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Khassera

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I did it with a straw. The thing with a straw is tht it doesn't resonate. A kazoo resonates fking mad once you hit the sweet spot. It leaves no room for error other than pushing too much air, but that's also easy to fix by just backing off to where the kazoo resonates but doesn't shatter windows and cause the neighbor's dog to go apeshit.

Once you do a couple of scales you can take out the kazoo and the tone will be perfect. Also, since the kazoo is a bit bigger it allows you to keep your mouth more open so you can play it with different vowels.

This helped me loads with my ü (as in you) and OO vowels. Also, it doesn't stress the facial muscles like a straw does, you can just loosely wrap your lips around it and it'll work, a straw will fly off.

I'm not bashing the straw, I'm just saying the kazoo is better. ;) I've tried both.

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They are very "twangy" instruments, so they resonate best if your voice is twanged well. Thus, its also a very good training because once you find the "sweet spot" to resonate it you know that you have good twang.

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I did it with a straw. The thing with a straw is tht it doesn't resonate. A kazoo resonates fking mad once you hit the sweet spot. It leaves no room for error other than pushing too much air, but that's also easy to fix by just backing off to where the kazoo resonates but doesn't shatter windows and cause the neighbor's dog to go apeshit.

Once you do a couple of scales you can take out the kazoo and the tone will be perfect. Also, since the kazoo is a bit bigger it allows you to keep your mouth more open so you can play it with different vowels.

This helped me loads with my ü (as in you) and OO vowels. Also, it doesn't stress the facial muscles like a straw does, you can just loosely wrap your lips around it and it'll work, a straw will fly off.

I'm not bashing the straw, I'm just saying the kazoo is better. ;) I've tried both.

Yeah I know, but i've found some tricks ^^.

Just keep the straw in place with your fingers and relax all the face and neck muscles. It helps me so much relieving tensions. 

Also what i like with the straw is that when you're on the sweet spot, it's not the straw that resonate, but i can feel the resonance/buzz from my face to my toes ^^.

 

But i gotta say that i've never tried with a kazoo lol ;-)

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Yeah I know, but i've found some tricks ^^.

Just keep the straw in place with your fingers and relax all the face and neck muscles. It helps me so much relieving tensions. 

Also what i like with the straw is that when you're on the sweet spot, it's not the straw that resonate, but i can feel the resonance/buzz from my face to my toes ^^.

 

But i gotta say that i've never tried with a kazoo lol ;-)

 

It's the same principle. You have to find the "buzz" in your voice, which is the twang. The kazoo is just able to further amplify mainly the twang frequencies within your sound. It's your voice that creates the buzz, the kazoo is just like a mic with a special bandpass filter added on top of it.

 

It also works if you just phonate a voiced 'v' as in 'voice' while keeping your lips in a position as if you had the straw in your mouth.

 

Another one of those phonations I like a lot is a voiced 'sh'. Don't know if you know what I mean: To find this consonant you can use a 'j' as in the word 'jungle' and you will find that this 'j' is composed of two parts. The first part is actually the consonant 'd' and the second part is the 'voiced sh'. 

 

If you use the voiced 'sh' as your semi-occluded phonation you have a good 'biting' embouchure, while for the voiced 'v' you have a good 'covered' embouchure. The bite version has more forward resonance, the covered version has more backward resonance. I think this is related to edge vs. curbing resonance, too.

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     I think I have a few of these laying around. I was thinking about using them to simulate sax parts in my recordings.

Never thought about using the things in training. I guess it is time to empty out the junk drawer and find them.

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