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Found 34 results

  1. Hi Everyone! I can't figure out how Ed adds that raspy, kind of distortion thing to his voice on high notes (G#-A#). The Best Example is a chorus of his song Dive.... It's driving me crazy, I've been trying to imitate, I've been asking some vocal coaches... nothing, for the past half a year... Please, if you have a hint, may be you've seen a video on YouTube regarding this... Appreciate in advance!
  2. So, I finally have a technique question. I saw a video about grunting and I essentially was able to work it into a growl that I can apply to singing. I can consistently do this now, but I know this can be harmful if done wrong, so I was wondering, to those who believe they are doing this right, and can consistently do this and have never had any problems, how does it feel to you? I've experimented with it, but not used it a whole ton. I've gotten it to the point where I barely feel it very little, if at all. Just looking for experiences to compare it to.
  3. I'm having a lot of trouble auditioning speakers, to the point where I'm beginning to think it might be a defect in my hearing. After a long absence from the classical listening I grew up with, I now find the sound of recorded upper vocal registers to contain so much distortion as to be intolerable. (No, I've never abused my hearing. But for decades I've lived with unrelenting tinnitus, of the variety which sounds like the steady high frequencies which used to be produced continuously by CRT TVs. And yes, I'll eventually seek professional medical consultation, but first I want to confirm that the vocal distortion I'm hearing is not my imagination.) I've tried listening to numerous recordings of respected singers on respected labels. Finally I decided I needed to listen to live in-person performances to eliminate the technology variables. But I've been to two performances in the last ten days (one a-capella choral, one Handel opera with chamber ensemble), and both venues were much too reverberant. Suitable live performances can't be summoned on-demand. So I'm looking for a recording of a solo soprano, preferably unaccompanied, preferably single-mic'ed, in a very "dry" venue -- a low-reverberant room, or even outdoors. P.S. -- I've already looked in my local libraries for recorded items like exercises or lessons for singers.
  4. Something I have been thinking on lately. I really see good basic, supported, open throat singing as the real basis for good rock singing. I see a guy like Paul Rodgers being almost the ideal base model. Learn that base and THEN add on or go into other directions such as Plant/Cornell As far as actual difficulty or skill level of various classic rock/metal singers, I see it sort of as follows starting from "easiest" to hardest: (of course, ALL of these guys are great and all of it is hard to get close to!) Paul Rogers-----> Robert Plant, Chris Cornell, Rob Halford, Geoff Tate-----> Bruce Dickinson, Dio My reasoning: Paul Rogers has a great tone and in general he "just sings". He doesnt go out of his way to do anything fancy or overly impressive, yet he does sing with a nice tone through a decent range Plant, Cornell, Halford, Tate. These guys are more varied and may generally have a higher tessitura etc, but some of it isnt THAT hard to sing because it gets into a released type of headvoice sound. Some if it can be emulated without a ton of physical effort Dickinson/Dio. Okay, these guys can be ridiculously hard to emulate. IMO you have to actually have the strength built to sing like these guys. ESPECIALLY Dio. This is like bench pressing 315 lbs. Reading a book or finding a "trick" wont get you to bench 315. You have to put in the time and work up to it ITS HARD TO FIND DECENT COVERS OF DIO, EVEN FROM OTHER PROS!!! That says a lot Some of Dios songs are in a higher range than what u might think....yet he still has that beefiness and somewhat "round" tone. You can tell there is a lot of support. Yet when u see him on live clips it doesnt seem that hard for him. Of course by the time any of us heard of him he was at least up into his 30s with a lot of mileage under his belt so he had that technique and strength down solid So that leads me to this video where the guy shows 2 approaches to singing "Rainbow in the Dark" To my ears, the first version is way closer to Dio. The 2nd version isnt that close So this is the hard