Muzikant Posted May 13, 2015 Share Posted May 13, 2015 For me it was weak C8 in whistle register.In full voice(If we can call that full voice) screamy strained Eb6 with touch to E6.The lowest I ever measured was E1 in fry day after 10 beers. Link to comment Share on other sites More sharing options...
Owen Korzec Posted May 13, 2015 Share Posted May 13, 2015 Who cares? You'll never use those notes in songs!!!! 2 Link to comment Share on other sites More sharing options...
VideoHere Posted May 13, 2015 Share Posted May 13, 2015 A standing ovation for "I've been loving you too long" from an all-African American audience. 2 Link to comment Share on other sites More sharing options...
Muzikant Posted May 13, 2015 Author Share Posted May 13, 2015 Who cares? You'll never use those notes in songs!!!!Ofc That was just try to find limit. Link to comment Share on other sites More sharing options...
KillerKu Posted May 13, 2015 Share Posted May 13, 2015 I really don't care much about range, but for people who do, why would anyone make a topic like this and tell and not show. It really brings to mind another topic, "How big is your X? Right?' Anyway, for people who want bunch of noises from low to high, I warmed up today, so here some. https://app.box.com/s/j9sdd9ob0xl04my4rkq1i3vo3xgqv9p7 Technically I believe vocal fry is cheating though. It might sound lower, but it isn't modal in the way the frequencies operate. It has a frequency occurring two octaves down from whatever modal voice is bleeding through from what I understand. It's kind of like rasp in that it adds frequencies but isn't modal or cohesive in the way that it builds off a fundamental. Anyway, I'm all for artists having creative freedom and choosing pitches and timbres and which representative their art. But how many people actually apply this? Some people use kind of gutteral sounds in some kind of heavy metal. It's usually not very melodic though. I might use a whistle in a harmony or something? Maybe there are artistic applications we haven't thought of yet. Otherwise, is this like how big is your X? I think I've got about 2.5 to 3 octaves that I like to use. 1 Link to comment Share on other sites More sharing options...
Steven Fraser Posted May 14, 2015 Share Posted May 14, 2015 G1 and D6, but not on the same day.... 1 Link to comment Share on other sites More sharing options...
Tonyy Posted May 14, 2015 Share Posted May 14, 2015 Who cares? You'll never use those notes in songs!!!!Herecy! The whole point of singing is to be better than other singers. The way to achieve that is to sing higher and lower notes than other people. You see, it's a sport not an art!For me, A2 to F5 in "full voice", C6 in falsetto. Not really mind blowing, or vocal chord blowing yet... 2 Link to comment Share on other sites More sharing options...
ronws Posted May 14, 2015 Share Posted May 14, 2015 C6 loud enough to hurt my own ears. And an E2. 1 Link to comment Share on other sites More sharing options...
Gsoul82 Posted May 14, 2015 Share Posted May 14, 2015 F6. Lowest, I'm not so sure. 1 Link to comment Share on other sites More sharing options...
Jarom Posted May 14, 2015 Share Posted May 14, 2015 c2 and a6 2 Link to comment Share on other sites More sharing options...
MDEW Posted May 14, 2015 Share Posted May 14, 2015 Lowest note I have ever produced was A1. But that was from frying on an A2 and letting the beats synchronize. If you do it just right the vocal folds will adjust to a true modal coordination.The highest was an A5. Each of these was a one time deal........ 2 Link to comment Share on other sites More sharing options...
Muzikant Posted May 14, 2015 Author Share Posted May 14, 2015 Tnx guys,very interesting ! 1 Link to comment Share on other sites More sharing options...
Muzikant Posted May 14, 2015 Author Share Posted May 14, 2015 I really don't care much about range, but for people who do, why would anyone make a topic like this and tell and not show.Because this was not competition who can sing higher or lower note! I was just curious about extremes I don´t care for range as well,I´ve made few songs and they are all below my break (a4). But i like to scream when I am home alone 2 Link to comment Share on other sites More sharing options...
Jens Posted May 14, 2015 Share Posted May 14, 2015 G8 in the shower(got soap water in My eyes) lowest C1-G0, whenever i sleep i usually talk in this low demonic voice. My gf recorded it once and was around C1-G0 1 Link to comment Share on other sites More sharing options...
