorders and Sciences from CSUN. In 2006 she was certified by Catherine Fitzmaurice as an Associate Teacher of Fitzmaurice Voicework. In addition to her expertise in voice, Joanna is an advanced practitioner of the Reiki and Theta healing systems, and a longtime student of yoga, meditation, and bodywork. These tools are integrated into her voice and speech services according to the individual's interest and needs. Joanna Cazden www.VoiceofYourLife.com

    Free

  17. Version

    0 downloads

    With a teaching career that spans nearly four decades, Jeannie Deva is an international celebrity voice and performance coach, published author, clinician, recording studio vocal producer, trainer of voice teachers and originator of The Deva Method® - Complete Voice Training for Stage and Studio.As a graduate from Berklee College of Music in 1975 with a degree in Composition and Arranging, Jeannie assisted in establishing the college's voice department and later became President of Berklee's Alumni Association for ten-years. Voice teachers around the world base their teaching on Ms Deva's method from her published books and CDs. She is featured on the acclaimed video The Vocalist's Guide to Fitness, Health and Musicianship by Internationally respected music educator Julie Lyonn Lieberman and distributed by Hal Leonard. Jeannie Deva www.JeannieDeva.com

    Free

  18. Version

    6 downloads

    Robert Lunte is the owner founder of the The Vocalist Studio International www.TheVocalistStudio.com, an Internationally recognized voice training school for extreme singing vocal techniques and advanced vocal instruction. Robert is also the author and producer of the critically acclaimed vocal instruction training system, “The Four Pillars of Singing”. TVS techniques are shared around the world by voice teachers as part of the TVS International Certified Instructor Program, which is one of the fastest growing vocal organizations of highly trained voice coaches in the world today. Robert is also the founder of The Modern Vocalist World www.TheModernVocalistWorld.com, the #1 online resource for vocal education and networking on the internet. This download include four separate interviews of Robert Lunte. www.TheFourPillarsofSinging.com

    Free

  19. Kevin Ashe

    Vocal Student Poll

    Muffinhead suggested this poll in response to the Vocal Coach Poll I did earlier. I liked the idea, had the day off and through this together. The aim of this poll is to give a chance for more advanced singers to encourage beginning students of singing, and convey a vision for the dedication it takes to get the singing voice you desire. Hopefully no self proclaimed "singing sensations" who are actually beginners, will vote and hack the results. We got nobody hangin' out in TMVW like that though right?! no worries. The idea is, if you have dedicated yourself to training (with a coach & on your own) your singing voice for many long hours, and truly have had your talent confirmed by cheering crowds, and many genuine compliments, vote.
  20. I am not sure if this is the right place to post but I have got some questions.. I am a contemporary singing teacher (Mainly Jazz and pop) and relatively new to the grading system in England and am confused with all the different exam boards. What their strength and weaknesses are. I have got a few students who would like to do grades all with different intentions. I have been doing some research but I am not sure if the information I have found is right as I have never done grades like this. I would really appreciate some opinions on the pro's and cons between the different exam boards? Trinity College, ABRSM, Rockschool, LCM What I have found so far: ABRSM is regarded highest and Trinity very high as well. However ABRSM does only have classical singing. Some say ABRSM is better than Trinity, however others say Trinity is more modern. relevant to a wider range of musical styles and have a better progression through the composition and harmony elements. Rockschool is indeed a different organisation from Trinity Rock/Pop. I recommend to take Trinity College Rock/Pop instead of Rockschool. It doesn't matter too much but it is regarded better so you might as well go for Trinity College. (Trinity books are cheaper than Rockschool books too. ) LCM is less well known. However it is good as well and has a Musical theatre grade system what you really like! You can have a look on their syllabus: https://www.uwl.ac.uk/sites/default/files/Academic-schools/London-College-of-Music/Web/LCM-Exams/PDF/Subjects/Singing/music_theatre_2013.pdf So in short; ABRSM is best for Classical singing, Trinity college Pop/Rock has best Theory and Pop/Rock singing, LCM for Music Theatre. Do you have some comments on above? They would be a very big help! Best regards!
  21. muffinhead