part. Can one get that sound WITHOUT the really strong supported style?? Like the guy in the vid said, he was exhausted by the time he got to the 2nd verse etc. Is it then just a matter of one having to build that strength over time?? Here are a couple of covers by guys that do GREAT covers....but they dont get that close to Dio IMO. to my ear, both of these are a little "lighter" than Dio. So therein lies the dilemma. How to get that powerful compressed sound yet stay sort of "round" yet also still be light enough to sing into decent higher range?? Even good old Ken, who promotes strongly supported singing etc....sounds rather strained while attempting the Dio stuff. Doesnt really sound like Dio at all and this guy. Great singer, huge range etc. 2.4 million subs. Doesnt sound anything like Dio though Felipe gets pretty close, which is impressive since he has to fight his natural accent and sing a second language etc. Felipe's tone is pretty warm generally too AFAIK Jorn is about as close as ive heard and even then there are some slight differences. Jorn seems a tiny bit scratchier whereas Dio could be really clean while still sounding huge So was Dio just a mutant or did he just build great strength and control over time? here he is live. assuming this vocal is indeed live lol Im seeing him using decent support and lots of resonance. In other words it seems as if he is pushing a lot of air up with a generally open throat....letting that air find good resonance up in the head etc, as opposed to physically trying to squeeze with the throat. of course I may be totally wrong lol His speaking voice already had that sort of warm round tone to it so maybe he just got lucky and learned to sing with power with his natural round tone Anyone have any ideas or want to discuss?? Peace, JJ
  5. Robert Lunte & RØDE Microphones present four weeks of vocal training in Germany, Italy and France. April, 2018. For information click the links below or reach out to the people tagged in this post. See you in April! TVS Events Page Download The Tour Poster HERE: 14-15 APR Ansbach, Germany 21-22 APR Pescara, Italy 28-29 APR Cagliari, Italy 1-2 MAY Nimes, France If you have any questions about the event or private lessons, contact me on my personal email or here at TMV World. I look forward to helping you with your singing. You will get results, guaranteed.
  6. After my last cover being an older R&B style, I thought I would go for a heavier rock this time. At the suggestion of friends, I chose Devy Metal. I'm very comfortable with the style normally, but I'm definitely not used to using so much grit. I usually only use grit as an occasional effect. Also, singing the F4 and G4 with a solid grit can be extremely difficult. Up to E4, no problem. A4 and above, no problem. F and G, ugh. The moment you do it wrong once, it's extremely easy to start pushing and grinding. With my students and friends, that range in grit has it's own name, "F'n G." You can get used to it with practice, but it takes time - and I didn't practice this song for very long. I tried to do a second take of the whole song, and immediately hit my throat when doing grit. Everything went downhill from there. So, what you see in this video is another single take with two camera angles. I did overdub two small parts, but only because I said a couple of words wrong since, apparently, I didn't fully know the lyrics yet. The other guy in the video, Charlie Munro, I found at random when trying to find an instrumental for the song. The only instrumental I found, he had done all the music for and uploaded to SoundCloud. I asked him if I could use it, and the next thing I know, we're doing a video together. Cool guy, great studio engineer and guitarist. All in all, it was a lot of fun, and a cool challenge to take on. I'm working with Robert on a couple of online courses specifically for grit and screaming, so I figured, "why not go all out?" I'm happy to answer any questions you might have about grit and screaming.
  7. So today I figured out how to do false fold distortion on top of my singing voice. What surprised me is that it feels almost easier than singing clean! It actually felt like a warm up and singing clean was easier afterwards! A lot of support work. I have this idea, is false fold distortion (overlay) not a semi-occluded phonation? A supra-glottic resistance which would take pressure OFF the voice in the same way a lip trill would?
