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Nicogratouille

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Posts posted by Nicogratouille

  1. First it's your slightly flat delivery, which I'm finding is pretty common as I listen to more and more covers. I believe what I'm referring to is the intonation of the lyrics and melody. Basically the "feel" of it. It's like the difference between someone delivering a line from Shakespeare completely flat or delivering it with emphasis. Or how you can tell how someone is really feeling from the tone of their voice.

    Always been my problem since I'm quite shy by nature…

    Your voice is very fine with the song , but there's for my taste a little equalization problem with vocals

    maybe with a better equalization or some compressor work it will sound much better as a mix.

    I'm sure you're right! I have absolutely no clue how to mix… I just choose "male r'n'b' vocals" in garageband :lol:

    Anyway, I had to remove the clip since I'm a little embarrassed I can't do better… but thank you both for your comments :)

    Nick

  2. Lewis,

    Basically when going from low to high, you can:

    - Let go into a weak head voice or falsetto: "As soon as I go into head voice I sound weak and quiet compared to my chest voice."

    - Push chest voice and strain: "I've sung for years but had to avoid songs like that because my chest voice range won't get those high notes. "

    - Gradually move from chest voice to head voice so that you don't hear any sudden shift in quality and you think the singer has a 2-3 octave chest voice range.

    Nick

  3. This is the best I've heard you sing so far! Well done :)

    I'd say your approach is pretty good. You are a little nasal most of the time and very nasal in some spots but it's not bad. Also I think this song and style is a good fit for your voice!

    As for the nasality you can try to plug your nose while singing. Also singing the melody on a lip roll, a "goo" or a "boo" (like in the word "boot") might help. Then try to keep the same feeling with the words.

    Nick

  4. Agcor, you are right! I think a lot of people neglect their lower range and focus too much on singing high. My voice never wanted to go very low, I feel I'm not built for it...

    I'm working on my 1st bridge at the moment, cause even if I sing in it (and above it) all the time it still needs work, but yes I'd like my whole voice to be perfect if that's possible, the lows too, even if I don't like to sing there very often! :lol:

    Nick

  5. About the nasal, ronws and mdew also had told me before too. But I still cant get rid of it yet even i thought i already know how to get rid of it.

    I think a good teacher should be able to make you experience singing in a "non nasal" way already in the first lesson. Then you will need to practice and get that into your muscle memory. On your own it will be much harder.

    As for timing, I would often have that problem with pre-recorded backing or karaoke tracks because I was listening for the music instead of anticipating it. if you are listening for the beginning of the phrase, you are already too late, even by a fraction of a second. Instead, now where the beat is. That is, you lead the phrase, not the other way around.

    Actually Ron, he's ahead of the beat, not behind. Behind the beat is good ads a little "swag" to it :lol:, as long as you're not dragging...

    Nick

  6. Rhan,

    It's not bad. The good news is that you have lots of room to improve. So keep working on your voice you will get there ;).

    I agree with Gilad about the rhythm. I know it's a ballad and you can somewhat go in and out of rhythm for effect, but you are way ahead of the beat here. If you ever hear beginning guitar players who just learnt how to improvise, they usually have the same problem. Even if they might play some good lines, it doesn't sound good because they are not grooving.

    Also you sound nasal to me. So I would work on that as well. But you better get a teacher for this.

    As for the key. Don't try and sing it in the original key if you're not comfortable there. Your friends probably wouldn't even notice the key change or if they did they wouldn't care.

    And at the end of the day, just relax and perform, that's what it's all about!

    Nick

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