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Showing results for tags 'vocal programs'.
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Which vocal course is best? (I want sing mainly rock - from art rock, blues rock, swing to heavy metal but too can sing most of music genre) I hear (mostly) good opinions about: Ken Tamplin Vocal Academy and course '' How To Sing Better Than Anyone Else '', Kevin Richards (Rpm Vocal Studio) and course '' Breaking The Chains '' ''Superior Singing Method'' of Aaron Anastasi And '' Singing Success 360'' of Brett Manning What do you think about these courses and which is best and help me 'increase' my voice? - Lyssie
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http://d5542gs7r25y1pf9wogqueiq8r.hop.clickbank.net/ Learn from the best to become just like your Idols.
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I thought this video was fascinating! Just had to share it! k -
COMPLETE THE POLL ONLY IF YOU HAVE ACTUALLY EXPERIENCED THESE TRAINING PROGRAMS -
Ms. Diana Yampolsky is one of the world's foremost specialists on the topic of the human voice and is the creator of Vocal Science(TM), a unique and truly revolutionary accelerated vocal development technique. It is a holistic and scientific approach to voice mechanics that enables all singers and speakers to reach their full potential in an extremely short period of time. Based in Ontario, Canada, Diana works with a worldwide spectrum of clientele as a Vocal Coach/Consultant, In-Studio Vocal Production Expert and Non-Surgical Voice Repair Specialist.If you feel that you, or a loved one, may be suffering from such voice disorders like Spasmodic Dysphonia, contact us: info@vocalscience.com | 416-857-8741 -
The term Muscle Tension Dysphonia is a general term which could be associated with an imbalance in the muscle’s coordination and breathing patterns required to create a voice. Muscle Tension Dysphonia (often called MTD) may occur on its own, or as a result of a strained voice being pulled into the neck muscles. The reason behind this disorder is not always clear. It may be triggered by allergies, illness, acid reflux or whichever other means... Symptoms - The most common symptoms for this disorder is a change in voice quality, often associated with discomfort of the vocal cords (or voice box) while speaking or singing. Also, almost always, symptoms like hoarseness and rapines will be associated with an increased effort to talk or sing, coupled with subsequent fatigue during continuous voice use. Treatment - There is an alternative form of voice therapy which is the gold standard for the treatment of Muscle Tension Dysphonia. There are no other known treatments (outside of the Vocal Science™ Method and Technique) that can restore the muscle balance in the vocal mechanism. With that said, this unique form of therapy will help alleviate the above vocal symptoms. Ms. Diana Yampolsky is one of the world's foremost specialists on the topic of the human voice and is the creator of Vocal Science(TM), a unique and truly revolutionary accelerated vocal development technique. It is a holistic and scientific approach to voice mechanics that enables all singers and speakers to reach their full potential in an extremely short period of time. Based in Ontario, Canada, Diana works with a worldwide spectrum of clientele as a Vocal Coach/Consultant, In-Studio Vocal Production Expert and Non-Surgical Voice Repair Specialist.If you feel that you, or a loved one, may be suffering from such voice disorders like Spasmodic Dysphonia, contact us: info@vocalscience.com | 416-857-8741 View full articles
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I was updating my website today and thought I'd add a new product for the fun of it. I don't know if I'll do this forever but as of right now I guess i'm a vocal coach. anyways..... if you're interested http://jaromeubanks.com/merch/c9om5vie7lbht7buj4v4o428wutdbc
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Hey guys I'm going to be producing a weekly vocal tip video series starting end of January. Honestly I've never really watched any of these type of series and was wondering if there were any topics people wanted covered. If it's something I have experience with I will be happy to oblige. Thanks so much.
