Adolph Namlik

Moon,
Why are you interested in what your vocal fach may be? Not suggesting that it isn't interesting or good to know, but depending on what style of singing you want to pursue, it may not be as relevant as you think. Do you want to sing Opera and art songs?  Do you want to be a Classical singer? Before you answer that, understand that I don't mean as a hobby or to "try it" with other styles... I mean, do you want to commit your life to focusing only on Classical singing? if the answer is yes, then vocal fach has more relevance. If the answer is no, or not that serious about it... then vocal fach is far less relevant to worry about.
So, what say you?

You honestly won't know for sure until you train. While it's impressive that you're singing in whistle register, the rest of what you're singing is not placed well, and therefore is not a proper representation of what you're truly currently capable of. Also fach classification is meant for classical, opera, and choral, so they can quickly put you into a pre-written part. If you're learning for contemporary voice, it doesn't matter. Any way about it, you nbeed to be training, either through a course like The Four Pillars of Singing, or with a solid teacher - which tehre are plenty of here.

you sound good man always room to improve but i like it. lay off the processing and then you got something

Stand By Me sounds much better. Too much processing in general though. Your voice is probably better without all the effects. You seem to have a nice tone for this sort of tune. 

Will,
Can you give me a tune to review for ya. I can't review all your tunes, so please pick one. I'd be happy to give you some feedback. Glad to see the rest of the team chimed in.

yes, has a sort of Hetfield vibe to it.
I think its fairly cool. Your a good metal singer and have a cool sounding distortion to your voice. If I had a concern it would be what happens when you lighten that distortion? Can you sing clean?
This configuration would seem to be tiring. Does your voice get tired quickly.
Another thing I would recommend is work on learning the Andrew Lloyd Weber's "Gethsemane", it is a great song to learn.
 

Is James Hetfield one of your influences? I get a bit of a Metallica vibe from the song which is why I'm asking. Sick song and you got a good tone. You came to the right place if you want to increase your range. By the way I love the Christian lyrics of the song considering I'm a Christian myself.

Hey guys,
This is one of my tracks, just so you can see what my focus is. I am doing rock / hard rock. I have been away from it for about 6 years and just starting with a new band. I have always had issues in the higher register but the new band calls for it. I'm always looking to improve, any tips are much appreciated!
 

Exactly, buddy. Keep practicing.

Improving resonance is not going to directly produce a natural vibrato, BUT... it is hard to have nice vibrato, without good resonance. Good resonance is one of the "ingredients" to getting vibrato to work and sound good.

Before I jump in, I do want to say that I like your storyteller style.
I suspect the biggest culprit in your accent for causing problems is your hard "R" at the end of words, whihc is a consonant that is almost crossed with a vowel. It sounds like you pull the tongue up on that consonant. Most people pull the hard "R" to their throat, so you at least are headed in the right direction!
I have a specific exercise to correct this type of issue, but it would be difficult to explain here. I can at least get the most important part here though. It's what I call "relaxed speech." I've used not just to help correct placement and throatiness, but also to change accents. One of my students was from France, where everything is spoken near the back of the tongue. This helped her a LOT. I've also seen it get many people out of their throat when in a tough spot in the recording studio.
First, make a soft "g" into /eh/ (geh), and pay attention to where the tongue hits the roof of the mouth. I call that the "resonant spot". I use it as an anchor or default point for vowels. That anchor can be moved a bit further forward or back for sound color, but in general, the vowels will stay anchored to, pointed at, or move around that one point. It should feel like your vowels are being generated in that point and then only outward from there. Try to stay relaxed and speak a whole line of the song from that point, then sing that line into the exact same spot. At first, your speech might remind you of the priest from The Princess Bride. It sounds ridiculous when speaking, but it makes for a solid singing accent. Now try to say problem words, like ones with hard "R" sounds, into that point. Your "aR" should sound more like /ah/oo/. For "eR", it might ssound more like /uh/ou/. The "R", if sung at all, would be at the very very end, closing the word, and not really sung.
For the pitchiness on high note, it sounds like you might be moving into a grunt mode, where your neck and glottis tense up to try and "hit" the note. I see this a lot. Try humming into a cocktail straw for those lines, relaxing the throat and neck as much as possible so that the only tension you feel is the solar plexus, then the resonant spot (above), and maybe, just maybe a little bit in the TA muscles. There should be very little air coming out of the straw, even if you hold your nose. You might have to start that at lower volumes at first, just to get used to it. Grunting on high notes is difficult to overcome. I've yet to find an onset that immediately releases that particular type of compression. Isolating the note with Pulse & Release, Wind & Release, Contract & Release, Head to Chest only, Relaxed Speech, The Straw, and more, seem to work sometimes and not others. 
 
