Jump to content

Serotonin

TMV World Legacy Member
  • Posts

    56
  • Joined

  • Last visited

Posts posted by Serotonin

  1. Hey Serotonin, great job!  This is insightful, it seems you have been training the TVS techniques. You would have to, in order to realize this. Alternating between the two extremes of compression, Q&R and W&R is a great routine.  

    Absolutely, probably the most useful for me so far. Actually, wind and release was at first the only phonation I could use in my head voice and passagio. I strongly advise OP to practice it if they haven't already.

  2. Robert is right. Your octave sirens are very good. Obviously as you approach the passagio it will get harder to do it seamlessly but the onsets are designed to make that easier. Your Q&R is very good. Have you tried wind and release? I don't know what stage you are at but W&R is incredibly helpful for both learning to bridge and mastering the different vocal modes. Q&R involves lots of compression while W&R involves a lot less compression and a falsetto mode. So transitioning from Q&R to W&R is vital for training to bridge and training vocal modes.

  3. Welcome! I'm fairly new to this too so I can't really give informed advice. But I will say, keep at it. Bridging and connecting is literally the holy grail of singing. Nearly everything you do in 4Pillars is specifically designed to help you bridge the passagio. But it isn't an overnight thing. It might take months to hear results and longer still to be able to bridge seamlessly. Right now it probably feels like you're sitting on your own for an hour making stupid ugly noises that sound nothing like singing, but keep at it and the benefits will come later.

  4. THE SMITHS... I LOVE MORRISEY... IM A HUGE FAN!

    WHERE IS THE BED TRACK SO WE CAN HEAR IF IT IS IN KEY AND IN RHTYM.

    GET A BED TRACK RUNNING AND FIND A WAY TO RECORD YOURSELF SINGING OVER A BED TRACK.

    WE NEED TO MAKE SURE THAT BASIC PITCH AND RHYTHM ARE SOLID... THIS SONG IS NOT A CAPELLA.

    This song is beautiful yes, just wish it could be a bit longer haha.

    Anyway, I'll try and get a chord sequence or an instrumental on my phone and sing with it, it won't be great quality but I hope it's enough to judge my tuning.

  5. It's now been a few weeks since I got the programme so I have got well into training. So, given that this is a progress thread, here is my "step 1" recording. Something that other people did in their threads so I'll do it too. It's a song that I'm fairly comfortable with as there aren't many high notes. Please Please Please by the Smiths. As I progress I'll probably upload more but this will be the last recording I post for at least a month or so. So yeah..here it is.

     

  6.  Your head is on straight with this idea for sure... but these journal posts on this forum, are not going to achieve that for you. There "one guy" that can really confirm that for you and he is very busy and not on here as much as he would like to... and in any case, confirming if you are doing The Foundation Building Routine is a task that is way too big for a forum post. 

    You need to take skype lessons with me if you want to confirm that you are not making mistakes. Posts in here are not an alternative to that.

     

    Okay, I won't be able to book lessons for awhile for financial reasons but I hope I will be able to in future. Until then I'll keep progressing on my own, not as effective but the only viable option at the moment. I'll use the demonstrations to gauge whether I'm doing stuff right.

  7. I don't think you have to present the exact chronological progression, although that can also be neat. More likely, just day-in-the-life observations. Certainly, the workflow evident in the program will give guidance but you may not be running through everything all at once outside of basic stuff first that leads to the bigger stuff.

    I think it would be neat, too, to see the progression of your beliefs about singing, yourself before and after accomplishments with this training. But I do think that is a unique innovation in singing training methodology that is in 4P. It is not just the exercises that can be different and benificial. It is the acknowledgement that there should be pattern to how one starts training and progresses later to different things, like the weightlifter who starts out with easy weights in order to first perfect the form. Hitting the heavy weight from the start allows the body to use wrong and harmful habits. Same to some extent, with singing.

    I wonder, too, how the psychology evolves. Sometimes, a person wants to sound like a certain singer. But if a teacher like Robert teaches you how to use your voice awesomely, consistently, reliably, any day of the week, will that change what you need from singing? Does it make you appreciate more music or less? Granted, we are the choir, pun intended and most any of us in this forum listens to several genres of music. I have listened to everything from polka to mariachi. In fact, one of our favorite albums is the Christmas Album from Brave Combo, a local Texas polka band that made it big.

    Yeah I'll probably ease off with the updates later on. It's just that I want to make sure I'm not making mistakes early on. If I get the foundation wrong the rest of the whole process will take far longer. Of course, I don't expect immediate results, but I'd rather avoid unnecessary setbacks. So I'm just sharing as much as I can in the beginning to ensure that I don't learn mistakes and lay the best possible foundation.