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Does professional and the vibrant and pleasant vocal tones develop over a long time? I am not currently satisfied with my range and tone especially and I want to be able to develop more and more. How is he able to manipulate his tone so well comparing the first two videos and third video? It's almost as if he's two different singers.. Personal questions: I have been singing for a while now but only recently throughout 2016 I have "Properly practiced" getting rid of my bad habits, fixing tone, pitch, etc. 1. Is it normal that after I started to do so, my range increased VERY FAST. In a span of 4-6 months, I am able now to reach the notes he is singing that otherwise BEFORE I would just choke and sound like I am shouting. Just curious because I am worried I might be destroying my voice by pushing it too hard. There are times before I damaged my voice by improper technique which I guess somehow made my voice range increase as a short cut? is that even possible? I tend to just go all out when I sing right after doing my workouts. Example song I practice is the first video I post below.. ( I am currently using Ken Tamplin's workouts, if that is helpful in any way). ONE IMPORTANT thing to note is that as I go up in pitch and shed my weight, It feels like the TONE of my voice gets higher as well. It's like I sound chesty in the lower ranges then suddenly like little kid in the higher ranges. I also tend to MIMIC singers for a long time... sadly.. is it normal that I am mimicing their style in every different singer? I feel like it doesn't sound "right" if I don't sing with their TONE. 2. As I go higher in pitch, is it normal to feel like something in my mask/palate area to NARROW DOWN? It feels like my mask area is flexing and my chords are very tightly closing. IT ISN'T PAINFUL. Or is this improper technique? Am I suppose to feel COMPLETELY OPEN? When I try to keep it completely open it feels like my voice goes SPLAT and airy and it hurts. Sometimes I feel like I am overwhelmed wondering if I am singing right or am I singing improperly even following his lessons and achieving growth. Anyways heres, the singer. How is his technique? It'll be awesome if there are some veterans or experienced singers to guide a newbie like myself to achieve this versatility in terms of programs and what I need to do. How does everyone here see Ken Tamplin's program?... Thank you!!
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Thread title. and if so, what did you learn? No need to be super specific. Pitch, registers, power, effects, bridge... What gaps did they help with and why did you choose them. -
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Joanna Cazden, MFA, MS-CCC, is a speech pathologist specializing in voice rehabilitation and a respected advocate for holistic, multi-disciplinary voice care. Joanna offers private services in voice rehabilitation and training, workshops and master classes for voice students, and seminars for speech pathologists and vocal arts teachers. Joanna also sees voice patients by medical referral at Cedars-Sinai Medical Center's outpatient Voice program. Helping to found this program in 2001, she has treated well-known pop singers, actors, broadcasters, and musical-theater artists. She was a clinical instructor for ten years at California State University, Northridge (CSUN), and has presented scholarly papers at major voice conferences in the USA UK, and Mexico. In 2004 she was named a Fellow of the California Speech and Hearing Association, an award that honors excellence in clinical service, teaching, and community service. Joanna released six solo albums between 1973 and 1997; her first album, The Greatest Illusion (1973), has been re-released internationally. In 2000 she joined Pete Seeger and other folk luminaries on "Folksongs of the Catskills," an ensemble CD later featured at the Library of Congress. She organized the first panel on Health Issues for folk performers, at the 1992 Folk Alliance Conference, and has won numersous singing and songwriting awards. Joanna studied voice with Ellalou Dimmock, Natalie Lemonick, and Jan Pederson. She holds a BA in Drama from the University of Washington, an MFA in Acting from CalArts, and an MS in Communication Disorders and Sciences from CSUN. In 2006 she was certified by Catherine Fitzmaurice as an Associate Teacher of Fitzmaurice Voicework. In addition to her expertise in voice, Joanna is an advanced practitioner of the Reiki and Theta healing systems, and a longtime student of yoga, meditation, and bodywork. These tools are integrated into her voice and speech services according to the individual's interest and needs. Joanna Cazden www.VoiceofYourLife.comFree
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With a teaching career that spans nearly four decades, Jeannie Deva is an international celebrity voice and performance coach, published author, clinician, recording studio vocal producer, trainer of voice teachers and originator of The Deva Method® - Complete Voice Training for Stage and Studio.As a graduate from Berklee College of Music in 1975 with a degree in Composition and Arranging, Jeannie assisted in establishing the college's voice department and later became President of Berklee's Alumni Association for ten-years. Voice teachers around the world base their teaching on Ms Deva's method from her published books and CDs. She is featured on the acclaimed video The Vocalist's Guide to Fitness, Health and Musicianship by Internationally respected music educator Julie Lyonn Lieberman and distributed by Hal Leonard. Jeannie Deva www.JeannieDeva.comFree