  8. Lucky for me, I healed in two days! Yes, this is a personal story, a cautionary tale of the vocal danger of over confidence, which can fuel lack of training, and lead to injury! It's a slice of humble pie for me to tell about this, especially with the influential voice of TVS & this TMVW community always echoing in my mind. So here's what shut off the echo (my excuse). A friend of mine gave me a call to invite me to jam with an old cover band he is considering reforming. I had not had the chance to jam with local musicians since I was last living where I am now some 8 years ago. Back then, my friend (the drummer), had me sing as a temporary fill in for his band since I couldn't commit to long term at the time. I was amped about singing live hard rock with some talented players! On the way to the jam, in the car, I made a feeble attempt at "tracking" (nasals) with the radio. Failed to get a proper sound check and sound level. I walked in to the rehearsal room (garage studio) and within a few minutes, the PA was flipped on, the guys were warmed up and I chose this song off the set list on the wall, an old favorite to start off the night: Song went great, these kats are tight! I was having a good time yet, as soon as we were done with that song I knew instantly I had very little passaggio left! I could feel it when I would just softly sing a scale. I told the guys the bad news, THEN had us get my mic level right, and was expecting the jam to be ruined however, I was surprised to discover that the songs we then played, I was able to gimp through them relying only on M1 and the upper end of M2. The guys said, "dude you sound fine, there's nothing wrong with your voice!" That gave me a chuckle and I proceeded to tell them a brief explanation of passaggio. Then, the last song we played for the night helped them see exactly what I was talking about. The guitarist (who could sing quite well) had to take over. Much of this song is in the passaggio for me. I was quite bummed as I'm a big Adams fan, love singing any of his tunes! So, In my defense, I was sort of swept off my feet in the excitement of getting to jam after years of missing it! I forgot the most basic elements of protecting the voice from damage. Singing too loud (due to no sound check, lead vocal mic too low), with distortion, WITHOUT proper appaggio (mainly diaphragmatic support) I've got no real excuse in forgetting to support, complete failure as a vocal athlete. At least I can say, it won't happen again! So there's that, don't do what I did! Sing every day! Always sound check! Train, Train, Train! peace, k
  9. Robert Lunte and producer Jason Shavey mixing a new song, "The Fool That's Now Forgiven". Just a casual behind the scenes video of two guys working on a great song. This board is an SSL4000g. The microphone was an ADK U67. Enjoy!
  10. Hey everyone its been ages since I last posted here, but since then i picked up ken tamplins course (which in its own way has helped with a lot of things) But I do have a couple questions that I think are related but I may be completely wrong. First question i have is what sort of sensation should i feel while singing with my diaphragm? I think ive been doing it right however I dont know quite how it should feel. Ive been doing the inhale and belly expands and then as i sing/ exhale my belly goes back to normal. but I dont know if thats all there is too it or if im supposed to be using certain muscles in my core. if so which ones? The other question ties in a bit as through said course i took they mentioned "leaning" into the sound to get a distorted tone. I had no clue what that meant so I went to good ol youtube to look up metal screaming tips (figured that would be for the extreme cases) so they talk about pushing with my abs (sort of) really hard and it will distort my voice through my chest not my throat. all that, that has done for me is make me louder and at points hurt my throat. So any input or suggestions for this would be greatly appreciated as I dont really care for messing my voice up lol. Thanks
  11. Hi everyone im daniel,l im newbie in this forum, so yeah i started to sing early this year inspired by singers like jonny craig n tyler carter, one thing i noticed about jonny craig is that when he tries to sing high there is a little distortion, this is one of my favorites songs by him, u can hear that grit almost all song, i mean i can sing high but that exactly technique is what is hard for me,im self-taught so i dont have i coach so, i wish u could help me or at least understand it n how to perform it or develop it,
  12. This semi-old timer has always had a beautiful raspy tenor vocal quality! He must be singing safely yes? He's been doing it all these years! I've posted some nice samples of his work with The Gypsy Kings. For those who don't know who they are, a real cool "Rumba Flemenca" style band made up of two sets of three Brothers who are cousins. All very talented guitarists. Nicolas (lead singer) plays a right handed guitar upside-down and backwards. In some ways they are similar to Mumford & Son's in that, after a while the rhythm of all their guitar parts sound the same. This first video, he's just sitting around in some kitchen with family & friends (I presume) and starts singing to the camera. Somebody at the table picks up the harmony along the way. Couldn't be more raw. Love it. The other video's are a couple of my Gypsy King favs. Great example of distortion in a non-rock setting. I wonder who taught Nicolas that awesome distortion technique? Not to mention all those incredible runs! talented bastard!
