rofleren Posted September 24, 2012 Share Posted September 24, 2012 www.rofleren.dk/music/Headorfalsetto.mp3 It's very loud, so I had to back off while holding the note In vocal terms what would you use to describe this? I lately was told that this http://www.rofleren.dk/music/Movie_0007.wmv is head voice, but the other sound I make in the other clip does not feel like this at all. And I'm always told that falsetto is breathy. Link to comment Share on other sites More sharing options...
DoverOs Posted September 24, 2012 Share Posted September 24, 2012 www.rofleren.dk/music/Headorfalsetto.mp3 It's very loud, so I had to back off while holding the note In vocal terms what would you use to describe this? I lately was told that this http://www.rofleren.dk/music/Movie_0007.wmv is head voice, but the other sound I make in the other clip does not feel like this at all. And I'm always told that falsetto is breathy. Why is it important to know? If it works the way you want, that's all that matters isn't it? I'm just guessing here, but it sounds like the first example is head dominant in the head range, while the second clip is head dominant but in more of a chest range. Link to comment Share on other sites More sharing options...
rofleren Posted September 24, 2012 Author Share Posted September 24, 2012 I want to know because there are so many contradicting answers to what "head voice" is or what "chest or mix voice" is. I want to know what is what, and why and how people classify different sounds in different ways. Link to comment Share on other sites More sharing options...
VideoHere Posted September 24, 2012 Share Posted September 24, 2012 in the first you used twang to compress in a heady placement ...the second was more of a mixed voice where you used a combination of head and some chest voice musculature. remember, the performing voice uses both musculatures in different degrees depending on the intended sound. Link to comment Share on other sites More sharing options...
Felipe Carvalho Posted September 24, 2012 Share Posted September 24, 2012 Both sound broken to me, the second one is better, but there is not enough pressure. Try doing an arpeggio using this around the passagio area and you will understand why. If falsetto was necessarily airy counter-tenors would not exist... Its perfectly possible AND necessary to keep it modal while changing the resonance strategy, but as I said many times before, takes trainning and a lot of time. Link to comment Share on other sites More sharing options...
rofleren Posted September 30, 2012 Author Share Posted September 30, 2012 That's a good point with the counter-tenors. But yeah, I'm new to the high notes. Just hitting them in this way feels very good for a progressing point of view. Link to comment Share on other sites More sharing options...
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