Gneetapp Posted May 14, 2015 Share Posted May 14, 2015 I can easily sing songs with G2 sounding good with no problem. I used to be able to sing and vocalize only down to A2. But I can vocalize down to F2 with no Fry. The highest note I ever vocalized was a G5 (full head voice), but singing in a song was a F5 (still improving the sound quality). I believe that I would be happy when I'm able to sing G5s consistently, and would stop obsessing/working on expanding my range. After all, I could sing pretty much 99.9% of my favorite hard rock songs. 2 Link to comment Share on other sites More sharing options...
Jugulator Posted May 14, 2015 Share Posted May 14, 2015 G1 - D6, but who cares? A great singer may hit just 2 octaves, e.g. I can't remember Dio singing something higher than D5 and lower than D3, but he is one of the greatest heavy metal voices of all time. 1 Link to comment Share on other sites More sharing options...
Jeremy Mohler Posted May 14, 2015 Share Posted May 14, 2015 My highest note in chest that is comfortable, consistent, resonant and free is C#4 and my lowest note that possesses those same qualities is G2. 1 Link to comment Share on other sites More sharing options...
Sexy Beast Posted May 14, 2015 Share Posted May 14, 2015 The whole point of singing is to be better than other singers.I'm sorry to say this but singing is not a competition... 2 Link to comment Share on other sites More sharing options...
MDEW Posted May 14, 2015 Share Posted May 14, 2015 I'm sorry to say this but singing is not a competition... And that is one of the reasons I do not watch the shows like Xfactor and The Voice. There was once a show that would take unknowns and you could see the process of polishing and bringing out the star which dwelled inside. I watched that one....Can't remember the name.... The networks did not like it..... They could not package the new "Star" quick enough.., Cancelled the show....... Link to comment Share on other sites More sharing options...
Jens Posted May 15, 2015 Share Posted May 15, 2015 I'm sorry to say this but singing is not a competition...Wait... What?! You didn't know? Omg ofc singing is a competition 2 Link to comment Share on other sites More sharing options...
benny82 Posted May 15, 2015 Share Posted May 15, 2015 I think it is a lot more interesting what the highest and lowest notes are that you can connect smoothly with your chest voice, through a siren for example. I have been down to something like C0 when the resonance was kind of flipping around the fundamental on a C1. I also have squeaked out something like C7 on the high end.But both notes are not within my consistent range and I can make neither of them intiontionally. At least the C0 is also basically unusable live because it is just too quiet. I also can't connect to them smoothly from my chest voice.I can connect from G1 up to G5 on a quite consistent basis and all of those notes are kind of usable in a live setting. I can make notes lower than G1 quite consistently, but they need too much amplification to be usable (even the G1-C2 area gets critical when loud instruments are involved). A5 is already in my whistle voice and I have not really learned yet how to connect that smoothly with my head voice (I have even heard it is basically impossible if you use a "loud" head voice). 1 Link to comment Share on other sites More sharing options...
benny82 Posted May 15, 2015 Share Posted May 15, 2015 G8 in the shower(got soap water in My eyes) lowest C1-G0, whenever i sleep i usually talk in this low demonic voice. My gf recorded it once and was around C1-G0 I always knew you are secretly possessed by some demonic beast, Jens. Now we have the proof... 1 Link to comment Share on other sites More sharing options...
benny82 Posted May 15, 2015 Share Posted May 15, 2015 Technically I believe vocal fry is cheating though. It might sound lower, but it isn't modal in the way the frequencies operate. It has a frequency occurring two octaves down from whatever modal voice is bleeding through from what I understand. It's kind of like rasp in that it adds frequencies but isn't modal or cohesive in the way that it builds off a fundamental.Keep in mind that basically all notes below D2 have that "fryish" sound because people's ears start to percieve the single "clicks" of the vocal fold. So what sounds like fry may still be modal voice down there. Also, if you mix the fry quality into your modal voice down there, you can make a pretty smooth transition. Here is me going down, where do you think is the switch from M1 to M0:https://dl.dropboxusercontent.com/u/69231116/E2-E1.mp3 Link to comment Share on other sites More sharing options...
Administrator Robert Lunte Posted May 15, 2015 Administrator Share Posted May 15, 2015 Wait... What?! You didn't know? Omg ofc singing is a competition With me and Jens, game is on baby! 2 Link to comment Share on other sites More sharing options...
Rotlung Posted May 16, 2015 Share Posted May 16, 2015 In the morning, E2-E4 (can't quite bridge without warming up). After warming up sufficiently, usually an F#2-A5 (Bb5 rarely, but I'm not a fan of this note).Still quite amazed that people can sing down to the first octave, and I thought my voice was low... Link to comment Share on other sites More sharing options...
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