Rockstar

@Daniel, I wanted to read whatever you posted but something's wrong with the forum. 
Here's my siren: 

Here's me singing without cry (upto E flat) after that I have to cry or add support to go higher and hence cannot carry the 'pretty' clear tone up. 
 

11 hours ago, JonJon said:

sirenssirens  

okay, I have these really junky ones that I did on the actual day I learned to bridge lol. or, the day I became conscious of singing up on the palates as I call it. Singing in headvoice, letting go of the tight throat resonance etc

its actually fun to look back on these...they are not quite 6 months old and to me now they sound totally horrendous! My range and control has gotten so much better

In any case here is what a novice siren might sound like. You gradually leave the chest resonance and embrace the head resonance or vice versa

up https://clyp.it/ceg054c2

down https://clyp.it/zkqvnmqi

 

 

Wow those are way awesome compared to mine. I've been learning to bridge for years now but cannot do it the way you do. Your voice thins out perfectly as you go higher and there is no apparent change of vocal tone as you go from chest to head. That quality that you have on the high notes (more prominent on the A4) is what I'm looking for. It doesn't sound like headvoice but a thinned out chestvoice. I cannot achieve that lightness. If I back off weight, they become weird and whiny.
How did you learn that? Please give me some pointers.

I do not choke on the high notes, I left that thing years before. Now the sound gets weird but there is no strain. What do you mean by "resonating on the soft palate"? So the soft palate must rise which gives you that yawn like sensation and the resonance ascends. right?

Any exercises you recommend? cuz I'm on my own for now. Can you post a clip of you doing a siren that I may imitate? 

8 minutes ago, JonJon said:

Well its not chest voice is it? Whats left? lol

To me its just basic headvoice. They have bridged thru the passagio into the headvoice.

They are singing with a light voice, its not really heavy

 

Im confused, if you can sing to c5 then you can sing what they are doing easily

I should not say 'sing', squeal is a better word lol. They sing it like beautifully, easily and consistently.

I would not be posting here if I could actually get a real teacher but my current circumstances don't allow it.

That is headvoice? What!? How do I achieve that sound anyways. I am on my own for few years so I'm trying my best to achieve a working range upto A#4.

I can sing upto C5 without breaking but it sounds weird and unbalanced. I can sing beautifully till E4 after that I have to change my vocal tone to stay connected not that the sound breaks into falsetto or becomes shouty but the resonance dampens and feels closed off.
I'm confused. In SLS they say to not lift the soft palate yet advise to lower larynx and cry into the notes which actually raises the soft palate.
 

Okay I've been training with Brett Manning's programs for about 3 years now. Got better but I'm frustrated with my vocal range. A vocal range upto A#4 is all I want for my singing. I'm a Tenor.
So I've been hearing these concepts related to high notes. What I've realized is that people refer to the same thing by saying stuff like yawn, lift soft palate, cry and support. Also is the 'cry' necessary to hit the high notes in full voice cuz it sounds weird to me when I keep a cry on my notes.

What are they doing? Singing in mix? Belting? Also would that be more towards SLS or classical typa technique.
 

2nd
 

Thanks!

Why aren't you a star yet?