     

    In terms of psychology, I haven't been using the programme very long but I noticed that I'm much more comfortable with high notes after watching the "Stop hitting high notes" lecture,when you actively think about singing in a deeper position rather than just shouting at high notes, it makes a noticeable difference. The whole myth-busting section of the book is an interesting read as well, gives a much better understanding of how the voice works too.

  8. Alright, so clearly, one of the first and most vital steps to learning to bridge the passagio is to master onsets. I'm not sure if I should try master the technique of each onset within my comfortable range first before moving on to try them in my head voice where I'm more likely to break into a falsetto. For example, I tried W&R again but this time around an A3, it isn't pretty by a long shot, and I don't know if I did it right (I kind of just began very breathy then broke into the note).

    PS. Sorry it's a bit quiet, I was far away from the mic because it's not got a great....volume tolerance...the quality is pretty bad anyway though so the "windiness" at the start just kind of sounds like indistinct rumbling. I'll see about getting a new mic at some point so it's easier to listen to and give feedback, but for now I'm stuck with this one.

     

  9. That is not a W&R onset.

    That is a long falsetto note. That phonation has little to no sub-glottal attack. It has no energy.

    You guys need to appreciate that this takes a LOT of work and a lot of practice. 

    Lets hear the belting onsets... get some muscle moving!

    hmmmm...I thought as much. Like I said, anything in passagio/head voice is currently a long shot so I'll have to just keep practicing. And refer to the book for anything on W&R. 

    I feel more confident with my breath control though and my vocal cords already seem to be strengthening slowly but surely. So the programme is already putting me on the right track and I think I'm getting there.

    I'll keep using this thread for feedback and advice then :)

  10. That is not a bad Q&R onset... but I would say it is a bit light... on the quake compression piece, squeeze harder! Stop trying to make it pretty sounding, the Q&R onset is butt ugly... its not pretty.  This is resistance training, so squeeze the glottis...

    Make sure you do this on every note of the piano, including the head voice.

    When you get to your passaggio, if the Q&R onset starts constricting (as Im sure it will... ), transition to W&R onsets to release the constriction and begin engaging more respiration.. then switch back to Q&R onsets when you get above your passaggio.

    Okay, I'll keep practicing and try to squeeze as much as possible on Q&R.

    As for wind&release onsets, my head voice and passaggio are fairly weak at the moment, so I'm not sure if my W&R onsets are any good, I think I can get the notes okay but the onset still feels weak.

     

  11. Hi

    I was overjoyed to finally be able to afford Four Pillars, and I can't wait to jump right in.

    I've seen other users create progress threads for their journey through the training programme so I thought I might as well do the same. This is where I'll ask questions/embed sound files of me doing the various exercises in the programme and singing songs so that people can give feedback.

    BTW, I was just wondering if I should approach the book like a sponge and just read it cover to cover absorbing everything or if I should dip in and out as and when I need to, using the videos to guide me through my journey then referring to the book when necessary. Which approach would be better or do I need to do a bit of both. I can't wait to get started, but I hope you'll forgive my being slightly intimidated by it. That said, it is a challenge that I am now willing to take on more than I was before.

  12. You are basically whspering. Don't be afraid of the voice.

    After I posted my reply... I read Elvis's comments and he hears the same thing I hear... If your just whispering and "hiding" from actually committing to it, we don't have anything to work with. You need to remove the fear and stop "singing in the car"... if you want to be a singer, you need to start doing the things that real singers do... and that includes training.

    The best way to describe what Elvis and I are hearing here is... this is like saying, "Hey... watch me do a cart wheel! What do you think?"... in front of people that are doing gymnastic, mat/tumbling routines and balance beam routines. This is a cartwheel in the park. You need to get into a real gym, and learn and execute the real thing. 

    Okay, I'll just wait til I'm home alone again and yell the same song at a more...antisocial volume, and upload it again.

  13. So, as the title implies, I have just started singing, I don't know nearly as much about how the voice works as many here do, so here's the result of me spontaneously singing a song that I'm fairly familiar due to it being the first one on my spotify playlist (I'm lazy like that).

    Anyway, this is what the original song sounds like, I've tried to copy the singer's breathing pattern and such to keep in time, which is also what the long periods of silence and humming are.

     

     

    And here's my rendition, bear in mind that it's my first time recording myself so please be constructive :) 

    EDIT: Oops, forgot the soundcloud link - 


    Just listened to it, god my voice is so shaky :/

×
×
  • Create New...