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Robert Lunte is the owner founder of the The Vocalist Studio International www.TheVocalistStudio.com, an Internationally recognized voice training school for extreme singing vocal techniques and advanced vocal instruction. Robert is also the author and producer of the critically acclaimed vocal instruction training system, “The Four Pillars of Singing”. TVS techniques are shared around the world by voice teachers as part of the TVS International Certified Instructor Program, which is one of the fastest growing vocal organizations of highly trained voice coaches in the world today. Robert is also the founder of The Modern Vocalist World www.TheModernVocalistWorld.com, the #1 online resource for vocal education and networking on the internet. This download include four separate interviews of Robert Lunte. www.TheFourPillarsofSinging.comFree
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No offense David, but if you are going to attack my industry and belittle the numerous GOOD vocal training programs that are out there and, more importantly, spoil the benefits of training with vocal programs for viewers, we'll have to call you out. David, the point that you have to work your song into the parts in songs, and to do that slowly is a good point. But to tell people to not invest in a vocal training program is misleading, hypocritical and doesn't enhance your message at all. What added value to add to your video by telling people to NOT train their voices with a training program. Could this possibly be because, ... you don't have a vocal program to offer? Because rest assured, if you did, you would not be saying this. Having spoke to you on the phone personally and gotten to know a little bit about what your motivations are, you wouldn't do that. Making videos on YouTube, makes you a video voice tip guy, not a voice coach David. Which, I suppose is ok, but you need to firm up your details David. If you had 20 to 30 real students a week, you would understand more about what vocal workouts and training are doing and more importantly, how to use it to help students get stronger. All the "work on the notes and parts in the song" point your making, doesn't mean shit... if you can't sing in pitch, can't get a good onset, know nothing about vowels and resonance, have no endurance, and on and on. Apart from the fact that vocal workouts and scales have been used for over 400 years in the art of singing. Now for the record, I think we should also let people know that .... you actually bought my vocal program, and you purchased Vendera's program and I suspect others. You have benefitted greatly from our content and ideas, and now you steer your viewers away from the same tools you used yourself? Seriously? You are a talented guy, you make content that doesn't dish your colleagues and advise you viewers to get less educated about singing can't you? May I suggest that you redo this video and simply make your message, "Slow down and work on parts in your songs, and be sure to not only do vocal training". BTW: Here are all my client reviews from the TVS training program, www.TheFourPillarsofSinging.com... These are real people folks, that have benefitted greatly from my program. http://www.thefourpillarsofsinging.com/reviews/ View full articles -
No offense David, but if you are going to attack my industry and belittle the numerous GOOD vocal training programs that are out there and, more importantly, spoil the benefits of training with vocal programs for viewers, we'll have to call you out. David, the point that you have to work your song into the parts in songs, and to do that slowly is a good point. But to tell people to not invest in a vocal training program is misleading, hypocritical and doesn't enhance your message at all. What added value to add to your video by telling people to NOT train their voices with a training program. Could this possibly be because, ... you don't have a vocal program to offer? Because rest assured, if you did, you would not be saying this. Having spoke to you on the phone personally and gotten to know a little bit about what your motivations are, you wouldn't do that. Making videos on YouTube, makes you a video voice tip guy, not a voice coach David. Which, I suppose is ok, but you need to firm up your details David. If you had 20 to 30 real students a week, you would understand more about what vocal workouts and training are doing and more importantly, how to use it to help students get stronger. All the "work on the notes and parts in the song" point your making, doesn't mean shit... if you can't sing in pitch, can't get a good onset, know nothing about vowels and resonance, have no endurance, and on and on. Apart from the fact that vocal workouts and scales have been used for over 400 years in the art of singing. Now for the record, I think we should also let people know that .... you actually bought my vocal program, and you purchased Vendera's program and I suspect others. You have benefitted greatly from our content and ideas, and now you steer your viewers away from the same tools you used yourself? Seriously? You are a talented guy, you make content that doesn't dish your colleagues and advise you viewers to get less educated about singing can't you? May I suggest that you redo this video and simply make your message, "Slow down and work on parts in your songs, and be sure to not only do vocal training". BTW: Here are all my client reviews from the TVS training program, www.TheFourPillarsofSinging.com... These are real people folks, that have benefitted greatly from my program. http://www.thefourpillarsofsinging.com/reviews/
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"White Rabbit" Tribute! I am proud to share a performance and production of Jefferson Airplane's classic, "White Rabbit". SaraEllen has been training with TVS for about two years. Excellent job SaraEllen! LOVE the curbing vowel resonance, steady embouchure, and "snappy" glottal attacks on the vowels, apart from the interpretation that captures the nuances we coached and discussed. Sounds great, looks great, a kick ass production and worthy achievement! Coach.