 

Your pitch is spot on for the most part. That is the most difficult thing to train in singing, so you've got a 1-up on most people who haven't taken lessons.
The thinness you're experience is because you need to be training strength and control of your TA muscles (chest-voice musculature) to be able to carry them up into that range. I don't mean just yelling at full force either, but rather training in how to turn them on without strain - which there's a point where they have to taper off. You can train your body to be able to use TA engagement for that "chesty" sound as high as your head voice can go. On top of TA engagement, Chris also used larynx dampening often, really solid acoustic mode and vowel modification as he went higher, incredible bridging and connecting of teh voice, and very solid breath support. He's also a great example of a singer who trained to completely relax his voice no matter what he was singing. 
If you want to be able to sing like that, then get determined to learn and start training. Check out The Four Pillars of Singing. it's an incredible program, and you'll get a ridiculous amount of solid instruction for the price.

Hello, TMVW! Finally I found a forum that is active and help people out! It's nice to meet you, I'm Gedas.
So the situation is this: I've been singing for like 3 months. I've been writing songs (Rapping) for like 4 or 5 years and used to do rap songs in my native language (I'm from Lithuania). Now I'm transfering my creative zone into English language.And since I love music itself, I want to learn as many aspects of them as possible (But taking one by one and making it to a professional level). Now I Work only on singing/speaking/rapping and writing songs, sometimes I pick up a guitar or synth. 
So the thing is this- I'll post a link for a private video where I sang my own wrote song (instrumental is made by Encore beatmaker). I just used it for a purpose of learning and creating, no final released products.
And i wanted more opinions from other people, since the only two or three people that heard me singing are my vocal coach and one or two friends. Where does the beautiful sound/energy comes from? Or lets say- where I'm singing, what drains that energy and that sound? It doesn't feel like talking anymore but it's still not that energetic, beautiful resonant singing.
Link: 

I'm working on my enunciation hard because ohhh boy, I used to fall back in my throat a little bit, mumble words , speak quiet and + I'm native Lithuanian.

Every single critique is appreciated, I need to grow in best ways possible!

P.S. I sound like inbetween talking/shouting and singing. Like I'm not speaking, neither I'm singing with beauty in the voice. Is it because I'm forcing my throat too much and not working my breathing efficiently if am using it at all?

Agreed.
There is a lovely voice here, but it isn't being utilized to its full aesthetic potential. Draven is correct on his point about resonance. You are resonanting too much in a lower position ( throaty )... with a little bit of good direction and practice, you can learn to lift your resonance to higher positions where it can sort of "float" more. A more "top down" resonance is more maneuverability of your voice because your resonance will not be tethered by the bulk of a more primitive, throaty position. The result of this will also be a much more beautiful timbre and sound color in your voice, in particular for this kind of singing in your sample.
Yes, my program The Four Pillars of Singing absolutely will help you if you choose to make a commitment to the training. 

You have  a great voice! Good choice of song too. However, most of your singing and resonance is being placed in your throat, in more of a speech mode. This will make higher nd lower notes more difficult, even if your more relaxed chest voice range is easy to control. It's also apparent in some of the dynamics of your plosives, the low level of breath suppport, and some of your curbing vowels (vowels resonating further back). You are, however, always on pitch in the more comfortable parts of that range.
What I hear you need is better resonant placement, more lifted to the soft palate and a bit forward. A bit more push or lockdown in the diaphram area (your solar plexus specifically) will support that better resonant placement and give your voice more body too. But that's only a start. One way to begin training yourself to resonate and support in this way is to start humming songs while buzzing your lips. This is called "Tracking". Another that I teach is to place a finger across your bottom lip and try to sing up and over it.
Are you training? Do you have a teacher? I highly suggest you check out the course, The Four Pillars of Singing, created by the owner of this forum.

