aldertate Posted May 1, 2011 Share Posted May 1, 2011 You're being argumentative you twit.. lol.. there's tension.. you're just not aware of it .....that doesn't mean it isn't there... hence the need for finding a good teacher.. anyway, he now has an easy method of developing rasp in the upper voice.. Be careful, Be mindful, Have Fun! If anyone wants to discuss any of the off topic crap we've brought up, please start a new thread.. a lot of interesting points that might help others are being lost because we're discussing them in this thread.... whoops! hahaha Link to comment Share on other sites More sharing options...
Ronron Posted May 2, 2011 Share Posted May 2, 2011 that's fine, but understand that an audible breath has tension.. An inaudible breath has more tension than an audible one. You NEED some muscular tension to retract the false vocal folds, while if you are entirely relaxed they will be partly in the way, distorting the airflow, ultimately making some noise. Link to comment Share on other sites More sharing options...
aldertate Posted May 4, 2011 Share Posted May 4, 2011 An inaudible breath has more tension than an audible one. You NEED some muscular tension to retract the false vocal folds, while if you are entirely relaxed they will be partly in the way, distorting the airflow, ultimately making some noise. When people are speaking one can rarely hear them breathing... that's because there's a relaxed freedom... singing is an extension of speaking, hence the phrase, "Si parla si canta." (As we speak, we sing). That's why many people ascribe a proper singer's breath to that of a baby's. It's also why so many people talk about the 'natural' way of creating sounds... That doesn't mean that some of these sounds have no hidden costs, they most certainly do, but it does mean that they're sounds inherent with almost every singer. Silent breathing is the ideal... Link to comment Share on other sites More sharing options...
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