  13. I had mentioned this singer "Chris Stapleton" in another thread. Thought I'd share this video/song he recently published. I was really struck by the numerous examples of solid vocal athleticism that arise in this performance. I try not to overanalyze every good vocal too often, cuz sometimes I loose the "soul" of the song in my ear from all of the deconstruction I use to understand the vocal. Couldn't resist on this one. Still "hearing the soul" to date. I've tagged all the key words that I believe I recognize "done well" in this composition. Personally, I'm most impressed with his mastery over what I would assume are the critical configurations which bring great resonance with comparatively low level respiration. I'm convinced that, with the best possible formant, combined with the strength support of skilled appoggio, the "illusion" of a belt is created. He is singing at a relatively low volume yet, the intensity of his voice is sustained. The same nuance is applied to his vocal distortion, which he employs mostly in the higher notes. Those are my impressions.
  14. I've been an instrumentalist for a long time, but recently started training with a vocal teacher for the first time ever. She's a classical person, and knows her stuff there, but is flat-out against all breathy tones and dirty tones as impossible to do healthily. Moreover, she's telling me I have a big opera Baritenor kind of voice, completely unsuited to rock/metal vocals, as most rock singers have very thin voices. I wonder if she is right or not (She also says pretty much 100% of all 'those singers' shred their vocal chords and sing over nodules they develop and get surgery or steroids behind the scenes to keep them going - don't know if anyone here would like to challenge the veracity of that?) One of the reasons I went to her was because I had no earthly clue how to do some of the things I was hearing from my favorite vocalists. I could do my 'quasi-opera' voice, I could do a decent impression of Meatloaf and big clean tones like that. But Soundgarden/Chris Cornell type vocals? Nope. Dio or James Hetfield? Not a chance. And death metal cookie monster stuff? No way. I can't even imagine where in your voice that comes from, I seem completely incapable of doing that, or in general putting any hair on my tone at all. I thought I was just missing the technique, but is it possible I just don't have a voice conducive to that type of thing?
  15. Does professional and the vibrant and pleasant vocal tones develop over a long time? I am not currently satisfied with my range and tone especially and I want to be able to develop more and more. How is he able to manipulate his tone so well comparing the first two videos and third video? It's almost as if he's two different singers.. Personal questions: I have been singing for a while now but only recently throughout 2016 I have "Properly practiced" getting rid of my bad habits, fixing tone, pitch, etc. 1. Is it normal that after I started to do so, my range increased VERY FAST. In a span of 4-6 months, I am able now to reach the notes he is singing that otherwise BEFORE I would just choke and sound like I am shouting. Just curious because I am worried I might be destroying my voice by pushing it too hard. There are times before I damaged my voice by improper technique which I guess somehow made my voice range increase as a short cut? is that even possible? I tend to just go all out when I sing right after doing my workouts. Example song I practice is the first video I post below.. ( I am currently using Ken Tamplin's workouts, if that is helpful in any way). ONE IMPORTANT thing to note is that as I go up in pitch and shed my weight, It feels like the TONE of my voice gets higher as well. It's like I sound chesty in the lower ranges then suddenly like little kid in the higher ranges. I also tend to MIMIC singers for a long time... sadly.. is it normal that I am mimicing their style in every different singer? I feel like it doesn't sound "right" if I don't sing with their TONE. 2. As I go higher in pitch, is it normal to feel like something in my mask/palate area to NARROW DOWN? It feels like my mask area is flexing and my chords are very tightly closing. IT ISN'T PAINFUL. Or is this improper technique? Am I suppose to feel COMPLETELY OPEN? When I try to keep it completely open it feels like my voice goes SPLAT and airy and it hurts. Sometimes I feel like I am overwhelmed wondering if I am singing right or am I singing improperly even following his lessons and achieving growth. Anyways heres, the singer. How is his technique? It'll be awesome if there are some veterans or experienced singers to guide a newbie like myself to achieve this versatility in terms of programs and what I need to do. How does everyone here see Ken Tamplin's program?... Thank you!!
  16. Rob Halford, 65 today. Super iconic singer some songs and vids I grew up on This one also happens to have a "model" guitar solo Insane vocals
  17. Also, what does vocal distortion mean exactly? Because I put this question in this tag, but I'm not really sure if it belongs in this tag.
