Danielformica

you sound good man always room to improve but i like it. lay off the processing and then you got something

Sounds like your searching for different voices. Its kind of all over the place resonance wise. With some work keeping it "in the pocket" i think you would have an easier time

It was good but pitchy in spots. I think if you could find mixed voice in a those spots it would be a little tighter.. 

It was good but pitchy in spots. I think if you could find mixed voice in a those spots it would be a little tighter.. 

Sounds like your searching for different voices. Its kind of all over the place resonance wise. With some work keeping it "in the pocket" i think you would have an easier time

just heard this. so you wanna get this right 
1. don't sing oh in open sing uhpen. but don't swoop to it get right on it attack it on the note.
same with love don't swoop sing uh luhve. as it sounds. not lahve
 
now aside from that some of the approach needs work . but i think you can get it don't swoop it carries weight from the bottom..

just heard this. so you wanna get this right 
1. don't sing oh in open sing uhpen. but don't swoop to it get right on it attack it on the note.
same with love don't swoop sing uh luhve. as it sounds. not lahve
 
now aside from that some of the approach needs work . but i think you can get it don't swoop it carries weight from the bottom..

The reason it is inconsistent is because those songs hover around d4 to a4. brightside if you play starting on D major. Sings d4 the whole verse then goes up to some f# and g's so if you sing constantly on d4 you could get very tired by the time you go up to f# you are gonna feel you have to push. This is where perfect practice (vowels, breath etc) is gonna be really important. Knowing exactly how to approach. If you just keep blindly throwing yourself at it it's gonna be a long hard road. Basically think of it like you are lifting a moderate heavy weight but a ton of times. It's gonna get tiring. 

From another era of Faith No More, when Mike Patton changed his approach to his vocals (for better in my opinion), awesome song, has very different characters that needs a different technical approach to handle:
 
https://app.box.com/s/uynjz9dw90c13es50kwofdkvrh2y5275
Hope you like it

I took a listen and honestly I did not like it.
In my opinion, you did not just change the song, it seems more you had a vague notion of how it went and then just did whatever in top of it. The two major problems are in regards to rhythm and the mix itself, vocals are dry on top of the track.
I don't know if you are not used to the style, but my suggestion would be, before changing the song, learning it. And if you want to make big changes, you have to make it your own (as in, you will learn the whole thing, drums, bass, guitars, keys, backing vocals, everything that is in there, you should be able to recall and know how it goes). Its a hell of a lot of work, in my opinion too much just to cover a song.
 
Now, in regards to comments made, in special by user KevinRichards, don't take it so seriously, the guy had a video a few years ago which I don't know if he took down from his acc (and should) where he was doing something like 90+ takes on his own song and it still sounded awful.
Even the demonstrations that you can find from him on youtube are full of tensions that totally messes up tonal quality, problems with melody and intonation, confusion in regards to falsetto and head voice, etc.
 
But do aim to set the bar higher, and be honest about what you can teach, if you don't control the quality you deliver, who will? Its way easier than having to defend yourself. If you need help with this style add me on skype, lets chat sometime.

sign this guy up..
 

Hey simpan you definitely don't have to worry about whether you are a baritone or tenor yet unless you decide to sing classical. 
From listening to the clip I think you know that what's happening is you just keep getting louder and louder until you can't get any louder and it just caps out. That is definitely not the way to do it. You want to stay connected without getting louder. Work on your falsetto up and down your range a bit first then choose a volume and stick with it. Sing on ah to oo that might help. Try to relax your face and jaw and mouth like your a mannequin and think like you are singing straight across rather than going up and down. Just some thoughts to work with but don't continue with what you were doing.

Hey simpan you definitely don't have to worry about whether you are a baritone or tenor yet unless you decide to sing classical. 
From listening to the clip I think you know that what's happening is you just keep getting louder and louder until you can't get any louder and it just caps out. That is definitely not the way to do it. You want to stay connected without getting louder. Work on your falsetto up and down your range a bit first then choose a volume and stick with it. Sing on ah to oo that might help. Try to relax your face and jaw and mouth like your a mannequin and think like you are singing straight across rather than going up and down. Just some thoughts to work with but don't continue with what you were doing.