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We talk about all these different registers, resonances, breath support, etc. One coach will tell you one thing the next coach will tell you another. But at the end of the day you get the same result, a better singing voice. Does it really matter if what your singing is called mixed voice, or head voice, or something else? No, the only thing that matters is that you have grown your singing voice. We get so uptight with the little things that we forget the big picture. All good coaches teach the same thing but just have different ways of going about it. anyways.... just a thought
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Painting Metaphor of Singing - Have I got it right?
Kevin Ashe posted a topic in General Discussions
I was pondering these metaphors and thought I'd see if I could expand it some. Let me know how you see it! Easel is the pedagogy/coach Canvas is the formants Paint is the phonation Colors are the acoustic qualities & vocal modes Brushes are the intrinsic muscular configurations & appoggio Frame is the musical context/setting (band, choir, acapella, singer w/ instrument, musical, etc.) Lyrics are the finished image Lighting (as in a gallery) is amplification & vocal effects -
I can say with certainty that TFPOS is an excellent program; I just submitted a glowing review of it on the TFPOS website. I have managed, in just 2 weeks, to change my head voice from incredibly shrill and reedy to thicker and more substantial, and have worked out many problems with singing that I'd been experiencing for years. I haven't even scratched the surface of what the program offers, and I'm already experiencing great success! This sounds like blind praise, but believe me, I mean every word. I suggest to anyone who doesn't have the program and is having trouble with singing: buy it if you can afford it; it's worth every penny. If you stick with it, you will see results. Thanks a lot for creating such a fantastic program Robert!
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VOCAL TRAINING INDUSTRY WHAT YOU NEED TO KNOW! Click The Top Left Menu To View Videos In The Video Playlist
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VOCAL TRAINING INDUSTRY WHAT YOU NEED TO KNOW! Click The Top Left Menu To View Videos In The Video Playlist View full articles
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VOCAL TRAINING INDUSTRY WHAT YOU NEED TO KNOW! Click The Top Left Menu To View Videos In The Video Playlist
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Hi, Kind of a basic question, I was wondering if anyone has suggestions for some exercises where I can develop a stronger chest voice. I'm male and I'm most comfortable in a tenor/countertenor range. I can hit high notes easily, but others have said my lower range lacks strength and sounds a bit hollow/breathy like a yawn, almost like a bit of falsetto mixed in. I'm trying my best at breath control and making sure the voice is "pushed down" and coming from chest. I guess the perfect chest voice is one that sounds like you're giving an important speech? That's what I'm trying to achieve. I don't really have the time for regular singing lessons as I just sing as a hobby. Sometimes it's difficult to evaluate your own singing because not only is the sound I hear in my ears when I sing very different from what others hear, but it's natural for people to simply think their own voice sounds bad or weird when recorded and played back. Thanks.
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Don't let any other video or coach try to tell you that less information, less explanation, less features and less value in a vocal training program is a benefit to you. "Less is More" doesn't get you more benefit, or more of what you need, or more understanding about singing. It just gets you... Less!
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THE FOUR PILLARS OF SINGING THE INTEGRATED TRAINING ROUTINES Video Workout Demonstrations That Teach Singers How to Practice! Robert Lunte, founder of The Four Pillars of Singing offers an impromptu screen capture presentation of the Integrated Training Routines found in the TVS training program, The Four Pillars of Singing. The Four Pillars of Singing offers very clear instructions and guidance on how to train and practice vocal technique to make your singing stronger and more coordinated. Like no other vocal training program on the market today, TFPOS leaves no questions unanswered and removes all the mystery about singing great and what you have to do achieve great singing skills. If "free secret tips" on YouTube are not getting you any lasting results, that is because you HAVE to train! No tips or information, regardless of how good it might be, will do anything for you, if you do not take the time and energy to practice. If you are prepared to train and get serious about vocal training, The Four Pillars of Singing is a program you should take a serious look at. View full articles
