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Jarom

Review My Singing Membership
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Posts posted by Jarom

  1. When you're in California weathery gloom

    can I be the one to heal the beating wounds

    be the moon on the canvas 

    be the sun at the top of your noon

    can you feel it 

    i'll let you feel it to

    I'll give you whispers let them mutter

    let them in tell they possess you

    be the moon on the canvas

    be the sun at the top of their noon

    can you feel it

    I'll let you feel it to

    can you feel it 

    i'll let you feel it to

    can you feel it

    i'll let you feel

    to be the moon on the canvas

    be the sun at the your noon

     

     

  2. 6 hours ago, MDEW said:

       Cool sound Jarom. My wife walked in the room while I was playing this. Her reaction was "wow, Nice voice".

    I have to be honest, I could not make out the words. I love the vibe though and the song, production and all of that. I am more of a story guy and like to know what the words are.

        It could be because I am playing this through a laptop(with external speakers). 

        Was this the whole song or a snippet?

    Yea, its the whole song. Im not much of a lyric guy, i am more about the feeling behind the words. I'll post the lyrics later when i have access to a better keyb2

  3. 48 minutes ago, Robert Lunte said:

    Good for you Jarom.

    Hats off to anyone that writes their own tunes.

    I really love the modality of these songs... they are a bit minor aren't they. I have heard your songs before and you have a flare for the "sad" and "spooky" I think. Your songs remind me a bit of "The Cure"... which is hauntingly beautiful music.

    Your voice is also lovely, it has great potential... 

    However,...

    You can improve Jarom by cleaning up the basic musicianship. This music has SO MUCH potential for dynamics and sensitivity, but I think your missing the cues bud. You are missing what your own song is asking you to do for it... its a little bit rushed, a little bit one level in dynamics... it sounds to me like your just not sensitizing yourself enough to what your own songs could be doing. You're being careless. Your like Lenny from Steinbeck's "Of Mice & Men"... petting a mouse too hard, but with the best intentions. 

    You should get in front of me for 1 or 2 hours on skype and let me coach you on these two songs.

    Also... you need to find a better way to produce recordings. Even if it is just a raw idea... you can do better then this. Get a small recording device and record "in-line" to a PA system that has both your keyboard and your vocals in it... not some recorder that is sitting on the other side of the room.

     

    I know exactly what you mean. In fact, the majority of my training the past couple of weeks has been dynamics. I get after singers all the time for not having enough dynamics but, I have the same problem. I, however feel I have gotten a lot better with dynamics throughout the past week. I'll probably post some songs later on. I Have sonar and a bunch of recording equipment but I have no idea how to use it. I often end up spending hours getting frustrated at stupid simple things. One time I spent 3 days just trying to get the metronome to make a sound of any kind. I don't really like using it and it feels like a chore instead of a pass time. My dad is also a song writer and he has the same problem. We are thinking strongly about hiring someone who knows sonar to teach us the ways of the mystical program. I get compared to the cure a lot, they are by far the band that I get compared to the most. I guess I can see it, but I find it odd because while I like their music, I never listen to them. I am probably most influenced by Jeff buckley, Keane, Rufus Wainwright, and most recently Julien Baker.

  4. 16 minutes ago, ronws said:

    Right off the bat, I like the first song more. If you are just asking for personal preferences, that's it. Though I would like to hear your voice better. Is there some religious reason for having the recorder so far away? It doesn't make sense from a recording standpoint and I don't want to step on religion but I was wondering if it was possible to get the mic a little closer.

     

    Yea there is actually. If I have it close up it distorts and is actually even harder to hear. So, yea that's the reason. I'm going into the studio to get some high quality recordings in April. These were just quick recordings on a broken phone while I was playing around with some ideas.

  5. build it up slowly but surely. Keep your throat relaxed and try to add power by using resonance instead of shouting. Doing the boring annoying vocal work outs and warm ups are what will do you the best good. All the nay nay nays mum mum-mums, and sirens  you get so sick of doing are what grows the voice.

    In your clip, you are way breathy and don't have any compression. This is one of the reasons it sounds so weak. Try a quack and release onset or crying like a baby but keep the heady placement you have if that makes sense..

  6. I tried singing without straining but it ended up sounding too windy and too quiet. And i dont know if this is falsetto?

    Don't worry about sounding to soft or wimpy right now. Just worry about bridging and connecting  through the break without choking. By the way you don't sound quiet or wimpy in this recording.  One thing you can try is singing the top note in falsetto over and over again while slowly adding some twang by crying like a baby or quacking like a duck. High notes should almost feel like falsetto but sound like chest if you do them right.

  7. Yes i am training. I am right now training on sirens. It will take some time for me to thin out my voice because im a baritone.

     

    Make sure you slide on the sirenes instead of jumping from note to note. The point of sirens are to help you bridge and smooth out the break. So, if you keep doing what you're doing with the jumps they won't help you. Make sure you slide through all the notes..

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