Jef

Thanks for listening, Keith

Thanks, ronws. By the way, do you sing? I looked over your posts and didn't find something recorded

Well, this is a recent recording, I think it was about two weeks ago

jef if you want to build your chest which i think you are referring to performing voice or full voice. you need to practice it and stop the falsetto and whistle for a while balance out your voice . practice 5 tone scales as you get near your break round off the vowel and cry a little to get threw, as you get threw release the cry slightly and continue upwards rinse repeat:D

I don't study my whistle register almost at all, DanielFormica, as I'm not really interested to develop it, but it intrigues me how high I can sing in falsetto, that's all. I do not use it anywhere, I can have fun with, though

And yes, I do practice 5 tone scales, 3 tone scales and 9 tone scales as in operatic warm up exercises. My chest voice is alright, I'm kinna satisfied with my technique, still I feel like there's a lot that can be fixed

Sure, FelipeCarvalho, I'll gladly post a recording with an aria, I was thinking about it. Sorry for posting around here, I didn't figure it out where can I post something like a question/concern/curiosity

Great stuff, ronws, so dramatic baritones (I'm not dramatic, by the way) are usually capable of throwing some notes in the whistle register. Nice song, maybe I'll learn it, seems suitable

Oh ... well, yes, I imagine that there should be great high ranged voices, DoverOs, and I'll be using my natural voice too, wich it isn't so high. Somehow, I'm proud of my voice because it has also the whistle register, it's like an 'exotic' thing extra bonus

Hello,

It's been several months since I discovered that I have a high falsetto range, namely up to G6 and above, the highest note was C7, so that interferes with the whistle register. The curious fact is that I do not have a high chest voice, I'm a 23 years old baritone trained for the operatic repertoire. My range would be from a very weak A2 (sometimes even G), to A4 (Bb4), and the secondo passaggio just moved to F4,F#4, but I'm anything but tenor, so I thought that this shouldn't have happened

So it's a male cover after rihanna's reggae song. I recorded it last summer, playing also the rhythm guitar and the rest of the instruments are just made with fruity loops. My voice wasn't in such a good shape, but now I can sing it better because I got used to it. I do not normaly sing contemporary music, as I'm trained for the operatic repertoire, so this is a totally different story here. That's why I'm curious about the eventual critics ...

http://www.soundclick.com/player/single_player.cfm?songid=11738648&q=hi&newref=1