  18. this vocal affect I'm not sure how it works but it seems similar to distortion and vocal fry. I've been able to mimic it and want to continue to expand its use but lately I can't recall how to make it happen. listen to the wobble In the first line 'I found god on the corner of first and amistod', what is that is it compression? does it have to do with nasality? I notice it usually shows as vowels approach the nasal syllable n. Perhaps it's a pharyngeal wobble/vocal fry? another example if you skip to 3:38 on the word gone
  19. Hello, I'm desperately trying to emulate the hard vocal style of Maynard James Keenan for a cover of "Passenger". I know i'm not a natural tenor, but the notes -- the fry scream sound -- it's all there. Just not the chest-like fullness of his voice during the chorus. Mine is like a whisper of my chest voice, then the head voice, and then a powerful, raspy fry (think "Sail" or Manson's scream). My guess is that most people who try sing this song fail because i've never heard a good cover : /
  20. In Vocal Science Uk ,Our voice repair specialist give you treatment ,without any surgery . visit us or call to cure you all voice realted problem. Call us at - 416-857-8741 Mail us at-
  21. So my previous singing teacher/vocal coach of a couple of years is holding singing auditions for a production and she told me it'd be great if I could audition but the songs in the actual play that I'm auditioning for has a lot of old rock songs with the growling voices and distortion and well as 90's pop and soft rock. Problem is, I've been Estill trained since the very beginning, and I've been taught that I shouldn't growl too much because it requires constriction of my false vocal cords (or the newly discovered way with the aryntinoids which I know nothing about), so while I can do it, I know that even if I do it for the auditions, I'll not be able to withstand the growling constantly during the actual show. Do you guys think that I can get away with doing a 90's rock ballad or adding growl-like sounds through glottal attack instead? Thanks so much!
  22. Robert Lunte - "Nocturne" I love this song, I hope you do too... Some of you have heard this. This is the Final production. Special thanks to my team Zack Uidl, Jason Shavey and Clay Copeland.
  23. Happy New Year! A song I wrote with and produced with "Thin Black Line". Engineered at Synergy Productions. Probably influenced a bit by Peter Murphy's album, "Deep", which is is characterized by rich, baritone sound colors, minus the super high screams of course because Peter Murphy doesn't scream like this. Hope you enjoy it. To learn more about TVS training, check out our program for singers here: Cloud Burst, from unlit skies cloud bust, from unleht skuh-eez Onward – Way ward lives Now pretend, until you overcome Now Prehtend, un tell yuh ovuh come And decent, Hide from everyone hand dehsend , hud from everyone chorus I would be your eyes I well beh yuh uh-eez When you look away, and I When yuh luck uh weh Would be your dreams Wud beh yuh-r drehms At the Break of Day, and… hat thuh brehk ov deh hand I would be your fear) I wuld beh yuh-r fehr On the night we pray and I………. Hon duh nuh-eet weh prey hand duh-ee Now wonder, where secret lies And hunger - Until you realize Chorus I would be your eyes I well bay yuh uh-eez When you look away, and I When yuh luck uh weh Would be your dreams Wud bay yuh-r drayms At the Break of Day, and… hat thuh brehk ov deh hand I would be your fear) I wuld beh yuh-r fehr On the night we pray and I………. Hon duh nuh-eet weh prey hand duh-ee I!!!!! HI am this life W&R Onset I am this life I am this LIFEE!! I am this life I am this life I am this LIFEE!!!!!!!!!!!!!!!!!!! Solo---------- 3:17 SCREAMING!!! I would be your eyes When you look away, and I Would be your dreams At the Break of Day, and... I Would be you your fear On the nights we pray and I………. I am this life X15
  24. Hi there! I am new to this forum but I am going crazy and I need an analysis of technique or opinions of this singer! (Specifically 2:47 - 3:05) How is he able to pull so much weight up sounding full without narrowing his tone into (best way I can describe it) a little boys voice?! Compared to the 2nd video where (same song and singer) he just transitions to (correct me if I'm wrong) to mixed/head voice. or is he doing something completely different? (2nd video : 2:34 - 2:47) The singer is Korean! Thank you!
  25. I'm having trouble replicating the screams of this singer (Tyler Joseph of Twenty One Pilots). Does anyone know what technique he might be using to scream? Whenever I try I just end up with a sore throat. How is he able to scream without damaging his vocal chords? And how does he scream that high and sing screaming? Thank you!