    Motivational Video

    I just watched this video, which is in TFPOS, and thought I would share it with you guys. It really makes me want to prove others wrong.
  22. I have a question about the foundation building routine, in particular the track and track exercises. How high am I supposed to do these until? I think the backing track goes until high C, but I can't produce anything except falsetto after G4. Is falsetto not OK for this exercise?
  23. Step 1. · Identify the vocal problem itself in order to get your voice back. Perhaps, you have noticed that your voice (Speaking and/or singing) is not working in the same capacity as it once was. Obviously you are puzzled and concerned. At this point, you have to come to terms that something is not the same and begin to accept that fact. Step 1. · Identify the vocal problem itself in order to get your voice back. Perhaps, you have noticed that your voice (Speaking and/or singing) is not working in the same capacity as it once was. Obviously you are puzzled and concerned. At this point, you have to come to terms that something is not the same and begin to accept that fact. Step 2. · Identify the cause of such occurrence. Please try to analyze what could have caused your voice problem in the first place. Please try to “rewind” all the possible facts, which could have lead to such an ordeal. You might think of any medical/surgical procedures you might have undergone in the not very distant past. You might think of a ball game you might have attended with your kids, or a concert of your Idol singing. In this instance, you would possibly be able to recall how excited you were then, during the events, & how loud you were cheering for the performers in the field. Also, it probably would not hurt to look at your personal relationship with your spouse and your children. Have you been shouting a lot lately? Have you, perhaps, been under a lot of stress at work and/or at home? All of the above factors (and many others) could easily aid to a voice problem. When you are in the moment, you are not paying attention how loud you speak or scream. The consequences will haunt you later. Step 3. · Do not ‘sugarcoat’ your feelings; rather, embrace it with a grain of sault. That alone will help you immensely to get your voice back in a fast and efficient manner. When you start experiencing some changes in your voice, please DO NOT pretend that nothing happened and do not convince yourself that it is just temporary and you will feel better tomorrow. Unfortunately, you might not feel better tomorrow, as the damage has already been done and it will not go away on its own. It might require some further investigation and medical (or alternative) assistance. Step 4. · Outline your goal for the best possible recovery of your vocal problem and enjoy getting there. Once you are able to face the fact that you do have a vocal problem, please embrace this fact and outline the goal to get your voice back. It might, not necessarily, be an easy road, but please try to enjoy the process towards achieving your main goal – getting your voice back. View full articles
  24. Step 1. · Identify the vocal problem itself in order to get your voice back. Perhaps, you have noticed that your voice (Speaking and/or singing) is not working in the same capacity as it once was. Obviously you are puzzled and concerned. At this point, you have to come to terms that something is not the same and begin to accept that fact. Step 2. · Identify the cause of such occurrence. Please try to analyze what could have caused your voice problem in the first place. Please try to “rewind” all the possible facts, which could have lead to such an ordeal. You might think of any medical/surgical procedures you might have undergone in the not very distant past. You might think of a ball game you might have attended with your kids, or a concert of your Idol singing. In this instance, you would possibly be able to recall how excited you were then, during the events, & how loud you were cheering for the performers in the field. Also, it probably would not hurt to look at your personal relationship with your spouse and your children. Have you been shouting a lot lately? Have you, perhaps, been under a lot of stress at work and/or at home? All of the above factors (and many others) could easily aid to a voice problem. When you are in the moment, you are not paying attention how loud you speak or scream. The consequences will haunt you later. Step 3. · Do not ‘sugarcoat’ your feelings; rather, embrace it with a grain of sault. That alone will help you immensely to get your voice back in a fast and efficient manner. When you start experiencing some changes in your voice, please DO NOT pretend that nothing happened and do not convince yourself that it is just temporary and you will feel better tomorrow. Unfortunately, you might not feel better tomorrow, as the damage has already been done and it will not go away on its own. It might require some further investigation and medical (or alternative) assistance. Step 4. · Outline your goal for the best possible recovery of your vocal problem and enjoy getting there. Once you are able to face the fact that you do have a vocal problem, please embrace this fact and outline the goal to get your voice back. It might, not necessarily, be an easy road, but please try to enjoy the process towards achieving your main goal – getting your voice back.