I noticed a bit of strain there too.
Get a cocktail straw and start humming those parts with the straw in your mouth. Don't push. There should be minimal air coming out of teh straw, and it should'nt feel like you're pushing once you can relax those notes properly. To test if you're balancing the air and relaxing well, you can hold your nose. When holding your nose, there shouldn't be a major change in pressure from when not holding your nose. 
I know this sounds really strange, but it does so many great things for you. If you use it on warmups, it cuts down your warmup time to 5 to 10 minutes because of the push-back gently stretching out every muscle you engage. If you use it like I described above, for training a song, it is an incredibly helpful  assitant in getting proper resonant placement, tuning your formant, relaxing any tension, balancing air pressure, and more -- in short, training your body not to push on those higher notes, but just sing them without tension intead. I suggest using it for cooling down after an hour or more of singing too.
However, don't do it for more than 10 minutes at a time. The gentle stretching I talked about will become more like power yoga, and you'll end up wearing yourself out instead of helping.
 
 

Just to be straight, do you want tips BEFORE you practice with the band? Kicking it with the band is the best way to go first. You and the band need to be in sync. Not you and your imagination or you and Karaoke. Record the band with you singing and without so you can practice at home with the recording.
    Or is the band not even going to work on it if they think you cannot sing it? Changing key is also an option if it is too high for you at the moment.
     What you presented here does sound like a solid starting point. 

That definition sucks in my opinion. It makes no sense. If someone trains to become really good at something; singing, gymnastics, dancing, investing, painting, etc... they have not developed talent? This definition seems to suggest that you can't develop or enhance inherent talent. If that is their meaning, it's absurd. There is inherent talent and there is developed / trained talent.
Neither of which you won't be able to capitalize on if you don't train regardless.

Hate to sounds trite and cliche', but if you want to become a singer, odds are... you can. Most people can learn to sing if they train and a very large % of that group can actually learn to sing great. MOST people can learn to sing great with enough time and practice and some study.
So like anything in life, you have to be willing to do the work and make the sacrifice.
 

Do you want to learn how to sing? It's not something that most people can just do. They practice. Talent is developed.
 
I haven't heard the song, but I assume that's by Ariana Grande. She has one of the most impressive voices in mainstream music today. I've been following her for like 9 years. She developed that voice. She has been singing since she was a kid. She used to actually perform for her parents every few days. She's also had lessons for years. See that? Even she recognized the importance of training.
 
You start out with the desire and then practice to get better.
 
 

There's far too little in that recording to determine if singing comes mroe naturally to you or not. However, it's not about talent, rather it's a decision. Unless they have some sort of physical impairment preventing them from doing so, anyone can learn to sing well.
Is it something you want to do? If you want to learn to sing, then do it. There's an incredible program linked on this site called The Four Pillars of Singing. There are also a lot of vocal coaches here, including myself. 
As for choosing a hobby in general: Is there something you really enjoy? Is there something you're naturally attracted to? Is there something you have been told you have a god-given natural talent for? As I said before, it's not really about talent, but rather about making a decision. However, if you have a natural gift for something you know you enjoy, then pursuing that thing can be a real pleasure too.

I have never sang before, or have taken it seriously and do not know how to sing properly. I don't really know anything about singing because it's something I never do, but my sister kept on playing 'Dangerous Woman' and the whole song got stuck in my head, so I sang to it. It's only 10 seconds of audio, but that's what memory was left on my phone. Do you think I have some talent? Is it something I should take up? I don't really have any hobbies so that's why I ask, kind of want to start doing things but I am only assessing where my strengths and weaknesses currently are at.  Thanks for your response! 
New Recording 5.m4a

I still have a bit of a difficult time handling distorted lines that go down in pitch and maintaining the distortion. I sometimes get to thin sounding. That's what Brian Johnson does as well, but I'd prefer not to. I'm going to work on it.

Yes, that's probably correct. It can actually help to think falsetto, but then really try to project to your voice and make it as loud as you can while bending at the waist and knees slightly each time you sing a line. And it can also help to think that you just want to go for it and basically scream your lungs out. Here's another tip, ask a band if you can try to sing Back in black and don't expect to nail it until after many, many tries and tell your band mates that you're just experimenting with this. That's what I did. They'll just be happy to play a song like this because it's a fun guitar song  . The lines are so high that it's impossible to land in chest voice and singing this stuff with a band is the only way for you to see all the difficulties of this type of singing style. If you're just practising this at home, you may THINK that you're covering all issues but might found out that some things are missing when you try this with a band.

Jonpall, great to see you in here again. Where you been? Don't be such a stranger.
Well, I have to say you do have that sort of Brian Johnson thing going on.... NICE JOB.
Sort of sounds like a hyper squeezed falsetto...